Posts by Gino Sassani

Official Secrets is now out in theaters. It tells the story of a British Intelligence analyst Katherine Gun who leaked a memo that showed the U.S. and Britain attempting to get a UN resolution to sanction war in Iraq by leaning on UN members. It's a true story and stars Keira Knightly and Ralph Fiennes. The film was co-written and directed by Gavin Hood. I had a wonderful opportunity to talk with Gavin about the film. There were obviously some special circumstances with a film like this that depicts living people. How did he handle all of that? I found out and now so can you and you won't need an NSA wiretap to do it. Bang it here to listen in on my chat with Gavin Hood.

Visit the film's official site HERE

"In the 19th century, persons suffering from mental illness were thought to be alienated from their own true natures. Experts who studied them were therefore known as alienists."

The Alienist is a new drama airing on TNT and is the latest in the recent trend of period-piece dramas to populate the television series market. Like many of these kinds of shows, The Alienist relies as much on atmosphere as it does on the actual story being told. The series is intended to attack the senses and obviously elicit some kind of a reaction. Filmed in Budapest, the show takes us back to New York City in the 1890's and truly builds a rather deep and dark environment that you will likely remember far longer than any other element of the show. The series also utilizes a tremendous amount of computer-generated images for set extensions and sometimes complete environments. It's an ambitious undertaking and might well have been the crowning achievement of the series. However, Warner has decided to send the DVD of the series and not their usual Blu-ray for my review. Unfortunately, the bandwidth of a DVD can not do justice to these grand illusions. The entire show suffers from compression issues and an off-putting soft focus that totally distracts from all of this creativity. I wish I could have enjoyed the show in its apparent grandeur, but alas, I can really only speak to the drama itself.

"This is a story about control. My control. Control over what I say. Control about what I do."

Hustlers tells the "true" story of a team of strippers who found a way to turn the tables on their Wall Street clients and is based on a New York Magazine article by Jessica Pressler. It promises a pretty good time. I mean, think about it. Wall Street is the stuff of mustache-twirling villains these days. Brokers might have dropped beneath ambulance-chasing lawyers and used car salesmen as the people we love to hate. Throw in some strippers and a clever con that happens to target these modern bad guys, and it sounds like the kind of romp that has something in it for everybody. Well ... maybe not the Wall Street guys who go to the movies, you might say. Did I mention it's got strippers? At first blush the film reminds me a little too much of Paul Verhoeven's infamous Showgirls. The problem is that the shlock value of that film has allowed it to find its place in film history, and so it has survived in all its badness. Will the same be true of Hustlers? Or will it quickly vanish into a sea of obscurity before another couple of years are over? I have to say that I suspect it's the latter. By this time next year, you'll be asking a friend what the name of that stripper film with Jennifer Lopez was last year? Let me know if anyone remembers, won't you?

"I know what it's like to see monsters. And I know that when they're gone, they never go away. Me and my brother, we're the guys that stop the monsters. We're the guys that scare them." 

Truer words were never spoken. The big news to come out of the world of Supernatural is that it is indeed going away. The brothers made an emotional announcement during the airing of the previous season that the upcoming 15th year would be the final season of the show. It's hard to believe that we'll soon know a television landscape without the Winchester brothers. It's the last show that goes back to the original WB Network that eventually lead to the current CW Network that has become more and more the home of the Warner Brothers-owned DC Comics television universe. But in the middle of speedsters, archers, aliens, and time travelers, there was always room for the Winchesters. It'll be a bit of a culture shock to have them gone. Hard to imagine, but if you were a young 15-year-old kid when you started to watch the show, you're now 30, likely with kids of your own. You live in an entirely different world than you did when you first came aboard. How will you feel without it?

"I think it's time I told you about Aladdin, the princess, and the lamp."

There is very little new coming out of the Walt Disney Studios in recent years. For the last few years and into the near conceivable future, there has been a concerted effort by the Mouse House to remake as live-action films the vast library of animation classics. It pretty much started with the huge success of The Jungle Book, directed by Jon Favreau in 2016. The film did a wonderful job of bringing these jungle creatures to life through the modern-age miracle that is CGI. Somehow the film captured the very heart of the original animated feature and immersed us more fully into that world. No, it wasn't the first time Disney recreated an animated feature with live-action releases. But it was so dominant at the box office that it appeared to set the mold for these conversions going forward. This summer Disney set an ambitious schedule, delivering no less than three of these remade films to the summer schedule. In March it was the tepidly-received Dumbo. In July it will be The Lion King, where Disney is playing with the most successful classic animation film in box office history, and eyes will be keenly on how that unfolds. With Elton John's recent resurgence with a new Farewell Tour and the upcoming bio-film Rocketman, The Lion King might deliver Sir Elton a hat trick, or at least a large hat filled with money. Set between these two films is another Disney animated classic: Aladdin. Will that deliver the same three-point bounty to Disney this summer?

"Everything is always about Sheldon."

Warner Brothers is very familiar with superheroes. That goes double for the character of Sheldon, played by Jim Parsons, on The Big Bang Theory. A common thread in the superhero business, of course, is the origin story. With the popularity of The Big Bang Theory, and the Sheldon character particularly, it isn't all that surprising that we would eventually be treated to Sheldon's origin story. But instead of flashbacks on the series, the decision was made that Sheldon's childhood was territory that could be mined for years. Thus is born Young Sheldon. For fans of the original show and character, it couldn't have come at a better time. Parsons just turned down an offer of $50 million for two more years of Big Bang. I can't imagine how it must feel to be able to turn down that kind of money. But faced with doing the series without him, the smart decision was to shut it down. What started with a big bang ends with a tiny little man. The Big Bang Theory has ended. I'm not sure we've seen the last of it in some form or another. Sheldon will live on as a kid for years to come. Not sure what Parsons' paycheck is here, but it requires only his narration.

"Don't stop me now. I'm in the zone."

Every year at this time, I end up having to binge watch a ton of television. A lot of previous seasons get released on disc in anticipation of the new seasons about to get underway. It's a daunting task that often makes me feel a little silly when I complain to friends that I have to watch so much television.  You kind of have to get yourself on a roll and immerse yourselves in these fictional television worlds. More and more I find so much of my time is taken by the NCIS franchise, which has just completed 30 seasons of episodes and is about to rack up three more very soon. Add that to the fact that this has been going on for the better part of the last decade, and NCIS has accounted for a fair amount of my waking hours. And while it does appear that the L.A. version of the show might be pulling up to its final destination, the New Orleans show is just getting its legs and looks to be here for the better part of the next decade. But it's the mothership, originally spun off from JAG, that has just completed its 16th season with no signs of slowing down. Sometimes it feels just like a runaway train. The cast has changed over almost completely since that first season, with only a handful of actors and characters still on board. But wherever this train stops, and whoever happens to be on board at various stretches of the journey, I don't see us getting to a station anytime soon. And if Season 16 is any indication of what's yet to come, I've got my ticket in my hand, ready for the ride to continue.

We want to make your wishes come true. With the help of our magical friends over at Walt Disney, I know just what to do. We're giving away a copy of the original animated feature Aladdin to one lucky winner here at Upcomingdiscs. It's a Disney classic featuring the voice of the beloved late Robin Williams as the Genie. It's quite an enchanted prize.

To win a copy of this prize, follow these instructions.

"Sam Hannah without a bomb is like Aquaman without... I got nothing."

This is absolutely an explosive year for NCIS: LA which just finished its 10th year, and now those episodes are together in one place thanks to CBS Home Entertainment. The series has become one of the most successful spin-off shows in the history of television. Only CSI and the Law & Order franchises have brought more episodes to our television screens, and next season the NCIS franchise will have passed CSI. The truth is, if you go all the way back to the original JAG series, this is hands down the most prolific one-hour series in television history. What is even more amazing is that the NCIS shows continue to be the most-watched franchise in the entire world, a position they have held for over a decade. No one has come close to this kind of television domination. If this collection of episodes is any indication, the ride isn't anywhere near reaching the end. All three shows have been renewed, with NCIS getting a new two-year commitment at CBS. If you haven't already caught up on all of those earlier episodes, you don't necessarily need to do that, but why wouldn't you? You can at least catch up with the first nine seasons of NCIS: L.A. Here.

It's been nearly five years since FX's hit television series Sons of Anarchy rode off into the sunset. A lot of fans, myself included, were not necessarily very happy with the way it all ended. It wasn't Sopranos bad, but it wasn't the kind of closure or satisfaction one expects from such a compelling drama and well-written show. We all calmed a bit when we started hearing from the Sons of Anarchy Universe creator Kurt Sutter that he wasn't quite done with that world. At first there was serious talk of there being a prequel series or movie that would take us back to the days of the original nine founders of the club. It seemed the perfect follow-up, because we already knew so much about that world through the pages of manuscript left behind by Jax's father. It was a rich landscape, and we eagerly awaited more word. After a couple of years, hopes were starting to fall when word came that while the early story was still going to be told, the next visit to this universe was going to be the Mayan MC, which were sometimes allies and sometimes foes for SAMCRO. But another couple of years went by and there was still nothing concrete. Just when I was beginning to suspect these were nothing more than Sutter's wish list of projects, things started to move forward on The Mayans MC. Still, as expectations began to grow, the project appeared to be in even more trouble. It was fair to ask if we were ever going back to that world again, a question I'm sure that Kurt Sutter was tired of hearing asked.

Even when the show got off the ground, it was a short flight. Sutter wrote and directed a pilot episode, but it didn't go over too well with the network. At first he approached it with the attitude that the complaints were the same he initially got for Sons of Anarchy, and look how that turned out. After a while he started to think maybe he needed to take a step back and re-evaluate things. It was probably a smart decision. Tweaks were made to the script. A new director was chosen, and some of the characters were changed or recast. With Norberto Barba now at the helm, a second pilot was shot. I've not had the opportunity to see that first pilot. It's not available in this release, and depending on how fragile Sutter is about the quality, we might get to see it somewhere down the road. So I don't exactly know what these changes involved. I do know the result is something that will comfortably fill the gap before those early years are revisited. It's not Sons of Anarchy by any means. It doesn't really try to be, and that's likely a smart choice. It's different but fits well into that same world. It'll certainly get us over the hump and kill some of those withdrawal pains.