Posts by Brent Lorentson

It seems there have been a lot of horror films involving dinner parties that have gone wrong.  You’re Next may be the best example to take on this idea, and I have to admit to being a fan of the film. It was a fun hipster horror film that kept the story moving forward and delivered more than a fair share of violence and gore.  Then there was last year’s creepy gem The Gift, a film that captured the horror of the past coming back to haunt you.  When it comes to The Invitation, it’s a film that seems like a hodgepodge of both You’re Next and The Gift, but also a handful of other films.  It’s a film that feels so familiar, but as you watch it manages to avoid many of the stereotypical film tropes viewers have grown used to over the years.

If there was a show I could recommend to someone who is looking for a smart thriller that doesn’t talk down to its audience, I couldn’t point to Person of Interest fast enough.  It’s a show that may be labeled sci-fi for some, yet its science and technology may not be so far off.  The idea of our government or private agencies using security cameras or our phones to monitor us is no longer just a rumor muttered around in circles of conspiracy theorists, but is quickly becoming a reality of day-to-day life. I kind of saw the show as a riff on the Batman story, subtract the cape and cowl and exchange it for a suit, then throw in a dash of George Orwell’s 1984, and you can see where the show got its start.

Ever since writer/director Jeremy Saulnier came out with his gripping revenge film Blue Ruin, fans have been patiently waiting to see what he’d do next.  If you have not had the chance to see Blue Ruin and you are a fan of the revenge genre, it’s a film that is certainly a must see and is one of the few films that lives up to the hype that surrounds it.  The problem with doing such a strong and powerful film so early in your career is that expectations seem to just skyrocket, and it seems there is just no way you can make everyone happy.  As a fan first and critic second, I know I’ve been guilty of doing this in the past, and it’s almost impossible to not get excited, and at the screening for this film, I know I was not the only one with high expectations.

For the Gasparilla International Film Festival, to nab the latest film from writer/director Richard Linklater is kind of a big deal. GIFF was the second festival to show Everybody Wants Some after its debut at the acclaimed South by Southwest festival.  With the film being lauded as a spiritual sequel to Linklater’s cult hit Dazed and Confused, I had to admit I was a bit skeptical about this film and its ability to even match up to its predecessor, after all it was the indie darling that helped launched the careers of Matthew McConaughey, Ben Affleck, Milla Jovovich, and many others.  This ensemble of talented up-and-comers managed to capture this cinematic lightning in a bottle about high school

We’ve all heard and seen the story before; a family loses a loved one and consumed with grief they meddle with unknown forces to see their loved ones again.  The Monkey’s Paw is one of my favorite stories that cover the topic. I’m sure everyone at some point had to read this short story in school.  Having read the story and seen the numerous films that have covered the topic, you’d think by now people would have learned to not mess with forces they don’t understand.  The Other Side of the Door is the new paranormal horror film to cover the subject, and it seems people still just haven’t learned. Is the film worth taking a look to see what lies beyond the door, or is this one better left alone?

With the summer in full swing it’s time dust off those swimsuits and enjoy getting some sun with friends and family.  For those of you who want to avoid the bugs and heat, well, you can always crank up the AC and enjoy a film or two.  But if you’re staying inside with your Corona or whatever your drink of choice is, you’ll be sadly missing out on all the bikini-clad babes who will be lying out by the pool or beaches. No need to fret, because I think I have just about the next best thing, All American Bikini Car Wash.  Sure, go ahead, roll your eyes and think I’m nuts, but if you’re looking for a fun little movie to watch alone, or with friends while throwing back some drinks, this is the film for you.  And even better, this is a film you don’t have to feel weird about or hide from your girlfriend while watching, because it actually has a charming little story to go along with it.

I’ve always been a fan of Tarzan; I loved the old series and the films basically because I just dug how he was this fearless character who lived in the jungles that fought the bad guys and a few wild animals as well.  As I got older that was when I discovered the books of Edgar Rice Burroughs, and I just had a blast with all these pulp tales about the civilized Wildman and the beautiful Jane.  I even remember how excited I was about seeing Greystoke: The Legend of Tarzan as a kid; even though this screen adaption bored me to tears, it was still exciting to see the character up on the screen. Now it’s 2016, and the character is swinging into action on the big screen again, and with a large budget to back it up.

You’d have to go all the way back to 1975 when Jaws was released that a film has come out that has given us a reason to be afraid to go into the water. There have been several attempts to capture the magic that we saw in Stephen Spielberg’s classic film about a large great white shark that preyed upon the swimmers in the town of Amity.  Now that summer is upon us and the heat has us flocking to our A/C units or to the beaches, it couldn’t be a better time to unleash another killer shark film upon the masses.  I have to admit when the trailers came out for this, all I expected from it was to be a campy film that just happened to be well shot.  Instead director Jaume Collet-Serra (Run All Night & Orphan) delivers an enjoyable thriller.

“Are you food, or are you sex?”

When it comes to director Nicolas Winding Refn, he’s a director I’m never all too sure what to expect from.  For me, Drive is one of my favorite films in the past ten years, while Only God Forgives simply bored me; despite the stunning imagery, it had nothing else going for it. His films going even further back are just as much of a mixed bag, so coming into The Neon Demon I knew better than to get my hopes up, and that I should just go ahead and let the film stand on its own, as it should.

Disaster films are something that for me screams American cinema of the 90’s.  I know there were films before that had come out, but a good portion of my teen years of the 90’s were of the mega-blockbuster variety like Twister, Dante’s Peak, The Perfect Storm, and so forth.  Now we have The Wave, the first disaster film to come out of Norway, and from the looks of the trailers they were going for something BIG.  This is a film that comes out with so much potential and is a film that could even possibly find an American audience that could look past the fact that subtitles may be involved.  With the way technology has come along over the years, smaller countries have been able to produce films as big as anything released in our cinemas here in the states.  Now here’s the question: is it any good, though?