Posted in: No Huddle Reviews by Brent Lorentson on May 19th, 2016
There seems to be so much information and films about Helter Skelter and the atrocities Charles Manson and his followers committed. Though the notorious Sharon Tate murder took place decades ago, it continues to be a crime that fascinates people to this day. As interest in the story continues to thrive in the media, whether it be in books or various films, it seems it’s getting harder to find a fresh spin on the story, or at least one that will garner more attention. Manson’s Lost Girls is a new extension to the story about the events that led up to the fateful night that would forever leave its mark on America pop culture, but does it bring anything new to the table? Well, it doesn’t present a new perspective on the crime spree, but sadly its execution is a well-polished mess that simply doesn’t add up.
Posted in: The Reel World by Brent Lorentson on May 15th, 2016
Hollywood has a long-running reputation for doing films about the little man taking a stand against corporate greed. Not only does everyone seem to like an underdog story, but when a story comes along where the everyday blue collar worker gets to go head to head against pharmaceutical companies, or Wall Street in general, it’s a no-brainer this could have commercial appeal. Films like Mad City, John Q, and last years The Big Short are all films that seem to have an influence on Money Monster, but what would it bring to the table? With Jodie Foster (Little Man Tate, The Beaver) at the helm and with George Clooney and Julia Roberts leading the cast, this was a film that grabbed my interest, but following the release of the trailer, I felt I already saw the entire film in a matter of three minutes. Or did the film have a few surprises hiding up its sleeve?
Posted in: Disc Reviews by Brent Lorentson on May 10th, 2016
With every day that passes we lose those who survived the horrors of World War 2, and eventually there will no longer be those with memories to share from the past, and all that will be left are the films and newspapers from another era. As these survivors grow older, their memories fade, and all that is left are fragments pieced together from what they can remember. In the new film Remember from Atom Egoyan, he delivers an intimate tale about a man suffering from dementia who is seeking revenge for atrocities committed in the past. Considering Egoyan’s last film left me a little underwhelmed I went into this film with caution, and the result is that I think this may be Egoyan’s best work.
Posted in: Disc Reviews by Brent Lorentson on May 4th, 2016
Whatever happened to the days of telling a story without having some kind of gimmick or need to have to have a twist in the plot to show the viewer just how clever you are? I blame The Sixth Sense for this, because ever since the film came out it seems a requirement to be considered a thriller is you have to have some kind of twist, whether it’s at the midpoint or towards the end, somehow you have to find a way to jam that twist in there. I’m not saying let’s just throw the ban hammer down on all twists, but they should be used to only further the plot, because at this point it’s just gotten silly, and when you start piecing things together after the film you realize how little sense it all makes.
Posted in: No Huddle Reviews by Brent Lorentson on May 2nd, 2016
I feel I should start this off with a little disclaimer; if you are the least bit squeamish and can’t handle the sight of blood and gore, click out of this review as fast as you can, because things are about to get a little bit messy as I delve into the American Guinea Pig series. For those of you who hung around, I’m guessing you’re either a gore hound or simply have a morbid curiosity as to what this film is all about. Some of you may already know about the Guinea Pig series, but for those who don’t, here is a little crash course for you.
Posted in: The Reel World by Brent Lorentson on April 28th, 2016
Ever since writer/director Jeremy Saulnier came out with his gripping revenge film Blue Ruin, fans have been patiently waiting to see what he’d do next. If you have not had the chance to see Blue Ruin and you are a fan of the revenge genre, it’s a film that is certainly a must-see and is one of the few films that lives up to the hype that surrounds it. The problem with doing such a strong and powerful film so early in your career is that expectations seem to just skyrocket, and it seems there is just no way you can make everyone happy. As a fan first and critic second, I know I’ve been guilty of doing this in the past. It’s almost impossible to not get excited, and at the screening for this film I know I was not the only one with high expectations.
Posted in: Disc Reviews by Brent Lorentson on April 28th, 2016
Based on the story “The Colorado Kid” by Stephen King, the SyFy series Haven comes to its end with the last 13 episodes for the final season. When we were last in Haven a fog bank surrounded the small coastal Maine town and Duke (Eric Balfour) accidently unleashed all his “troubles” upon the town. Things were not just looking bad for the town; in fact this may be the darkest days they’ve had to encounter. Would 13 episodes be enough to wrap up all the loose ends and finally allow the town of Haven to be normal, or would this take a darker turn and dare to leave the town to suffer its doom to the mysterious Croatoan? Well, I’m not about to spoil anything, so rest easy, fans, but I should say that not everyone is going to make it through this alive; in fact, I can say this season kept me on edge from start to finish.
Posted in: Disc Reviews by Brent Lorentson on April 25th, 2016
Besides the fact that The Lady in the Car with Glasses and a Gun has one of the most excessive titles that I’ve seen since Things to Do in Denver When You’re Dead, the film just might be one of the most bonkers I’ve seen as well. Not only was the film a remake from back in 1976, but it is also based off the novel from author Sebastien Japrisot. I’ve never seen the first film, nor have I read the book, so when I came into viewing this film I came into it with few to no expectations. Going by the trailer I had figured this would be just a simple straightforward thriller; I couldn’t have been any more mistaken.
Posted in: The Reel World by Brent Lorentson on April 19th, 2016
For the Gasparilla International Film Festival, to nab the latest film from writer/director Richard Linklater is kind of a big deal. GIFF was the second festival to show Everybody Wants Some after its debut at the acclaimed South by Southwest festival. With the film being lauded as a spiritual sequel to Linklater’s cult hit Dazed and Confused, I had to admit I was a bit skeptical about this film and its ability to even match up to its predecessor; after all, it was the indie darling that helped launched the careers of Matthew McConaughey, Ben Affleck, Milla Jovovich, and many others. This ensemble of talented up-and-comers managed to capture this cinematic lightning in a bottle about high school, and for me it’s a film I manage to watch at least once a year when I come across someone who hasn’t yet seen the film.
Posted in: Random Fun by Brent Lorentson on April 15th, 2016
It has been “Ten years of film,” the Gasparilla International Film Festival touts proudly upon its program magazine. It’s certainly a feat to be proud of for a festival that has had its share of troubles over the years and at one point was seriously close to never happening again. But in 2016 the festival is ready to kick things off on a beautiful spring day in the heart of downtown Tampa, Florida at the Tampa Theatre for its opening night film Eye in the Sky. The red carpet is rolled out for this big-time affair that has drawn a fair amount of media attention and plenty of festival-goers to fill the historic theatre to experience this moment when Hollywood comes into our city to put on a cinematic show. And over the next few days film fans will be flooding down the aisles to look upon the screen, to take in a few films and have a chance to experience a film with the potential to be the next great classic, or perhaps its only public viewing.
