Posts by Brent Lorentson

"You should never stop thinking about a life you’ve taken.  That’s the price you pay for taking it."

In 2010 David Michod directed his first full-length feature Animal Kingdom. It was a critical success, and he went on to pick up a Best Director award with the Australian Directors’ Guild.  Now Michod has completed his sophomore effort, The Rover, which does explore some familiar ground with criminal families, but the film takes a more introspective approach to life and what matters most in the world when you believe you have nothing left to lose.

As we get even closer to the release of Michael Bay’s next foray into the Transformers universe with Transformers:Age of Extinction, Shout factory releases yet another series to help whet our appetites. As a kid growing up in the 80’s it was impossible to exist without knowing who Optimus Prime was or being able to hum (if not sing) the theme song to the cartoon.  But since the release of the original cartoon there have been so many spinoffs it’s hard to keep them all straight.  In 2007 Cartoon Network and Hasbro Studios set out to capture the imaginations of a younger audience following the success of the movies.  How does the series stack up to the 80’s classic?

First I just have to say that the cover art design for this film is one of the best looking covers I’ve seen in a long time.  The fact that they actually took the effort to get an artist to design their cover is simply the first step in sucking the viewer into this 80’s sci-fi/ horror realm. Looking at this cover simply reminded me of the days working in a mom-and-pop video store when most of the horror titles were not just a collage of pictures thrown together in Photoshop, but  instead an artist would be assigned and create these beautiful and amazing covers.

Of the cartoons that are on air, it’s no contest in choosing what is my favorite show. Regular Show just strikes a chord with me and reminds me of the antics of Ren and Stimpy back in the 90’s.  Sure, the show airs on Cartoon Network and kids could watch it, but the show seems more aimed at a teenage audience or at least the parents who are trying to find something to watch with their children.  Here at Upcoming Discs, when we get a series to review this usually entails a lot of binge-watching

Revenge films are simply one of those guilty pleasures that seem to always be in the pipeline for being released, whether it’s on the big screen or straight to DVD. They are the kind of films that allow us to escape into the anti-hero’s frame of mind and go along on their journey of vigilantism.  Perhaps we may not have encountered the same circumstances of characters avenging slain family members (The Outlaw Josey Wales, Death Wish) or violent sexual assaults (Ms. 45 and Make Them Die Slowly) each film gives us the chance to remove ourselves from reality and politically correct convictions and root for these characters

There have been more than a few films that have revolved around radio DJ’s. Good Morning Vietnam, Talk Radio, and Private Parts: these are just a few films that explore the world of the character behind the microphone, who speaks through our radios through the day-to-day grind.  Now, following in the success of the Oscar nominated film Philomena, Steve Coogan steps into the radio DJ world as Alan Partridge. Most of us are used to listening to our local DJ’s who come on between songs and blast us with their obnoxious personalities, silly games and pop culture news of the day on our morning drive to work

For most who have heard about the West Memphis Three, it is because of the HBO documentary Paradise Lost: The Child Murders at Robin Hood Hills.  It was a documentary that sparked the interest of many and fueled a movement to free Damien Echols, Jason Baldwin, and Jessie Misskelley for the murder of three young boys in 1993.  It was a documentary that attempted to expose the trial as a witch hunt in which the only things the boys were guilty of were listening to heavy metal, wearing black and participating in Wiccan practices.

Despite the atrocities that Adolf Hitler was responsible for, this ruthless visionary had an uncanny way of getting people to not only listen to him, but to follow him, and die for his quest of world domination.  We all know the name Adolf Hitler; it’s a name that will forever hold the stigma that it will remind people of nothing but hate and genocide.  But what made this man slip into darkness, fueled by hate with the goal of eliminating the Jewish race?

Following in the footsteps of Taken Gina Carano (Haywire) goes on a revenge rampage in order to discover what has happened to her injured and missing husband in a foreign land.  It’s not the most original jumping off point for a revenge film, but as is the case with most revenge films, the motivation is usually always the same, but it’s the journey to the fulfillment of their blood-lust that keeps us in our seats.  Coming off of the latest installment in the Fast and the Furious series, Carano has started to make a name for herself ever since she emerged in Steven Soderbergh’s action/thriller Haywire.

Before getting this season to review, my exposure to the show was fairly limited; I had seen a few episodes on Comedy Central, but that was about it.  Now that I’ve had a chance to kick back and take in the shenanigans of Blake (Blake Anderson), Adam (Adam DeVine) and Anders (Anders Holm) I can say it was a disservice to myself to hold out for so long.  For those that are unaware of the show, I see it as a bit of a hybrid between It’s Always Sunny in Philadelphia and Office Space, as it follows three friends who live together and work together at a telemarketing company.