Posted in: Disc Reviews by Jeremy Butler on January 21st, 2022
“A great man doesn’t seek to lead, he’s called to it. But if your answer is no, you’ll still be the only thing I need you to be. My son.”
Given that this was most likely the most anticipated movie of 2020, I must say that I expected much more from it. Especially given the who’s who list of Hollywood stars who were brought together for this production. Names like Timothee Chalamet, Zendaya, Jason Momoa, Oscar Isaac, Rebecca Ferguson, Josh Brolin, and the list goes on. I suppose another thing that somewhat worked against the film was the long wait, as this was a movie that was slated for a year earlier, and then the pandemic complicated that, so anticipation for this film was high. Not to mention that this is a reboot of a beloved series that has already been adapted and garnered a large cult following. It is also my understanding that previous adaptation had the benefit of having the creator of the franchise on set to help guide it. That sounds like a recipe for success, if you ask me. Here we have the re-imagining of an idea with a very loyal fan base, which is always a dangerous undertaking. However, Denis Villeneuve’s proven resume with thrillers such as Prisoners and Sicario, as well as his work in the science fiction genre with Arrival and Blade Runner 2049 (which also was based on another classic film) suggested that he was uniquely up for the task of taking on a film such as this. While I did enjoy what Villeneuve created visually, my big issue was with the story, specifically, the fact that it was clearly incomplete.
Posted in: No Huddle Reviews by Jeremy Butler on January 11th, 2022
This appears to be the time of Resident Evil, it would seem. Fresh on the heels of a live-action reboot to the franchise (Resident Evil: Welcome to Racoon City) comes the home media release of this CGI miniseries based on the popular Capcom video game. If you want to be technical, the miniseries preceded the reboot, as it was originally released on Netflix back in July of 2021. Set between the events of Resident Evil 4 and Resident Evil 5, the miniseries follows Leon S. Kennedy as he attempts to uncover a conspiracy that reaches all the way up to the White House. Now, in reference to that time period, I should mention that it is the video game continuity, not the film’s, that is an important distinction, as Milla Jovovich was only loosely based on the source material. While the story does take some time to develop, by the final episode, I was fully vested in its outcome.
True to the game’s format, the story is twofold, as it follows two protagonists: Leon S. Kennedy and Claire Redfield. As previously mentioned, Kennedy finds himself entangled in a conspiracy after he is called to the White House to investigate a mysterious hacking incident, which quickly erupts into a targeted zombie attack on the institution. Recruited to investigate it, he is partnered with the enigmatic Shen May and an elite commando, Jason, who is hailed as a war hero following a mission in Penamstan. With hints pointing towards China being responsible for the attack, the team is dispatched for a covert mission. Before leaving, Leon runs into Claire, who attempts to impart a discovery to him but does not get the chance.
Posted in: No Huddle Reviews by Jeremy Butler on January 11th, 2022
This film was a new experience for me. As you all know, movies like this afford me the opportunity to share my passion for film with my daughter. However, as I put the movie on, she turns to me and says, “Daddy, you know what’s funny? I’ve already seen this.” I found that to be a confusing statement, as I was operating under the impression that this was a newly released title. However, as it turns out, though it is a new release for home media, the film was actually released on Netflix back in April 2021. At this point, I expected that she would attempt to excuse herself and occupy herself with one of her many new Christmas acquisitions. But no, she didn’t do that. Instead, she sat back and prepared herself to watch it again. That’s when I knew it had to be good, because my daughter doesn’t usually do repeats. Lo and behold, it was far better than good. I dare say that The Mitchells vs. The Machines was the best animated film that I saw all year.
The film follows a family of outcasts (that would be the Mitchells), which is comprised of father, Rick (Danny McBride), who is a bit of a survivalist albeit an accident prone one. Then there is the mother, Linda (Maya Randolph), a first-grade teacher who radiates positivity and acts as the family’s moral compass. Younger brother, Aaron (Mike Rianda) is socially awkward and obsessed with dinosaurs. Which leads us to Katie (Abbi Jacobson), the film’s focal point and the self-proclaimed outcast in this family of outcasts. All her life, she felt as though she didn’t fit in anywhere. Choosing to express herself through art, namely filmmaking, she feels misunderstood, particularly by her father, who never seems to have time for her.
Posted in: The Reel World by Jeremy Butler on December 24th, 2021
I wanted to believe that it was possible. I really did. I wanted to believe that it was possible to make a quality addition to the iconic franchise despite nearly twenty years having gone by since the third film. But alas, here we are and it clearly wasn’t possible to make a quality addition to the franchise. I should have trusted my instincts. While the The Matrix: Resurrections may provide us with answer regarding the ultimate fate of Neo and Trinity, those answers come at the cost of entertainment. I am a firm believer in letting sleeping dogs lie, and I can honestly say that this franchise would have been better off without this latest installment, which in my opinion adds nothing to it. I’m honestly shocked at the fact of how disappointed I was with the film given that two-thirds of the main cast came back for the film. Trust me, we are also going to discuss the one-third that didn’t and the dishonorable way that they chose to continue the character.
While its been around twenty years for us since we’ve seen Neo or Trinity, the Matrix universe, it’s actually been around 60 years. When we last saw the couple, Trinity had been fatally wounding invading the machine city and Neo had sacrificed himself in order to destroy Smith and all his clones. Neo is last seen being carried away by the machines. So what happen? Apparently, Neo was reintegrated into the Matrix; his memories stripped and transformed into a video game in order to add a grain of truth to the lie that the machines are selling. Despite this, something about his reality still doesn’t sit completely well for him.
Posted in: The Reel World by Jeremy Butler on December 23rd, 2021
This is an origin story. That is the best way I can sum this movie up. I will repeat it again, so it is clear. This is an origin story. It was hinted at in the first film (Kingsman) how the Kingman intelligence agency was started; however, while it was excellently explained by Colin Firth, how the agency truly came to be was just sort of glossed over. With The King’s Man we get to experience the tale of the organization’s founder and his motivation for creating the organization. The story is informative and at times entertaining, but I must confess that it was missing the wit that the original film had. I would have to characterize this as a case of the original film being the best. In this instance, it is because of the wit and the manner in which the story flowed. I know what you are thinking, I’m disregarding the second film, and you are right; I am. In the case of Kingsman 2, I found it to be an unjustifiable and unnecessary sequel. Plus, the film pretty much lost me the moment that they came up with convoluted explanation for how Firth’s Harry Hart/Galahad managed to survive a bullet to the head at point-blank range. No offense intended to Mr. Firth, as I loved him as that character, but that was just bad storytelling. Then there is what they did with Mark Strong’s Merlin, but I’m getting off track.
In The King’s Man, we meet the man who started it all, played by Ralph Fiennes. Fiennes is an established English actor of the highest order; you need only look at his resume to see that. I mean, he’s been a part of several franchises to include Harry Potter and more recently the Daniel Craig-led James Bond films. Now he has a chance to be part of another franchise. Unfortunately, I don’t imagine there will be much potential in a continuation of his character. Not through any fault of Fiennes, but merely because this film was clearly intended as a prequel and additionally, the story wasn’t strong enough to warrant a return in my opinion. To its credit, the film accomplishes the goal it set out to accomplish: it establishes the agency’s origins. Outside of that, I just don’t see a reason for a continuation. To my mind, this actually argues for a conclusion of the franchise. I just can’t imagine a scenario where this series needs to continue.
Posted in: Disc Reviews by Jeremy Butler on December 22nd, 2021
“As long as we are looking over our shoulder, the past is not dead.”
When it comes to Daniel Craig’s Bond movies, I’ve found them to be hit-or-miss. There are those I love, such as Casino Royale and Skyfall, and then there are those that I wasn’t that into, such as Quantum of Solace and Spectre. However, when it comes to No Time to Die, there is no question that it is my favorite of all the Craig-led Bond movies. Maybe it was how long I’ve been waiting to experience it given that the onset of COVID resulted in the film’s release being delayed multiple times, so by the time it was finally here, I could barely contain my excitement. However, I think it is more likely that the reason is the knowledge that this will be Craig’s final portrayal as the suave secret agent with a penchant for shaken martinis. Either way, Craig’s swan-song film was without question great, despite certain elements not delivering on the hype. Craig leaves the franchise with is head held high, as I cannot imagine a more dignified exit for his portrayal.
Posted in: No Huddle Reviews by Jeremy Butler on December 16th, 2021
A whodunnit with teeth … that is a most apt description, and for me, that made the film all the more entertaining. I mean, who doesn’t love a good whodunit? And when that whodunit comes with a supernatural twist … even better. In the case of Werewolves Within, that supernatural twist in kind of on the nose. One of the characters actually gives a great explanation regarding the existence of werewolves being more likely than a particular type of person. I wish I could use the exact phrasing, but I fear that would ruin the whodunit element of the film for you. Sam Richardson leads the cast in this quirky yet intriguing comedy horror. Richardson is someone who has been showing up more and more on my radar in recent years. Each time he does, he feels a bit typecast in the role of a socially awkward individual; he was that way in The Tomorrow’s War as well as when he stared alongside Brittany Snow in Hooking Up. Despite this typecasting, Richardson has presence, somehow invoking the words of Mr. Rogers and applying them in modern day context. However, we are getting ahead of ourselves.
The story follows Richardson as Finn Wheeler, a forest ranger newly assigned to the town of Beaverton. The consummate nice guy, Wheeler almost immediately finds himself at odds with several townsfolk, who are embroiled in a debate regarding approving a gas pipeline to be implemented in town. This issue has divided the town, as its implementation requires a majority vote. On a positive note, Wheeler does manage to make a friend/possible love interest in the form of mail carrier Cecily Moore (Milana Vayntrub). Like Wheeler, she is a bit quirky, and the two do seem like a good fit. However, their potential romance is complicated by the fact that Wheeler is still hung up on his ex, who he didn’t realize was an ex until Cecily clued him in. And of course, a suspicious blackout and the discovery of a corpse also complicates their potential romance.
Posted in: Disc Reviews by Jeremy Butler on December 16th, 2021
Be honest; who hears the theme music when anyone even mentions The Addams Family? I know I do, and then I have to resist the urge to do the finger snaps. Just in time for the release of the animated version comes the double release of The Addams Family and its sequel, The Addams Family: Family Values, featuring Raul Julia and Angelica Huston as Gomez and Morticia Gomez, and let’s not forget Christopher Lloyd and Christina Ricci as Fester and Wednesday Gomez respectively. Based on the wildly popular cartoons that appeared in the New Yorker that went on to find success as television series, the The Addamses are a satirical inversion of the ideal 20th-century American family.
The first film finds the family thriving, but without an essential member, Fester, who after a falling out with his brother Gomez, leaves for the Bermuda Triangle, not to be heard from for 25 years. Looking to capitalize on Gomez’s guilt over the situation is the family lawyer Tully, who is in deep to loan shark and con woman Abigail Craven. When Craven and her son Gordon, who is the splitting image of Fester, come to collect, Tully hatches a scheme to have Gordon pose as Fester to find the hidden vault where the Addams family fortune is kept.
Posted in: The Reel World by Jeremy Butler on November 25th, 2021
Good story, unique characters, and original music. I’d say that Disney delivers on its 60th animated movie. In recent years, Disney has taken us all over the map as they introduced characters (formerly known as Disney princesses) from all different walks of life. From a Norwegian-inspired kingdom (Arendelle) to the Polynesian island (Motunui), this time taking us to the mountains of Colombia. That has always been something that I appreciated about Disney’s film: their wide-reaching landscape. It’s like the cinematic version of Epcot. Another thing I’m grateful about this film is the fact that I was about to make it a family affair, as my wife and daughter joined me for this experience. It’s been a while since we’ve had a film where we could seek the Nalyce stamp of approval, and now we finally have a candidate. Bottom line up front: it did get her stamp of approval, as well as mine.
Encanto tells the story of a family called the Madrigals, who live in an enchanted town in the mountains of Colombia. When they come of age, every child in their magical house has been granted a unique ability such as strength or healing powers. Every child but one. Mirabel, the only ordinary Madrigal, discovers that the magic is under threat, and she may be the only one able to save it.
Posted in: Disc Reviews by Jeremy Butler on November 25th, 2021
When we got aboard the Snowpiercer, it would seem like a new world order was going to be happening. Well, that still holds true for Season 2, but not quite the way we were initially imagining. Did you see what I did there, “got aboard,” because it’s a train. OK, OK; that’s my one joke. Last we saw Daveed Diggs’ Layton, he’d finally managed to seize control of the train carrying the last of humanity following an apocalyptic freezing of the planet. His reign is extremely short-lived, however, as he is almost immediately threatened by the return of Mr. Wilford (Sean Bean) and Melanie’s thought-dead daughter, Alexandra (Rowan Blanchard). I can tell you that after this cliffhanger of a season last season, I was on the edge of my seat with anticipation for the next season. And this season doesn’t disappoint, as the power struggle for the train is continued with a new adversaries, as old adversaries become new allies.
The series never takes its foot off the gas, as Layton finds himself thrust into a brand new struggle against the very person responsible for the train that is humanity’s salvation. Last season, Mr. Wilford was thought dead after being left behind by Melanie due to a fear that humanity would not survive under his leadership. She creates an elaborate ruse to keep the idea of Wilford alive in order to keep peace on the train, a ruse that is eventually discovered and leads to a degree of anarchy on the train, resulting in the uprising that has placed Layton in charge. Now he must confront the man who was originally supposed to lead Snowpiercer. In this respect, Melanie’s fears prove right, as Wilford is in possession of a truly sadistic and cruel nature. This nature is shown perfectly in flashback sequences that show just how ruthless the man can be.
