Posted in: The Reel World by Brent Lorentson on July 2nd, 2016
I’ve always been a fan of Tarzan; I loved the old series and the films basically because I just dug how he was this fearless character who lived in the jungles that fought the bad guys and a few wild animals as well. As I got older that was when I discovered the books of Edgar Rice Burroughs, and I just had a blast with all these pulp tales about the civilized Wildman and the beautiful Jane. I even remember how excited I was about seeing Greystoke: The Legend of Tarzan as a kid; even though this screen adaption bored me to tears, it was still exciting to see the character up on the screen. Now it’s 2016, and the character is swinging into action on the big screen again, and with a large budget to back it up. The trailers had me excited; everything seemed to look how I always hoped a Tarzan movie should be. Did the film manage to meet my expectations? Well, it came close, and the result is a film that shows how the wrong director can ruin a great story.
The casting of Alexander Skarsgard is just about as good as you can hope for in casting the role of Tarzan/ John Clayton. It’s absolutely vital how important it is to get the physical look of the character and make it believable that he can be stealthy, as well as a brute force that can fight giant apes and crocodiles but still look the part of a British lord. Sure, many audience-goers will enjoy the numerous shirtless scenes the film offers, but it makes it all the more believable when we see the character pull off some superhero-like scenes. When it comes to the casting of Margot Robbie as Jane, she is a knockout here. She plays this damsel (not so) in distress in such a charming loveable way that it’s clear that by the end of summer following the release of Suicide Squad she will be the A-list actress off Hollywood. She brings so much life to Jane that you can understand why Tarzan will do just about anything for this woman, and when they are together it’s a chemistry that has me hoping so much that we’ll get more adventures of Tarzan and Jane.
Posted in: The Reel World by Brent Lorentson on June 26th, 2016
You’d have to go all the way back to 1975 when Jaws was released that a film has come out that has given us a reason to be afraid to go into the water. There have been several attempts to capture the magic that we saw in Stephen Spielberg’s classic film about a large great white shark that preyed upon the swimmers in the town of Amity. Now that summer is upon us and the heat has us flocking to our A/C units or to the beaches, it couldn’t be a better time to unleash another killer shark film upon the masses. I have to admit when the trailers came out for this, all I expected from it was to be a campy film that just happened to be well shot. Instead director Jaume Collet-Serra (Run All Night & Orphan) delivers an enjoyable thriller.
Nancy (Blake Lively) is a med-student who has just about finished all her schooling but is struggling with the death of her mother from cancer. She leaves her home and school in Texas to take a trip to Mexico to find a secluded beach her mother used to speak so fondly of. It doesn’t take much to make a connection with Nancy and respect her choice to come to terms with the loss of her mom. Her father, played by Brett Cullen, wants her to come back home and finish school, but Nancy is conflicted with her faith in medicine, so who can blame her for wanting to grab her bikini and do some surfing to battle her grief?
Posted in: The Reel World by Brent Lorentson on June 23rd, 2016
“Are you food, or are you sex?”
When it comes to director Nicolas Winding Refn, he’s a director I’m never all too sure what to expect from. For me, Drive is one of my favorite films in the past ten years, while Only God Forgives simply bored me; despite the stunning imagery, it had nothing else going for it. His films going even further back are just as much of a mixed bag, so coming into The Neon Demon I knew better than to get my hopes up, and that I should just go ahead and let the film stand on its own, as it should. Even reading about its debut at Cannes, it was met with a mix of boos as well as applause, which was all I really needed to get interested in this film after seeing the visually impressive trailer. At a glance it appears to be nothing more than the story of Black Swan (2010), only instead of following dancers, this is a film that thrusts the viewer into the world of modeling. Just where do I stand on this film? Well, it’s stuck with me since our screening days ago, and I’m still processing everything.
Posted in: Disc Reviews by Brent Lorentson on June 22nd, 2016
Disaster films are something that for me screams American cinema of the 90’s. I know there were films before that had come out, but a good portion of my teen years of the 90’s were of the mega-blockbuster variety like Twister, Dante’s Peak, The Perfect Storm, and so forth. Now we have The Wave, the first disaster film to come out of Norway, and from the looks of the trailers they were going for something BIG. This is a film that comes out with so much potential and is a film that could even possibly find an American audience that could look past the fact that subtitles may be involved. With the way technology has come along over the years, smaller countries have been able to produce films as big as anything released in our cinemas here in the states. Now here’s the question: is it any good, though?
Welcome to the small mountain town of Geiranger, Norway. It’s a quaint little town that attracts tourists with its isolation and beautiful landscape. But having this little slice of vacation paradise comes at a price. Geiranger sits in an area that has a lot of activity with the rocks moving beneath the surface, this movement geologists believe will one day cause a collapse of a mountain spilling into the fjord below which will create a massive Tsunami. Basically Geiranger is a town simply waiting to be wiped out by this massive wave. This is where we meet Kristian (Kristoffer Joner), a geologist that has been studying Geiranger for years but is now moving away to the city for a “better job”. It comes as no surprise that as he and his family are packing and ready to move that Kristian is troubled by recent recordings from around the area and has a feeling something bad is going to happen. (One thing I’ve learned from disaster films, always listen to the nut job that believes the end is coming.)
Posted in: No Huddle Reviews by Brent Lorentson on June 16th, 2016
“And away we go”
While I enjoyed the first season of Rick and Morty, I wasn’t all that sure about the show’s staying power with Adult Swim. I’d talked about the show with some friends, but for the most part this seems to be a show that finds its fan base more in their late teens. It’s fair to say it’s been more than a few years since I was a teenager, so perhaps it shouldn’t be much of a surprise I was a little hesitant with this season (feel free to check out my review of Season 1). Maybe I’m just more in touch with my inner teen, or maybe Rick and Morty has stepped out and into the realm of a broader audience, because Season 2 kept me laughing throughout. The show, for those who may be unfamiliar, is something of a blend between Back to the Future and more than a sprinkle of Futurama. If that sounds like a fun ride, well, then this may be the animated series for you.
Posted in: Disc Reviews by Brent Lorentson on June 15th, 2016
Bad Robot, in my eyes, is simply the best at keeping things a secret. In this day and age, to be able to surprise audiences is just about an impossible task. When the first Cloverfield trailer was released in 2007 in front of Transformers, it was a trailer that had us all guessing up until its release. In my opinion Cloverfield was one of the best found-footage films to come out and was a grand achievement, considering it was a monster film that had been pretty much been kept under wraps until its actual release. Bad Robot managed to surprise us again, releasing a trailer for 10 Cloverfield Lane that set the internet on fire with theories and hopes for this to be a long-awaited sequel. But is that what this really is?
What I want to go ahead and get out of the way is, if you’re hoping for spoilers, there will be none, other than to say if you are expecting a big-budget extravaganza filled with monsters destroying cities, this is not that film. Don’t waste your money on the big IMAX presentation, because you will feel cheated. Instead, what 10 Cloverfield Lane delivers is something more intimate than I would have expected, and it takes the thriller genre back to its basics.
Posted in: No Huddle Reviews by Brent Lorentson on June 12th, 2016
With the success of the Teen Wolf series, it comes as no surprise that MTV would not just capitalize on creating another genre series to the channel, but also tap into the success of a young adult book series. It seems like a no-brainer. Tackling the book series of The Shannara Chronicles was a big risk for the network, with a large cast and a lot of effects, but most importantly, this may be the most dramatic shift the network has had in appealing to a demographic. Really, let’s take a moment and realize how the network that once appealed to the audience that praised the exploits of The Jersey Shore is now attempting to appeal to a geekier and, let’s face it, a smarter audience. It’s a true sign of the times and how things have changed, and it’s a change for the better.
The Shannara Chronicles takes place on Earth, many years after the planet suffered through some cataclysmic event. The world, or at least as far as I can tell, America, is now known as The Four Lands. When the series opens up we are introduced to Amberle (Poppy Drayton), who is an Elf princess, but has been secretly in training for a contest that will determine an elite group called The Chosen, who are basically the protectors of her people. As it would turn out, she does succeed, but it’s at a cost. Her people worship a magical tree called the Elcrys that gives power and protects the people, unfortunately the tree is dying, and Amberle may be its only hope for survival.
Posted in: The Reel World by Brent Lorentson on June 10th, 2016
Since The Conjuring was released back in 2013, I can’t help but love what James Wan brought to the film; it’s that perfect film to put on during a stormy night. Whether you are a believer in the paranormal or not, the life story of Ed and Lorraine Warren is interesting I’d imagine for skeptics, and for us believers, well, their day-to-day life seems downright terrifying. Hearing how The Conjuring was going to be James Wan’s last horror film (after all he went on to do Furious 7) this seemed criminal to me, because he seemed like the one working director who had seemed to master the craft of creating a horror film. Now Wan has come back to tell the next terrifying tale from the Warren’s case files with The Conjuring 2, and in the process has I believe has left his mark on the horror genre with perhaps the best haunted house film to date.
For fans of the first film, you may remember that it ended with Ed (Patrick Wilson) and Lorraine (Vera Farmiga) getting a call to investigate the Amityville house. This is where the new film picks up as the Warrens with other investigators are investigating the home to see if there was something paranormal inside. (For those unfamiliar with the Amityville story, I highly recommend spending some time on YouTube and checking out some of the documentaries about not just the mass murder that took place but also about the Lutz family that moved in after.) During the investigation Lorraine has an encounter with an evil entity that delivers an ominous warning to her. Following this investigation, the Warrens become worldwide celebrities as experts in the field of paranormal investigation. It’s with this attention that accusations are made against them for being frauds.
Posted in: No Huddle Reviews by Brent Lorentson on June 9th, 2016
For the horror fans out there, I’m sure you’ve noticed that there have been a lot of horror anthologies being pumped out. It’s a concept that I can appreciate, but even as a fan, enough is enough already. It’s great to see talented people coming together to film a handful of short films, all with a collective theme, and seeing how the filmmakers use the platform to tell the story. For me the VHS series is my favorite of the bunch; not every story will be everyone’s cup of tea, but there are at least one or two stories per DVD that people can enjoy. When it comes to Monsterland, I feel this is a film that somewhat cheats the rules of a true anthology, because it’s really just a collection of short films made independently of one another that seem to have been purchased for this one release. The problem isn’t with putting a bunch of short films together to release for one DVD release; instead what bothers me is that of all the short films that are out there, these are the ones that were picked. Not all of them are bad, but for the amount of talented upcoming filmmakers out there, it’s hard for me to believe that this is the best that could be found for this release.
We are brought into the story as we see a movie theater that is under attack by monsters. Bodies and blood are everywhere, but one guy armed with only a baseball bat decides to stay and watch the movie that is playing; the movie just happens to be Monsterland.
Posted in: The Reel World by Brent Lorentson on June 2nd, 2016
Growing up I was obsessed with the Teenage Mutant Ninja Turtles animated series; it was the Saturday morning cartoon I just couldn’t get enough of. When I couldn’t watch the cartoon, I’d be playing with the toys and eventually the video game back in the original Nintendo console days. So when the movies came out, my parents had no choice but to take me to see them. Back in those days we had the turtles in rubber suits; as a kid the experience was fun but still just not as good as the cartoon. As I got older, well, those original films seem to hold up less and less, and when the news came that an updated version of the film would be coming out I got a little excited, that is till I saw the trailer for the 2014 film. Sure, it had elements from the cartoon, but it just didn’t look inspired; it just looked like a generic kids’ film with passable CGI. The result was simply a blunder, and I would have thought the days of seeing a Teenage Mutant Ninja Turtle movie were numbered. But here we are in 2016 with the new film Out of the Shadows ready to hit the big screen, and, folks, it’s been nearly 30 years in the making, but FINALLY we get the Teenage Mutant Ninja Turtles movie we’ve been waiting for.
Stepping in to fill the shoes as director is Dave Green. He’s relatively a newcomer in Hollywood, but it’s his vision I believe is responsible for the success of the film. His previous film Earth to Echo is simply a wonderful kids’ adventure film that captures the energy of the 80’s Spielberg films, most notably ET. Well, he carries that love for the 80’s into this new installment of the Teenage Mutant Ninja Turtle franchise and injects so much life into it, my inner ten-year-old was cheering with glee over this film. This is just about the closest I’ve seen an animated series come to life on the big screen and manage to retain what made the animated series so much fun. This isn’t a film for grownups; instead this is a film that targets the ten-year-old in all of us, the one who doesn’t question logistics of flying manhole covers, talking brains, or humans transforming into hulking beasts.
