Posts by Brent Lorentson

Ever since writer/director Jeremy Saulnier came out with his gripping revenge film Blue Ruin, fans have been patiently waiting to see what he’d do next.  If you have not had the chance to see Blue Ruin and you are a fan of the revenge genre, it’s a film that is certainly a must-see and is one of the few films that lives up to the hype that surrounds it.  The problem with doing such a strong and powerful film so early in your career is that expectations seem to just skyrocket, and it seems there is just no way you can make everyone happy.  As a fan first and critic second, I know I’ve been guilty of doing this in the past. It’s almost impossible to not get excited, and at the screening for this film I know I was not the only one with high expectations.

Based on the story “The Colorado Kid” by Stephen King, the SyFy series Haven comes to its end with the last 13 episodes for the final season. When we were last in Haven a fog bank surrounded the small coastal Maine town and Duke (Eric Balfour) accidently unleashed all his “troubles” upon the town.  Things were not just looking bad for the town; in fact this may be the darkest days they’ve had to encounter.  Would 13 episodes be enough to wrap up all the loose ends and finally allow the town of Haven to be normal, or would this take a darker turn and dare to leave the town to suffer its doom to the mysterious Croatoan?  Well, I’m not about to spoil anything, so rest easy, fans, but I should say that not everyone is going to make it through this alive; in fact, I can say this season kept me on edge from start to finish.

Besides the fact that The Lady in the Car with Glasses and a Gun has one of the most excessive titles that I’ve seen since Things to Do in Denver When You’re Dead, the film just might be one of the most bonkers I’ve seen as well.  Not only was the film a remake from back in 1976, but it is also based off the novel from author Sebastien Japrisot.  I’ve never seen the first film, nor have I read the book, so when I came into viewing this film I came into it with few to no expectations.  Going by the trailer I had figured this would be just a simple straightforward thriller; I couldn’t have been any more mistaken.

For the Gasparilla International Film Festival, to nab the latest film from writer/director Richard Linklater is kind of a big deal. GIFF was the second festival to show Everybody Wants Some after its debut at the acclaimed South by Southwest festival.  With the film being lauded as a spiritual sequel to Linklater’s cult hit Dazed and Confused, I had to admit I was a bit skeptical about this film and its ability to even match up to its predecessor; after all, it was the indie darling that helped launched the careers of Matthew McConaughey, Ben Affleck, Milla Jovovich, and many others.  This ensemble of talented up-and-comers managed to capture this cinematic lightning in a bottle about high school, and for me it’s a film I manage to watch at least once a year when I come across someone who hasn’t yet seen the film.

It has been “Ten years of film,” the Gasparilla International Film Festival touts proudly upon its program magazine. It’s certainly a feat to be proud of for a festival that has had its share of troubles over the years and at one point was seriously close to never happening again.  But in 2016 the festival is ready to kick things off on a beautiful spring day in the heart of downtown Tampa, Florida at the Tampa Theatre for its opening night film Eye in the Sky.  The red carpet is rolled out for this big-time affair that has drawn a fair amount of media attention and plenty of festival-goers to fill the historic theatre to experience this moment when Hollywood comes into our city to put on a cinematic show.  And over the next few days film fans will be flooding down the aisles to look upon the screen, to take in a few films and have a chance to experience a film with the potential to be the next great classic, or perhaps its only public viewing.

David Crane struck television gold after creating not just one of the biggest comedies of the 90’s but one of the biggest shows of all time when he created Friends.  Love it or hate it, Friends was a series you just couldn’t escape while it dominated the ratings through its 10-season run.  Well over a decade since the show has gone off the air; it’s a show that continues to thrive in syndication.  And that is where Episodes picks up, the show from Friends creator David Crane and starring Matt LeBlanc, who plays himself in a show that parodies the life of a fading celebrity who is struggling to find his next big hit.

It comes as no surprise that even in 2016 we continue to have issues with how we handle and discipline criminals while they are incarcerated.  We have a system that pulls in troubled youths that seem to come and go through the judicial system and seem to spend a majority of their lives behind bars.  Hollywood has seemed have an eye on this problem and has churned out many films about misunderstood inmates that are incarcerated and are unfairly treated by the system and those who are in control of the inmates.  Cool Hand Luke, Sleepers, and The Shawshank Redemption are a couple films that jump out at me, and today it’s Stealing Cars that dares to explore this problem.

Any time I would catch the show Storage Wars, I always would watch with this morbid curiosity with the hopes that one day they’d open a storage unit and discover something more than a few lost boxes.  With the millions of storage units that are spread throughout the country, you’d have to imagine that hidden away in a couple of these units are some pretty awful things that would turn the stomachs of most.  Is this simply a thought I have from watching too many horror films? Most likely, but I can’t be the only one out there; after all it would seem this line of thinking is what brought The Hoarder to the screen.  In the new horror release we get to discover there is more to fear than a few old dust bunnies when venturing out to the local storage unit; in fact it can possibly turn into a trip you may never return from.

Keanu Reeves is a guy who I don’t think anyone would be crazy enough to say is a “great actor”, but instead he’s a guy who has been in some pretty great films.  For me he’s an actor I grew up with from his days doing the Bill and Ted movies and Point Break. (Seriously, how dare they attempt to remake that gem?)  Between Speed and The Matrix, those are the two movies I’ve held onto for so long as his career took a more interesting turn; that is until John Wick came along and blew my mind with all the insane coolness that was up on the screen.  Finally it seemed I was on track to getting the Keanu Reeves that I grew up watching.  I know, so what’s the point of all this?  Well, until now, none of the Reeves films that I’ve liked could I really say it was because of his performance, and Exposed is finally the film he’s needed where he can show he’s more than just a brooding action star.

The name Quentin Tarantino carries the weight of legacy as such directors as Alfred Hitchcock, Steven Spielberg, and more recently Christopher Nolan.  I’m not saying one is better than the other, but simply by name recognition alone Tarantino is in the company of directors that when you hear that his name is attached there will be a loyal fan base flocking to the theaters to see what they have to dazzle us with.  This time around Tarantino returns to the cinema in his biggest release to date; in glorious 70mm we have The Hateful Eight