Posted in: Disc Reviews by Brent Lorentson on November 10th, 2017
When it comes to Victorian era serial killers, Jack the Ripper is pretty much a household name. Whether you know much about the terror he caused in White Chapel, all these years later you still know the name and what he did. With The Limehouse Golem, the filmmakers create a more sinister serial killer and deliver a Hammer-esque murder mystery. I’m all for a dark murder mystery, and when a film is channeling other successful films like Seven and From Hell, you’d imagine that you’d be witnessing a terrifying gory spectacle. The result, however, left me frustrated, as the film seems to pull from other films but never quite presents an engaging story to go along with the quirky mix of characters.
Posted in: Disc Reviews by Brent Lorentson on October 27th, 2017
Ever since Birdman was released, it seems many filmmakers have been attempting to pull off the continuous take and outdo all the others. It was impressive when we all saw it the first time, but since then everything just seems like a bad knockoff. The newest film to follow this trend is Bushwick. While the camera work in the film does allow for an immersive experience, honestly it felt like I was in a first-person shooter video game, which was cool, but it seemed like the camera work was a distraction from the story. This is a frustrating film. On the technical side there is a lot to appreciate, but the moment you start looking at the story, the film seems to simply fall apart.
Posted in: The Reel World by Brent Lorentson on October 27th, 2017
As a director, George Clooney just hasn’t managed to reproduce the magic he had in his first effort Confessions of a Dangerous Mind. I keep hoping that we’ll get another film at that caliber, but it seems over and over it is a swing and a miss. Now he has his new film Suburbicon, and this could be his most divisive work to date. There is nothing wrong with adding a social commentary to a film, but sometimes adding it can be a distraction from the film. In the case of Suburbicon, it is a tale of two films that couldn’t be any more different from each other. First we have a tale of a family attempting to keep their lives together following a home invasion, and then we have the story of a black family moving into a white neighborhood and the backlash that follows.
Posted in: The Reel World by Brent Lorentson on October 20th, 2017
When I first heard about The Snowman, this was a movie that got me excited, that we could possibly have a great thriller to look forward to. At one point Martin Scorsese was attached to direct the film. He eventually backed out of the project, though he is still credited as an executive producer for the film. To step in for the directing duties, Tomas Alfredson got the call, and it’s his involvement that initially got me excited. Back in 2008 Alfredson directed Let the Right One In, which I consider to be one of the greatest horror films to be released in decades. It’s hard for some directors to meet expectations when their first films are such a success.
Posted in: Disc Reviews by Brent Lorentson on October 19th, 2017
When it comes to hearing the name Loch Ness, just about everyone will think about the giant lake where “Nessie” the mythical monster inhabits. Whether you are a believer or not thousands converge to the Scottish Highlands location in hopes to be one of the lucky ones to catch a peak of the elusive beast. But the Loch Ness I am talking about is a beast of a whole other ilk. Thought the TV series does take place in a small tourist town that thrives on the legend that haunts the cold water, the series instead is about a serial killer that has been unleashed upon the town and given its residents something more to fear other than a giant monster that roams the lake.
Posted in: Disc Reviews by Brent Lorentson on October 18th, 2017
It’s hard to believe it was way back in 1992 when Buffy the Vampire Slayer was first introduced to audiences. It was a title I had missed in the theaters, but I remember picking it up at our local mom-and-pop video store. With the title being what it was, to go in expecting more than a cheesy horror comedy filled with stakes, fangs, and witty dialog would be on the viewer. I wasn’t a huge fan of the film when I first saw it. I sort of felt like it was a film that was trying to be Fright Night, but let’s face it, there are very few vampire films that are as cool. It’s been over two decades since I last visited the film; how does it hold up? Well, to be honest, it’s grown on me quite a bit.
Posted in: Disc Reviews by Brent Lorentson on October 16th, 2017
For the most part it seems the summer blockbusters tend to be sequels, superhero films, or CGI bonanzas that are simply eye candy to get us to the dark auditoriums to escape the heat. It’s rare that something comes along that is so clever and fresh as Baby Driver. Personally I’ve been a fan of Edgar Wright from the moment I first saw Shaun of the Dead; he was a writer and director who I felt knew how to make films fun. When he was set to direct his dream project Ant-Man, I was excited to see him finally get a chance to do a giant tent-pole studio film, but weeks before filming was set to begin, he got pulled away and replaced.
Posted in: Disc Reviews by Brent Lorentson on October 13th, 2017
When a film like The Survivalist comes along, you somewhat have an idea what to expect when it’s being marketed as a “dystopian thriller”. I like these kinds of films, but for the most part many of them are just not very good and are just a carbon copy of previous dystopian films that came out prior to it. For years I’ d say the Mad Max series was the gold standard on what you should want to be. Waterworld at least attempted to be Mad Max, but rather than a desert wasteland it went the direction of the high seas. The Survivalist goes another direction; rather than a barren wasteland, or the ocean, it instead plunges deep into the wilderness after society has apparently collapsed and food has become scarce.
Posted in: Disc Reviews by Brent Lorentson on October 12th, 2017
In 2003 Open Water hit the screen; it was a success since at the time the found-footage genre hadn’t yet saturated the market. I thought it was a fun little movie that was creative, and what impressed me most of all was the use of the sharks in the film. The danger always felt real, and to a point it was a convincing film. It was inevitable that a sequel would follow, though it came and went so fast, it’s not big surprise that many seem to have forgotten the film existed. Now it’s nearly a decade since the sequel came out that we now have a third installment, Open Water 3: Cage Dive.
Posted in: No Huddle Reviews by Brent Lorentson on October 10th, 2017
It’s hard to believe it has already been twenty years since Buffy the Vampire Slayer first aired on television. I was still in high school at the time, and when I first heard about the show, I couldn’t have been any less excited. All I could think about was the cheesy movie that had Luke Perry. At the time horror was having a weird revamping so to speak. Horror seemed to stop being scary and instead went the direction of trying to be cool and have slick visuals, rather than deliver genuine scary tales.
