Posted in: Disc Reviews by Brent Lorentson on July 31st, 2017
Ever since Lionsgate acquired the Vestron Video collection and has been re-releasing these remastered titles, I have to say I’ve been in nostalgia heaven. I remember seeing these VHS boxes in the horror section at my nearby video store and renting many of these to get my weekly horror fix. Waxwork was always a box cover I always appreciated, but one of the most memorable was Warlock, because in the sea of black VHS boxes with gory box art, Warlock was this white box with the mysterious Julian Sands and this menacing shadow in red. I even remember seeing the trailer attached to my VHS copy of The Monster Squad, and I always dug the trailer for the film, but it took forever for me to finally get to see the film
Posted in: The Reel World by Brent Lorentson on July 28th, 2017
John Wick was an action film that seemed to sneak up on everyone. Sure, it had a great trailer, but I don’t think anyone expected to walk away from just how great it actually was. What made it so effective weren’t just the well-choreographed fights and the stylish look of the film, but it was the characters that while over the top, were also ones the audience could relate to. Atomic Blonde is helmed by half the directing team that gave us the first John Wick, and from what the trailers first teased us with, I came into it with hopes we’d get something special. While on the surface I can’t say that this film surpasses John Wick, what it does is stand alone for being a culturally and socially important film as it delivers not just the ultimate badass female in an action film, but I believe the first that belongs in the LBGT community. It’s a big deal what this character represents, but how does the rest of the film fare throughout the fistfights and shootouts?
Posted in: The Reel World by Brent Lorentson on July 22nd, 2017
When Christopher Nolan has a new release, it’s an event to get excited about. There are few directors I can say this about. Sure, there are directors that I like, but still there are few who manage to capture what makes going to the cinema an experience. Dunkirk is his latest cinematic opus. Despite it being his shortest film, with the exception of The Following; this is the first time he has shot a film entirely in IMAX form. What’s the big deal? Well, aside from the picture being twice the size of the regular format, what he does with these cameras is deliver a beautifully striking picture of destruction and survival. There’s a lot of buzz going around with this film, and already it’s being looked at as the first real Oscar contender of the year. Is the film worth the hype? Is it really Nolan’s best picture?
Posted in: Disc Reviews by Brent Lorentson on July 19th, 2017
Every year it seems the “summer” movie season seems to start sooner than the year before. Here we are, the second Friday of March, and already we’ve seen the huge box office weekend for Logan, and now this weekend we have the release of Kong: Skull Island. Ever since Kong first graced the big screen back in 1933, every film that followed was a mega-event. Personally it wasn’t till 2005 that theatergoers got to fully experience the massive beast in all his glory as he became worthy of the title “the 8th wonder of the world”. Now we have Legendary Entertainment playing in the giant monster movie sandbox with plans to set up a series of monster films. All this leads up to the inevitable clash of the kaiju monsters where we will finally see the showdown of Godzilla vs. King Kong. Before we begin to get too excited, how does our current trip to Skull Island fare?
Posted in: No Huddle Reviews by Brent Lorentson on July 11th, 2017
From creator Guillermo del Toro (Hellboy, Blade 2) based off a book he co-wrote, The Strain has been a horror series that has continued to impress as it revs up to begin its fourth season on FX. It’s a show that centers around a vampire outbreak that began at JFK airport when a plane arrived with all its passengers and crew “dead”, and then things quickly spiraled out of hand. If your eyes rolled at the thought of simply another vampire story, let me take a moment to explain. What del Toro and Chuck Hogan created is a very unique take on the vampire lore, having their creature of the night more a victim of a wormlike parasite that creates a mutation in the body, and as we discover in Season Three, in the brain as well.
Posted in: No Huddle Reviews by Brent Lorentson on July 11th, 2017
The Monty Python comedy group has been a staple of British comedy for decades; personally my favorite film of theirs will always be Life of Brian. For director Terry Jones, it’s been a while since he has stepped behind the camera to helm a picture, and it’s been even longer since he directed the 1983 classic The Meaning of Life. It’s not uncommon for directors to step away for years only to come back and return with some kind of passion project. Add into this mix Simon Pegg, whose comedic timing I would have figured would make him a perfect fit for a Monty Python film / revival; it just seemed that Absolutely Anything had everything in place to be a success.
Posted in: Disc Reviews by Brent Lorentson on July 5th, 2017
When a film like The Belko Experiment comes along there is a part of me that wonders, how far off is the film from reality? Films like Death Race 2000, The Running Man, The Purge, and Battle Royale have all flirted with the idea of the government using murder as a form of entertainment while also using it as a way to control the public. You look at the violence in the world and how numb we’ve all seemed to have gotten towards violence in the news and our favorite TV shows. I can’t help but wonder, would it be so crazy to see murder on our television screens? Looking back at history and the gladiator times, there was murder for entertainment, where families would cheer on the bloodshed and carnage.
Posted in: The Reel World by Brent Lorentson on July 2nd, 2017
For the most part it seems the summer blockbusters tend to be sequels, superhero films, or CGI bonanzas that are simply eye candy to get us to films in the dark auditoriums to escape the heat. It’s rare that something comes along that is so clever and as fresh as Baby Driver. Personally I’ve been a fan of Edgar Wright from the moment I first saw Shaun of the Dead, he was a writer and director that I felt knew how to make films fun. When he was set to direct his dream project Ant-Man, I was excited to see him finally get a chance to do a giant tent-pole studio film, but weeks before filming was set to begin he got pulled away and replaced. When it got announced he was working on an action-comedy named Baby Driver well I was excited but the film’s title had me scared, fears of him doing something along the lines of Baby’s Day Out ran through my mind
Posted in: Disc Reviews by Brent Lorentson on June 30th, 2017
From the vaults of Vestron Video has unleashed The Unholy for horror fans to indulge in for the first time on Blu-ray. Growing up and going to a Catholic school, films like The Exorcist and The Unholy managed to be all the more terrifying to me because the prospect of demons coming from hell was thought to be a possibility. Sure, Freddy and Jason could get the young me nervous at night, but what films like The Unholy presented were the kind of thoughts that had me afraid to keep the lights off at night. But does the film hold up decades later? That’s a tough call, but with the new digitally restored version of the film now hitting the shelves, it’s worth grabbing a little holy water and checking out.
Posted in: No Huddle Reviews by Brent Lorentson on June 29th, 2017
When it comes to Writer, Director, Producer, Walter Hill is simply one of the best at doing the traditional tough-guy movies. Films like The Warriors and 48 Hours are simply staples of my childhood; he even was involved with Alien, which I believe is one of the best sci-fi/horror films ever made, yet his star has seemed to fade as the years have passed. His work on the underappreciated Bullet to the Head I felt was a nice throwback to the features he made back in his heyday and had me realize how much his voice is missed in today’s cinema. This week, Shout Factory rolls out a blast from the past with the 1992 film Trespass.
