Posts by Jeremy Butler

Well, well ... it would appear that this weekend is the weekend of sequels with two movies worthy of 31 Nights of Terror. First is the return of Angelina Jolie as Maleficent. When we last saw the Mistress of Evil (which also happens to be the title for the sequel) she was more of a hero rather than villain. However, the sequel sees her return to her previous status as the feared fairy that ruled the Moors. How quickly people forget her contributions. Though not traditionally scary, the film features plenty of magic and carnage courtesy of Jolie. Additionally, the film features the return of Elle Fanning, Sam Riley, and Harris Dickson as Aurora, Diaval, and Prince Philip. With the addition of Chiwetel Ejofor and Ed Skrein, as well as Michelle Pfeiffer as Queen Ingrith, Philip’s mother, who gives Maleficent a run for her money for the title of Mistress of Evil.

“It’s easy to fool people when they are already fooling themselves.”

There was a lot of pressure on this film to be great, it being the first MCU film following the epic known as Endgame. This film needed to be the statement that the MCU was finished after the events of Endgame, which completely and irrevocably changed the landscape of the franchise going forward. By the way, if you have not seen Endgame yet, two things. First, what is wrong with you? You are the reason that the film hasn’t taken the all-time box office record away from Avatar yet. The film has just been re-released with additional footage, so there is even more to enjoy. So get to a theater ASAP! We need to beat Avatar! Secondly, you should probably stop reading this review immediately, as I will be discussing events that will likely leave you lost. Let the previous declaration serve as your warning disclaimer. Iron Man is gone, Captain America has laid down his shield in favor for a lifetime with the love of his life. A little selfish, but I’d say he’s earned it after his many sacrifices. The Avengers are essentially disbanded, but the world still needs heroes. Enter your friendly neighborhood Spiderman.

“They're creepy and they're kooky, Mysterious and spooky, They're altogether ooky, The Addams Family.”

That is for those who read my Addams Family Double Feature post regarding the Addams Family theme song. Of course that is merely the first verse of the song. Have no fear, as the animated film features the full version. It must be kismet, as I had the privilege of reviewing the animated film so soon after reviewing the double feature, though I suspect that this was by design. It is also kismet that this film comes in time to be part our 31 Nights of Terror. Though this cartoon does not fit the traditional view of what a horror film is, I would argue that the subject matter is more than enough to grant it entry. Featuring a lighter tone than its subject material, this incarnation is an enjoyable experience that can be shared with the whole family, which was my experience as I was able to bring my daughter to the film with me, and I’m happy to say it got her stamp of approval.

In 2006, the original Charmed series did its final curtain call, and since then fans have been calling for the series to resume. In this era of revitalizing old television series, it seemed like bringing back the popular witch series was a possibility. In 2018, fans got their wish, although perhaps not quite the way they were hoping to get it. Charmed would be brought back, but as a reboot, not a continuation. This means a brand new cast and a modern twist. As you expect, this decision was not completely popular, as fans of the original series called for the return of the original cast. As a fan of the original series, I was among those who felt a version of the series that did not feature Alyssa Milano, Holly Marie Combs, and Rose McGowan would be a waste of time and resources. Hell, I would have even taken a miraculous return of Shannon Doherty. Then again, may not. Anyhow, the decision to revamp the series was not a popular one, but in the end, I believe it was the right decision.

“Satan has one son, but my sisters are legion, mother%&#@er!” 

Another fine addition for 31 Nights of  Terror, and this one has horror right in the title. If that doesn’t spell meant to be, I don’t know what does. Season 8 of FX’s anthology series, American Horror Story: Apocalypse was much more than advertised. Going in, I had only seen Season 1 (Murder House) and glanced at Season 3, which introduced Emma Roberts and Kathy Bates to the series. Fortunately, as an anthology series, each season is a stand-alone: same cast, different characters and scenario. This season dealt with the end of the world, because what’s scarier than that. Coming back into the series with a seven-season gap, I expected that my ability to enjoy the story would be challenged. I’m glad to say that the series kept me on my toes and interested with every episode. Not to mention, as an added bonus, this season incorporated characters and ties to from both Season 1 and Season 3.

"You don't throw guns out an open window. Kids live up in here."

So, the announcement of this film was of particular interest of me. Of course, I have familiarity with the character of Shaft from childhood. Not to mention the remake that wasn’t really a remake that premiered in 2000 starring Samuel L Jackson. The most interesting thing about the film is that it brings three generations of the character under the umbrella of one film, with Richard Roundtree and Samuel L Jackson reprising their roles as the titular character and introducing Jesse T Usher into the franchise as the latest addition to pick up the mantle. Another interesting thing is that despite it being a sequel, it shares the same name as the 2000 version. Though this does introduce a certain level of confusion, it just proves just how bad a mother-shut-your-mouth Shaft is; he can name his movies whatever he wants.

"Who are we? Are we simply what others want us to be? Are we destined to a fate beyond our control? Or can we evolve? Become something...more?"

The simple reality is that this franchise should have ended with Days of Future Past. That would have been a good point to call it quits; it had a good resolution and all, but the chasing of additional box office revenue has forced us to have to endure two more mediocre additions to the franchise. Though Dark Phoenix is better than Apocalypse, and it is a better telling of the Dark Phoenix Marvel Storyline, Fox’s second bite at the apple is still not the film that I hoped it would be. Fortunately, with Marvel recovering the property, we are undoubtedly due for another reboot, and perhaps the third time will be the charm.  Picking up after the events of Apocalypse, the X-Men have become a national treasure, widely considered to be the world’s first line of defense. It would seem that Charles Xavier’s dream of mutant unification is within reach. However, the realization of his dream comes at a cost of those closest to him. Matters come to a head during a questionable mission to rescue astronauts following a failed space exploration. With a solar flare closing in, the team pushes themselves too far, resulting in Jean Grey taking the full force of the cosmic energy.

The Good Fight just keeps getting better with every new season. It has become one of my guilty pleasure shows. Though it does tend to take quite a few jabs at our president and likes to emphasize alleged depravity, beyond that is a show that is very relevant to today’s society, and this season is no different as the show hits the ground running in the first episode with a storyline that has long reaching effects on the firm, as well as a member of the main cast. This storyline is obviously a reality-based storyline used for the purposes of highlighting the MeToo movement, as well as addressing implications this movement has had on certain celebrities’ images, particularly Bill Cosby’s fall from grace. I believe the proper term for this is “ripped from the headlines.”

You know a movie’s bad when Brad Pitt isn’t enough to save it. However, where Ad Astra falls down is in execution of story rather than a failure on the part of Mr. Pitt. The premise was interesting: a son follows in the footsteps of his hero astronaut father to learn that his father, who was previously believed to be dead, may be responsible for catastrophic events plaguing the Earth. There is depth to the story, and the idea of human beings colonizing other planets was shown in a truly interesting and realistic manner, but instead of this being the forefront of the film, the story focuses primarily on a emotional journey that never pans out. The film also features a cast of superstars whose performances were little more than cameos. A waste of talent if you ask me. I mean, why put together a cast that includes Tommy Lee Jones, Donald Sutherland, Liv Tyler, and Ruth Negga, just to have their contributions be the length of a commercial. Yes, I know that was an exaggeration, but it just seems wasteful.

Whistleblowing is a difficult decision. You are part of an organization, and you believe in that organization. Speaking out against that organization (yes, I know I’m overusing the word) at times can seem like ratting out family. Not to mention the downside. We all say that there will not be reprisal for whistleblowing, but more often than not, there is. However, that doesn’t mean that if you see wrongdoing that you should sit idly by and do nothing. Most believe that inaction is as bad as committing the act yourself. But when the organization you are speaking out against is the United States government, that is another animal entirely. Official Secrets portrays the real-life actions of Katherine Gun, a translator who back in 2003 leaked classified information exposing a conspiracy to facilitate the war against Iraq. Keira Knightly portrays our whistleblower with an all-star cast that includes Matthew Smith, Matthew Goode, Rhys Ifans, and Ralph Fiennes.