Posts by Brent Lorentson

It’s hard to believe it was way back in 1992 when Buffy the Vampire Slayer was first introduced to audiences. It was a title I had missed in the theaters, but I remember picking it up at our local mom-and-pop video store.  With the title being what it was, to go in expecting more than a cheesy horror comedy filled with stakes, fangs, and witty dialog would be on the viewer.  I wasn’t a huge fan of the film when I first saw it. I sort of felt like it was a film that was trying to be Fright Night, but let’s face it, there are very few vampire films that are as cool.  It’s been over two decades since I last visited the film; how does it hold up?  Well, to be honest, it’s grown on me quite a bit.

For the most part it seems the summer blockbusters tend to be sequels, superhero films, or CGI bonanzas that are simply eye candy to get us to the dark auditoriums to escape the heat. It’s rare that something comes along that is so clever and fresh as Baby Driver.  Personally I’ve been a fan of Edgar Wright from the moment I first saw Shaun of the Dead; he was a writer and director who I felt knew how to make films fun. When he was set to direct his dream project Ant-Man, I was excited to see him finally get a chance to do a giant tent-pole studio film, but weeks before filming was set to begin, he got pulled away and replaced.

When a film like The Survivalist comes along, you somewhat have an idea what to expect when it’s being marketed as a “dystopian thriller”. I like these kinds of films, but for the most part many of them are just not very good and are just a carbon copy of previous dystopian films that came out prior to it.  For years I’ d say the Mad Max series was the gold standard on what you should want to be. Waterworld at least attempted to be Mad Max, but rather than a desert wasteland it went the direction of the high seas. The Survivalist goes another direction; rather than a barren wasteland, or the ocean, it instead plunges deep into the wilderness after society has apparently collapsed and food has become scarce.

In 2003 Open Water hit the screen; it was a success since at the time the found-footage genre hadn’t yet saturated the market.  I thought it was a fun little movie that was creative, and what impressed me most of all was the use of the sharks in the film.  The danger always felt real, and to a point it was a convincing film.  It was inevitable that a sequel would follow, though it came and went so fast, it’s not big surprise that many seem to have forgotten the film existed.  Now it’s nearly a decade since the sequel came out that we now have a third installment, Open Water 3: Cage Dive.

It’s hard to believe it has already been twenty years since Buffy the Vampire Slayer first aired on television. I was still in high school at the time, and when I first heard about the show, I couldn’t have been any less excited. All I could think about was the cheesy movie that had Luke Perry.  At the time horror was having a weird revamping so to speak.  Horror seemed to stop being scary and instead went the direction of trying to be cool and have slick visuals, rather than deliver genuine scary tales.

In 2008 Taken first exploded on the big screen and not only created an action franchise but also took Liam Neeson from being a respected dramatic actor and transformed him into an action star.  It’s been nearly a decade, but now the action franchise is getting the television treatment where we get to see the revenge-fueled CIA agent in action before retirement.  Remember the now infamous line, “I don’t know who you are.  I don’t know what you want. If you are looking for ransom, I can tell you I don’t have money. But what I do have are a very particular set of skills, skills I have acquired over a very long career. Skills that make me a nightmare for people like you…” The

With a title like 2:22 it’s more than a little on-the-nose to point out something major is going to occur at this time.  For a film about premonitions, it’s a shame the film opens up as it does, because it leaves no mystery to the audience and simply tells us what is going to happen, or at least something close enough in the film’s final act.  I hate films that are done in flashback just as much as I hate it when it doesn’t put in the effort to conceal how things are going to unfold.  In a lot of ways the film is like Groundhog Day, only instead of the same day replaying over and over, it is the same events occurring over and over for our protagonist to figure out.

When it comes to ranking the top 10 cool movies of the past five years, Kingsman:The Secret Service would easily make the list.  From the opening sequence to the final credits, the movie was simply a fun ride with so many kick-ass moments. I mean, the fight in the church alone is worth the price of admission. The moment I heard Matthew Vaughn was returning to helm the sequel, I instantly got giddy with excitement. Heck, ever since his first film Layer Cake, the guy has managed to produce a stream of cool films that I’ve enjoyed. It’s when the trailer for the sequel first dropped something didn’t feel right;

When it comes to shows that simply sneak up on you and manage to suck you in, This Is Us would be a show I never saw coming nor expected to simply fall in love with.  As a show that is on network television, it stands toe to toe with the best that cable has to offer. But what is most surprising is that what sets this show apart from the rest of the pack isn’t a complex antihero or dragons; instead it is as simple as being a show that feels as anything I’ve seen on television in some time.  As the title would suggest This Is Us is simply about a family and the struggles and successes that come day to day, though as many of you can understand and relate, there is nothing simple about life and the constant hurdles that are thrown at us on a day to day basis.

To attempt to film in a single unbroken take is an ambitious move.  Alfred Hitchock did this with his film Rope, and though it’s an impressive achievement, it’s not one of his great films. What works against the film from the start is that it has to entertain its audience from start to finish, and that’s a difficult enough task for films that have well over 1000 different shots.  It’s a bold move, and it is what writer/director and camera operator Justin McConnell delivers us with his feature film Broken Mile.