Posted in: Disc Reviews by Brent Lorentson on April 28th, 2016
Based on the story “The Colorado Kid” by Stephen King, the SyFy series Haven comes to its end with the last 13 episodes for the final season. When we were last in Haven a fog bank surrounded the small coastal Maine town and Duke (Eric Balfour) accidently unleashed all his “troubles” upon the town. Things were not just looking bad for the town; in fact this may be the darkest days they’ve had to encounter. Would 13 episodes be enough to wrap up all the loose ends and finally allow the town of Haven to be normal, or would this take a darker turn and dare to leave the town to suffer its doom to the mysterious Croatoan? Well, I’m not about to spoil anything, so rest easy, fans, but I should say that not everyone is going to make it through this alive; in fact, I can say this season kept me on edge from start to finish.
With no escape from Haven and half the town infected with “troubles”, the town goes under the command of the Order with Dwight (Adam Copeland) stepping up to take charge. As you would imagine with the Order taking control, this is the equivalent of martial law going into effect, but with so much chaos going on, the town is practically a war zone. These are the darkest days Haven has experienced, and in the second episode of the season, “Power”, we see Audrey Parker (Emily Rose) and Nathan (Lucas Bryant) take on a trouble that kills whoever is caught in the darkness. If that wasn’t bad enough, the power plant is shutting down, and the generators at the school where everyone is huddled around the light, well, the generators are not going to hold up long unless someone comes up with a plan.
Posted in: Disc Reviews by Brent Lorentson on April 25th, 2016
Besides the fact that The Lady in the Car with Glasses and a Gun has one of the most excessive titles that I’ve seen since Things to Do in Denver When You’re Dead, the film just might be one of the most bonkers I’ve seen as well. Not only was the film a remake from back in 1976, but it is also based off the novel from author Sebastien Japrisot. I’ve never seen the first film, nor have I read the book, so when I came into viewing this film I came into it with few to no expectations. Going by the trailer I had figured this would be just a simple straightforward thriller; I couldn’t have been any more mistaken.
When we meet Dany (Freya Mavor), she comes off as an insecure woman who seems to want nothing more than to be beautiful and to eventually get to see the coast and view the sea. It’s hard to sympathize about the beauty part, because despite the halfhearted attempts to have Dany appear unattractive, you’d have to be blind to not notice her beauty. It reminds me of the 80’s cliché when the girl was considered ugly, that is until she removed her glasses and let down her hair, and then like magic she goes from ugly duckling to the most beautiful girl in school. It’s silly how we still see this in film, but nevertheless that is what is going on here. Dany is a meek secretary who is itchy for a chance to step out of her shell as she fantasizes about her boss. And it’s when a chance opportunity comes to visit his home and work there over the weekend that she further dreams about the possibilities that can unfold.
Posted in: The Reel World by Brent Lorentson on April 19th, 2016
For the Gasparilla International Film Festival, to nab the latest film from writer/director Richard Linklater is kind of a big deal. GIFF was the second festival to show Everybody Wants Some after its debut at the acclaimed South by Southwest festival. With the film being lauded as a spiritual sequel to Linklater’s cult hit Dazed and Confused, I had to admit I was a bit skeptical about this film and its ability to even match up to its predecessor; after all, it was the indie darling that helped launched the careers of Matthew McConaughey, Ben Affleck, Milla Jovovich, and many others. This ensemble of talented up-and-comers managed to capture this cinematic lightning in a bottle about high school, and for me it’s a film I manage to watch at least once a year when I come across someone who hasn’t yet seen the film. So how does the film hold up in the face of such expectations? For me this isn’t just a fun film, but I’m taking a stand and calling this the best party film to date (and yes, I’m daring to say it’s better than Animal House.)
It’s time to take a trip back to 1980, a time before social media was ever a thing, and when cars came with tape decks filled with cassettes and people who had record collections were not hit with being called hipsters. The star of this film for me is the music that is beautifully strung through the film, whether we’re listening to Van Halen, Sugar Hill Gang, or The Knack, what we have is a great assortment of music to set the tone of the film, and we get a musical bag of ear candy to indulge.
Posted in: Random Fun by Brent Lorentson on April 15th, 2016
It has been “Ten years of film,” the Gasparilla International Film Festival touts proudly upon its program magazine. It’s certainly a feat to be proud of for a festival that has had its share of troubles over the years and at one point was seriously close to never happening again. But in 2016 the festival is ready to kick things off on a beautiful spring day in the heart of downtown Tampa, Florida at the Tampa Theatre for its opening night film Eye in the Sky. The red carpet is rolled out for this big-time affair that has drawn a fair amount of media attention and plenty of festival-goers to fill the historic theatre to experience this moment when Hollywood comes into our city to put on a cinematic show. And over the next few days film fans will be flooding down the aisles to look upon the screen, to take in a few films and have a chance to experience a film with the potential to be the next great classic, or perhaps its only public viewing.
Opening night goes just about as you would expect as the beautiful people of the Tampa Bay area gather together for photos while an excited buzz works through the crowd. Flashbulbs ignite as director Gavin Hood (Enders Game, Eye in the Sky) takes photos and fields questions from various reporters. For some fans, over the course of the night this will be their chance to rub shoulders with various filmmakers and go away with stories to tell their friends about who they got to meet. After all, it’s at these festivals where the filmmakers get a chance to step out in front of an audience and discuss their latest film and engage various fans while enjoying some cocktails.
Posted in: No Huddle Reviews by Brent Lorentson on April 15th, 2016
David Crane struck television gold after creating not just one of the biggest comedies of the 90’s but one of the biggest shows of all time when he created Friends. Love it or hate it, Friends was a series you just couldn’t escape while it dominated the ratings through its 10-season run. Well over a decade since the show has gone off the air; it’s a show that continues to thrive in syndication. And that is where Episodes picks up, the show from Friends creator David Crane and starring Matt LeBlanc, who plays himself in a show that parodies the life of a fading celebrity who is struggling to find his next big hit.
The new season picks up with Sean (Stephen Mangan) and Beverly (Tamsin Greig) attempting to get a new show of theirs green-lit as their previous show “Pucks” teeters on finally being cancelled. Sean and Beverly are the charming anchors for the show and are the real stars of the show as we follow along with their struggles with the Hollywood system; every time they seem to get ahead and have control of their new series, it comes with a cost. The struggles seem to be so absurd but could easily have been situations that television writers encounter on a daily basis.
Posted in: No Huddle Reviews by Brent Lorentson on April 10th, 2016
It comes as no surprise that even in 2016 we continue to have issues with how we handle and discipline criminals while they are incarcerated. We have a system that pulls in troubled youths that seem to come and go through the judicial system and seem to spend a majority of their lives behind bars. Hollywood has seemed have an eye on this problem and has churned out many films about misunderstood inmates that are incarcerated and are unfairly treated by the system and those who are in control of the inmates. Cool Hand Luke, Sleepers, and The Shawshank Redemption are a couple films that jump out at me, and today it’s Stealing Cars that dares to explore this problem.
Billy (Emory Cohen) is basically your rebellious teenager who we meet in the opening scene as he is stealing a car and having a little joyride before the police finally catch up to him. As anyone can expect, when Billy arrives to the detention center he receives a less than warm welcome from one of the guards, Conrad (Paul Sparks) who seems to have it in for Billy from day one. To be fair though, Billy is far from being the model inmate and wastes no time making an obnoxious spectacle of himself during his first days in custody.
Posted in: No Huddle Reviews by Brent Lorentson on April 7th, 2016
Any time I would catch the show Storage Wars, I always would watch with this morbid curiosity with the hopes that one day they’d open a storage unit and discover something more than a few lost boxes. With the millions of storage units that are spread throughout the country, you’d have to imagine that hidden away in a couple of these units are some pretty awful things that would turn the stomachs of most. Is this simply a thought I have from watching too many horror films? Most likely, but I can’t be the only one out there; after all it would seem this line of thinking is what brought The Hoarder to the screen. In the new horror release we get to discover there is more to fear than a few old dust bunnies when venturing out to the local storage unit; in fact it can possibly turn into a trip you may never return from.
Ella (Mischa Barton) is having doubts about her current boyfriend; they are the kind of doubts that lead her to believe he has something to hide in his storage unit. After she’s swiped his card key to the unit, Ella drags her best friend Molly (Emily Atack) along to see what all they can find.
Posted in: Disc Reviews by Brent Lorentson on April 3rd, 2016
Keanu Reeves is a guy who I don’t think anyone would be crazy enough to say is a “great actor”, but instead he’s a guy who has been in some pretty great films. For me he’s an actor I grew up with from his days doing the Bill and Ted movies and Point Break. (Seriously, how dare they attempt to remake that gem?) Between Speed and The Matrix, those are the two movies I’ve held onto for so long as his career took a more interesting turn; that is until John Wick came along and blew my mind with all the insane coolness that was up on the screen. Finally it seemed I was on track to getting the Keanu Reeves that I grew up watching. I know, so what’s the point of all this? Well, until now, none of the Reeves films that I’ve liked could I really say it was because of his performance, and Exposed is finally the film he’s needed where he can show he’s more than just a brooding action star.
Isabel (Ana De Armas) is a young woman who has done everything she can to be a good person. She’s filled with love and devotion to her husband and family, and when it comes to her job, working with children, there is no better-suited person to be tasked with watching your kid. Basically Isabel is as close to perfect a person can get through the eyes of her faith. When we see her walking alone late at night through a subway station, you just know this can’t possibly end well for her, though what follows is a bit of a head-turner as she encounters a strange albino man in a suit who has the ability to float above the tracks. Is it an angel that has come to her, or is there something more sinister at play? This is something that isn’t answered until things seem to get even stranger for her.
Posted in: Disc Reviews by Brent Lorentson on March 30th, 2016
The name Quentin Tarantino carries the weight of legacy as such directors as Alfred Hitchcock, Steven Spielberg, and more recently Christopher Nolan. I’m not saying one is better than the other, but simply by name recognition alone Tarantino is in the company of directors that when you hear that his name is attached there will be a loyal fan base flocking to the theaters to see what they have to dazzle us with. This time around Tarantino returns to the cinema in his biggest release to date; in glorious 70mm we have The Hateful Eight. Tarantino returns to the Western genre, only this time he heads out west to Wyoming to thrust us into his most claustrophobic setting since Reservoir Dogs. Let me just come out of the gate and say that if you’re looking for the over-the-top fun you found in Django Unchained, you’re going to have to readjust those expectations; this time around we are given something much more intimate and all the more rich with dark humor.
John “The Hangman” Ruth (Kurt Russell) is a bounty hunter on his way to turn in his prisoner, Daisy Domergue (Jennifer Jason Leigh) to hang. It’s along their stagecoach ride they come across another bounty hunter, Major Warren (Samuel L Jackson) who is looking to collect on a bounty of his own, only his prisoners are already dead. As we’ve seen in previous Tarantino films, he chooses to tell his story in chapter form, and for the first chapter of the film we spend it getting to know this trio of unsavory characters. If you were hoping chapter two would pick things up in the action department, I’m sorry to say instead it is spent with a new passenger hopping aboard to avoid the oncoming blizzard. The new passenger is Chris Mannix (Walton Goggins); he’s the newly appointed Sheriff in the town Ruth plans on taking his prisoner to hang in, and it’s with this new addition the dialog only continues to flow.
Posted in: No Huddle Reviews by Brent Lorentson on March 17th, 2016
Here we go, yet another killer crocodile film to whet your appetites for fun, cheesy gore and perhaps a late-night scare or two. Sure, the thought of another killer crocodile film may cause some (OK, many) to roll their eyes, but in the killer-animal genre, it’s the crocs and gators that still manage to get my attention. Perhaps it’s because I’m a Florida boy, born and raised, and around these parts it’s not much of a surprise to hear about gators being found in the strangest places. With The Hatching bringing us some cold-blooded horror out of the UK, I figure I’ll test the waters with this film from across the pond and see what it has to offer.
Three young boys decide one night that they are going to break into the local zoo; while on their late-night escapade, the boys have an accident, and one of them doesn’t make it out alive. After being away from his home in Somerset, Tim (Andre Lee Potts) returns after 15 years following the death of his father. It’s not long after Tim’s return to Somerset that people and animals start to disappear, leaving only a trail of body parts behind.
