Posts by Jeremy Butler

“That’s a great fifth option; let’s work on the other four.”

This line is one of the signature witty clips that Ryan Reynolds brings to the character of Pikachu in this movie adaptation of the popular Nintendo DS video game, Pokemon: Detective Pikachu. It is clear that Pokemon is standing the test of time, as I remember collecting and playing the cards in my youth. Though the card game appears to have fallen out of favor, the franchise received a resurgence a few years ago with the emergence of popular mobile phone app, Pokemon GO! In fact, I wouldn’t be surprised of the popularity of app led to the decision for this live action film starring Ryan Reynolds, Justice Smith, and Bill Nighy. This was a solid opening in my opinion, though I am skeptical of its film franchise potential, given that those without a basic understanding of the video game or card game (there does not appear to be any connection to the original animated series or subsequent animated films besides inclusion of the Pikachu character) are unlikely to get by the questions of “What are Pokemon?” or “Where do they come from?”

“No man will ever believe that a woman is smarter than he is.”

I love con movies. You name it, I’ve seen it. There is just something about someone or a group working towards pulling the wool over the eyes of some arrogant, corrupt fool that believes that they can’t be outsmarted. Mainly, it is about the scam; I like to see the elegance of the con. Lately I’ve been starved for a good con movie in recent years, essentially since Will Smith’s Focus, which was underrated in my opinion.

I’m not a big fan of documentaries, and this one did nothing to disabuse me of that feeling, as the focal point of the documentary is not exactly a pleasant individual when he is not wallowing in self-deprecating despair, though he does have one thing going for him, an imaginative and elegant ability to create beloved and award-winning animation. Hayao Miyazaki has been heralded as one of Japan’s greatest animation directors. His notable works included Princess Mononoke, which was the first animated film to win the Japan Academy Prize for Picture of the Year; his film Spirited Away took home the Academy Award for Best Animated Feature at the 75th Academy Awards, and the critically and commercial successful Ponyo, as well as many others. In 2013, he announced his retirement, and the documentary covers the period after his retirement as well as his return to animation in 2016.

“I didn’t violate every natural law to lose you again.”

If that is not a declaration of love, I don’t know what is. It is also quite possibly Keanu’s only true display of feeling in this movie. Replicas showcases Reeves as a scientist who basically plays God following a tragic accident that claims the life of his wife and children. As I mention earlier, given the emotional elements that occur in the film, I expected there to be a larger range of emotions, such as profound loss and desperation, but I never quite saw these outpours of emotion from his character, who approached everything quite clinically. Will Foster is a pioneer in neurochemistry who is attempting to transfer human consciousness to synthetic body, which would essentially allow human beings to outlive their human host. After several failed attempts, his boss, Jones (John Ortiz) tells him that the project is on the verge of being shut down.

It is uncanny; I swear any time anyone mentions Kim Possible, I instantly start to hear the theme song in my hand. It’s like as soon as her name is mention, all I hear is, “Call me, Beep me, if you wanna reach me.” It’s been well over a decade since I’ve seen an episode, but that theme song is just as catchy now as it was back then. Kim Possible was from an era on the Disney Channel that produced some of the best original television content and movies in my humble opinion. An animated cartoon about a high school student who is also a secret agent, who didn’t want to be that back then. So I was extremely excited to be able to share the live-action movie version with my daughter, but the sad reality is that the live action version is a cheesy and generic shadow of the series that I was so fond of during my childhood.

Zachary Levi is every geek’s dream come true, becoming a superhero as he takes on the mantle of Shazam. I am not well versed with this hero, but it is safe to say that he is not someone to discount, having an impressive number of abilities that put him in the same league as a superhero. Going in, I was not expecting a lot from this film, as the previews made it seem very silly and without substance. However, I can honestly say that the previews did not do this film justice. Thanks to lively performances by Levi as well as his counterpart Asher Angel, much needed comic relief from Jack Dylan Grazer, and a surprise star-studded twist toward the film’s climax, Shazam is the film to see this weekend.

So Dumbo was never one of my favorite Disney classics. In fact, when news initially broke about a live-action version being filmed, I wasn’t moved one way or the other. I figured I would end up seeing it for the sake of my daughter, but I figured it would just be something that I would have to endure. I speak these words with the full knowledge that I now have to eat them, as Dumbo has gone from one of my least favorite Disney films to one of my favorite movie experiences of the year. With an all-star cast that includes Colin Farrell, Eva Green, Danny Devito, and Michael Keaton, Dumbo is a fantastical and wholesome family experience that I will be taking my daughter to, but dragging her to it if she puts up a fight.

"My father was a lighthouse keeper. My mother was a queen. They were never meant to meet. But their love saved the world. They made me what I am: a son of the land, a king of the seas. I am the protector of the deep. I am ... Aquaman."

It’s been a rough year for the DC Universe, losing both Henry Cavill and Ben Affleck as Superman and Batman respectively. In a time when Marvel is heading towards a big finale of sorts, this should be when DC goes full steam towards capitalizing on any residual momentum.

"60 minutes is all it took for the ancients to bring humanity to the brink of destruction."

It only took Peter Jackson's crew along with director Christian Rivers 128 minutes to bring their audience to the bring of falling asleep with their Star Wars rip-off of Mortal Engines based on a series of books by Philip Reeve. Universal was likely looking for a franchise hit here. Hugo Weaving couldn't save it. Impressive visual f/x couldn't save it. When I discovered the film had been in some kind of production phase since 2008, it all started to make a little sense. Sometimes the harder you work on something, the more you lose sight of the simple aspects of the film. Most importantly, you lose the connection to emotional characters, and you stop telling their story, but force them into telling yours.

A femme fatale who predicted her own demise -- now that is the stuff good noir films are made of. And what better person to play the role of said femme fatale than Amber Heard, fresh off her performance in the popular DC Comics film Aquaman? Granted this movie was filmed before the DC film, but delayed due to lawsuits, which only goes to add further intrigue to the movie. Originally screened at the 2015 Toronto Film Festival, London Fields features a cast of well-knowns including Jim Sturgess, Theo James, Billy Bob Thornton, and perhaps most notably Heard’s ex-husband, Johnny Depp. One can only imagine the effect this film would have had if it had not been for a few setbacks. As it stands, London Fields is laced with intrigue, and Amber is compelling, but the film amounts to very little substance.