Posts by Brent Lorentson

Every once in a while a film comes along that not only takes you by surprise but exceeds all expectations and just sticks to you. Last year it was La La Land, and this year for me it is Good Time.  Checking out the trailer after the film began to pick up some buzz on the internet, I thought that it looked good, but nothing about the trailer stood out to me to lead me to believe this was anything special.  But the thing that the trailer just doesn’t seem to capture is the experience. As you often see the tagline “a thrill ride”, this may be the first time in a long time where I feel this generic tagline actually fits, because that is precisely what this film is.  From the moment the film takes off, it doesn’t let up till the closing credits begin.

It seems there is no end in sight for comic book properties being bought and turned into movies or television series. Lucifer is one of the newer properties getting the television treatment, and personally this was a title I was looking forward to. With Tom Kapinos (Californication and Dawson’s Creek) at the helm, this seemed like it would be a good fit, though one thing did nag at me. When you have a show called Lucifer and it is about the devil taking a vacation on Earth, is broadcast television really the proper outlet? As a fan of Californication I was excited to see what Kapinos would do with the material and for the most part the show doesn’t disappoint.

I used to be a basketball fan back in the '90s when Michael Jordan was a God on the court and you had Larry Johnson as “Grandmama” before Madea was ever a thing. Every year, some sort of inspirational sports story seems to come out. And for the most part it seems, whether it's basketball or another sport, it’s generally the same story. But every once in a while one of the films will break the mold and give us something special. Don’t get to excited: I’m not saying Wolves is one of those films, but it is at least better than most of the other films of its ilk.

“Of course I have issues; that’s my father.” 

When I walked out of the theater in 2014 after seeing Guardians of the Galaxy, I knew I had just seen something special, and knowing a sequel was already guaranteed had me excited to see what was next for this band of misfits.  Since the release in 2014 the film hasn’t just become my favorite Marvel film; it is one of my favorite films, period.  So as photos and trailers began to trickle out, I began to wonder if Guardians of the Galaxy Vol. 2 could actually hold up to the first.

A few minutes of watching the news lately will reflect an ongoing division in race, but the one divide that seems to be more prevalent is the one between blue- and white-collar Americans. The Purge franchise has tapped into this and the exploitation of the classes being ramped up to a high degree. But personally I feel that’s a franchise that still is missing a rawness that never quite allows you to feel that it is real; it’s like a dark fairytale of what may come in the distant future. Union Furnace, instead, takes a more grounded approach to the upper class taking advantage of those in need and presents what could be a terrifying reality going on in small town America.

Following the success of The Conjuring, it was no surprise that sequels would follow, but I have to admit seeing an Annabelle film was a bit unexpected. While The Conjuring was based on true events (as true as one may or may not wish to believe in the paranormal), Annabelle was mostly a work of fiction. I’ll admit I’m a bit of the fan of the Warrens and have read plenty about their investigations, and I certainly feel their life is ripe for the Hollywood treatment along with the hundreds of case files they developed over the years.  While the first Annabelle did well at the box office, it took a beating by critics, but those involved at the studio see that there is still money to be made as they continue to expand the franchise.

It’s difficult to be original and innovative when it comes to tackling a haunted house film. Ghost stories have been around for ages and told just about every way you can imagine, so what do you do to give the audience something they have never seen before? After coming back from directing Pete’s Dragon, writer/ director David Lowry a delivers a small intimate film that manages to take the haunted house story and makes it something unique from all the rest. Though when I say unique, and when I say innovative this may not be a positive for some. The film begins by introducing us to a couple played by Casey Affleck and Rooney Mara; their characters are simply credited as C & M.

An action film with a running time of 89 minutes should mean that it’s going to be lean on the story and keep things moving at a fast pace.  S.W.A.T: Under Siege delivers just that, but unfortunately in the process delivers something that we’ve seen many times before.  The film is being branded as a sequel (by name only) to S.W.A.T (2003), the film with Colin Farrell which was an adaptation from the TV series from the 70’s.  S.W.A.T: Under Siege has nothing to do with any of the previous incarnations, and has relocated from sunny California to Seattle Washington. But is the film worth checking out?  Well I’m not a fan of sequels that go straight to DVD, but this film does dangle a wild card for the audience that convinced me to give this a shot, Michael Jai White (Spawn, Black Dynamite).

Ever since Lionsgate acquired the Vestron Video collection and has been re-releasing these remastered titles, I have to say I’ve been in nostalgia heaven.  I remember seeing these VHS boxes in the horror section at my nearby video store and renting many of these to get my weekly horror fix. Waxwork was always a box cover I always appreciated, but one of the most memorable was Warlock, because in the sea of black VHS boxes with gory box art, Warlock was this white box with the mysterious Julian Sands and this menacing shadow in red. I even remember seeing the trailer attached to my VHS copy of The Monster Squad, and I always dug the trailer for the film, but it took forever for me to finally get to see the film

John Wick was an action film that seemed to sneak up on everyone. Sure, it had a great trailer, but I don’t think anyone expected to walk away from just how great it actually was. What made it so effective weren’t just the well-choreographed fights and the stylish look of the film, but it was the characters that while over the top, were also ones the audience could relate to. Atomic Blonde is helmed by half the directing team that gave us the first John Wick, and from what the trailers first teased us with, I came into it with hopes we’d get something special.  While on the surface I can’t say that this film surpasses John Wick, what it does is stand alone for being a culturally and socially important film as it delivers not just the ultimate badass female in an action film, but I believe the first that belongs in the LBGT community.  It’s a big deal what this character represents, but how does the rest of the film fare throughout the fistfights and shootouts?