Posted in: Disc Reviews by Brent Lorentson on May 5th, 2014
It’s been a while since a movie has been released that broke the rules on how we expected a film to be made. Avatar was the last game changer, I would say, considering it gave audiences a new way to see films in 3D. Sure, hundreds of millions of dollars were invested in that film, and the reward for bringing audiences something different is it being the highest box office grosser ever. Escape From Tomorrow goes in the opposite direction, and to be matter of fact about it, the film shouldn’t even exist. But writer/director Randy Moore pulled off something that is an achievement that deserves praise for filming his sci-fi satire on location at Disney, without their permission.
Posted in: No Huddle Reviews by Brent Lorentson on May 1st, 2014
There is something I find unsettling about an amusement park after hours, when all the rides are shut down and the laughter and screaming of kids running around are gone. These parks, for the most part, are designed to take us to another time or another world where reality is how the park engineers design it to be. So when Skip (Jason Spisak) arrives at the Old West theme park to be the overnight janitor, I could appreciate the surreal world he would be stepping into. As we go along with him on a tour during his first day, his guide and superior is played by Jon Gries, who seems to have a story for just about everything at the park.
Posted in: No Huddle Reviews by Brent Lorentson on May 1st, 2014
In 1998 following the release of Roland Emmerich’s version of Godzilla, the story would continue following some of the characters that we met in the film as well as a host of other characters and monsters. With a 40-episode run coming out to about 14 hours of television, the DVD release of the series comes out at just the right time for those who need a temporary fix before seeing their favorite big green lizard splash across the big screen once again.
Posted in: No Huddle Reviews by Brent Lorentson on April 29th, 2014
Martial arts films are just about as done to death as the slasher film. Just about every angle and direction that you can take with these films has been explored by now. When it comes to the martial arts genre, seeing a student or son avenge their father or master is just about the motivation in most of these films, but audiences accept this because what we are sitting down for is the action. Seriously, how many people remember the plots of the old Jackie Chan or Jet Li films? But go back even further to the core classics like The 36th Chamber of Shaolin or Five Deadly Venoms; these films are all rooted in the spirit of revenge.
Posted in: Disc Reviews by Brent Lorentson on April 28th, 2014
It’s movies like Big Bad Wolves that keep me excited about cinema. After all, who would guess that Israel would produce this savagely dark fairy tale revenge film that is also one of the darkest comedies I’ve seen in some time with a visual aesthetic you’d expect from a Coen brothers film, but the violence and humor you’d expect from a film by Tarantino. My first time viewing this film was via On Demand a few months ago; more and more I feel the cable companies are onto something by acquiring these little films and releasing them pay-per-view so that those not in New York and Los Angeles can experience these films before having to wait months longer for their DVD or Blu-ray release.
Posted in: The Reel World by Brent Lorentson on April 25th, 2014
Being the last film completed by Paul Walker before his passing, fans are getting the chance to see their star up on the big screen before he takes his final bow in Fast & Furious 7. The only Paul Walker film that managed to get me excited was Running Scared. It was dark and gritty, and I feel director Wayne Kramer pulled a great performance out of Walker. Looking to Brick Mansions, a remake of the parkour French hit District B-13, it seemed like Walker could possibly have another teeth-cutting performance. But that’s not the case.
Posted in: No Huddle Reviews by Brent Lorentson on April 23rd, 2014
With all the zombie media out there have you ever thought what you would do if you found yourself in the middle of the zombie apocalypse? It’s fun to discuss your plans for survival and clever weapons you may devise to battle the hordes of the undead. But what would you do if a loved one was infected and became one of the undead? Would you be able to simply put them down so easily? Or would you tend to them with the hope that somehow they could return and not be the flesh-eating monstrosity they’ve come to be?
Posted in: The Reel World by Brent Lorentson on April 18th, 2014
Just about any project that Christopher Nolan has any attachment to is going to get my attention. And from the first glimpses of the film in the early teasers, Transcendence always felt like a film Nolan would seem right at home making. Instead taking the helm for the first time as director is Wally Pfister. Though this may be his first time in the director’s chair, Pfister is no stranger to working on pictures of large scale; after all, he’s been Nolan’s director of photography since Memento back in 2000. So how does Pfister do with his first at bat? Well, it could be a lot worse…
Posted in: No Huddle Reviews by Brent Lorentson on April 15th, 2014
The summer camp horror genre seems to have been on the back burner for a while in my opinion. Sleepaway Camp, Friday the 13th, and The Burning are some of the classics I used to watch over and over when I was younger. Camp Dread looks to revisit this old-school sub-genre and reboot it with a new twist; this time it’s using a backdrop of a reality show to get these unsuspecting campers together. It’s not the most original approach to the genre, but what is most surprising is that Camp Dread actually holds up with the previous films and franchises I mentioned and could easily be seen as an unofficial sequel to any of them.
Posted in: The Reel World by Brent Lorentson on April 12th, 2014
When I saw the trailer for this film a while back, I was intrigued by what I saw. Sure, we’ve seen the haunted mirror film before, but that doesn’t bother me; I actually enjoy the notion of haunted mirrors and the notion that what we see in the reflection may not necessarily be real. With Oculus they take the idea of altered perception and play with us the viewer, and I have to admit I liked everything that this film had to offer; unfortunately what the film actually delivers is something entirely different.
