Posted in: Disc Reviews by Jonathan Foster on September 5th, 2017
"No, they have to make the choice of their own free will. Otherwise, the system doesn't work. It's like the Harbinger. It's this creepy old f#$%, practically wears a sign, 'You will die.' Why do we put him there? The system. They have to choose to ignore him, and they have to choose what happens in the cellar. Yeah, we rig the game as much as we need to..."
When I first heard about The Cabin in the Woods, I admit I was not impressed. I thought it was just another run-of-the-mill slasher flick a la The Last House on the Left or Amityville Horror. My mind quickly changed, though, as soon as I heard that Joss Whedon was the writer. A dyed-in-the-wool Whedonite, I knew that if this movie had the same kind of wit, humor, and horror found on Buffy the Vampire Slayer and Angel, that I would really enjoy it.
Posted in: No Huddle Reviews by Jonathan Foster on July 15th, 2013
“I paid more than my dues for the right to call it like I see it.”
While most people can say they know who a celebrity is, very few get to know the person behind the fame. (Or infamy.) Unless you’ve walked in that famous person’s shoes, it’s difficult to understand where they’re coming from. It is only when we hear their story in their own words that we can get a glimpse into their world. In Letters from Jackie, MLB Films provides that glimpse into Jackie Robinson’s life via his correspondence. Hosted by New York Yankees center fielder Curtis Granderson, this documentary combines excerpts from letters written by Robinson with interviews of his friends, family and the recipients of those letters. Starting from when he joined the Brooklyn Dodgers and continuing to the last letter he ever wrote, these letters span a range of topics and decades.
Posted in: No Huddle Reviews by Jonathan Foster on July 4th, 2013
How do you cope with loss? Do you numb yourself so you don’t feel anything? Or do you lash out in anger, making everyone else feel as bad as you? Do you do seek help or do something drastic? Least Among Saints explores that concept, looking at the various types of loss and hurt from different perspectives and age demographics while exploring the way to redemption.
Anthony (Martin Papazian, TV’s 24, and also this film’s writer and director) is an Iraq War veteran whose return to civilian life has not been easy. Suffering from Post Traumatic Stress Disorder, Anthony drinks to forget the horrors of war and the fact that his ex-wife has a restraining order against him. After a particularly bad day, he decides to end it all. His suicide is interrupted by the frantic cries for help from his 10-year-old neighbor, Wade (Tristan Lake Leabu, Superman Returns), whose mother has overdosed on drugs. Anthony rushes Wade and his mom to the hospital, where she dies shortly after. Realizing Wade has no one and nowhere to go, Anthony convinces Wade’s social worker, Jolene (Laura San Giacomo, TV’s Just Shoot Me!), to let Wade stay with him, against her better judgment. Back at Anthony’s, Wade shows Anthony a postcard from his father and tells him that he wants to find him. Even though Anthony doubts they’ll find him, he agrees. The two set off on a road trip, defying Jolene’s explicit instructions. As they grow closer, Anthony realizes he must overcome his demons if he is to be the father figure Wade needs.
Posted in: The Reel World by Jonathan Foster on June 21st, 2013
“Most people don’t believe something can happen until it already has.”
Walkers. The Living Dead. Zombies. Whatever you call them, you can’t deny they’ve shuffled their way into the forefront of pop culture. Once relegated to niche horror movies, zombies have crossed over into multiple genres, be it comedy (Zombieland), romance (Warm Bodies) or drama (The Walking Dead). The latest offering of the undead is World War Z, an action/horror film based on Max Brooks’ best-selling novel of the same name.
Posted in: Disc Reviews by Jonathan Foster on June 17th, 2013
Hank Williams, Sr. was arguably one the most influential country artists of all time. During his short life (he died at the young age of 29) he had more than 30 #1 singles. His music has been covered by not just country artists, but has also crossed over into the pop, gospel and blues genres. With The Last Ride, this music legend joins Johnny Cash and Loretta Lyn in having their lives put on film.
When a stranger with a brand new Cadillac comes into his garage, young Silas (Jesse James, As Good as It Gets) takes notice. After Silas overhears the stranger asking for a driver, he immediately offers his services. He is hired and finds out his job is to get “Mr. Wells” (Henry Thomas, E.T. the Extraterrestrial) to West Virginia in two days, and to get him there sober. If Wells arrives drunk or hungover, Silas won’t get paid. Fighting the weather and sometimes each other, the two embark on what ended up being the last trip Hank Williams ever took.
Posted in: The Reel World by Jonathan Foster on May 31st, 2013
“Come in close. No, closer. I want you to really pay attention because the closer you look, the less you’ll see.”
With these words, J. Daniel Atlas sets the tone for Now You See Me, warning us not to focus too much on what he and his fellow magicians are doing, but to look at the big picture…the overall plan. Sadly, curious creatures that we are, we can’t help but look closely, trying to catch them in the act, believing we’re a step ahead when we’re actually three steps behind.
Posted in: Disc Reviews by Jonathan Foster on May 29th, 2013
When someone tries to break in and take something from the building you’re in, what do you do? Well, according to “The Official Good Guy Handbook”, you must immediately lock down the building, retreat to a secure room, and try to get help from the outside. Of course, you must do all this while repelling the bad guys, ignoring their threats and bribes, and (of course) watching out for the double cross.
This is the problem CIA agent Emerson Kent (John Cusack, 2012) faces in The Numbers Station. After a botched black-ops mission, Kent is given one last chance. His new assignment: guarding Katherine (Malin Akerman, Watchmen), a code operator at a classified “numbers station” in England. It’s her job to receive coded messages and broadcast them to agents in the field. While bored with his assignment, Kent is always on the lookout for danger. This hyper-awareness is what saves their lives when they are attacked as they show up for their shift one day. Barely making it inside, they find the other team has been killed and a heavily-armed squad is waiting outside to take them out as well. Together, Emerson and Katherine must figure out what their enemies want and how to get out alive.
Posted in: The Reel World by Jonathan Foster on May 23rd, 2013
“Someone should burn this place to the ground.”
How do you satisfactorily finish a story? You bring it full circle. They say, “What happens in Vegas, stays in Vegas.” But for Phil (Bradley Cooper), Stu (Ed Helms), Alan (Zach Galifianakis) and Doug (Justin Bartha), what happened in Las Vegas four years ago will come back to haunt them. In this conclusion to The Hangover saga, the Wolfpack returns to where it all began to face their toughest challenge yet.
Posted in: Disc Reviews by Jonathan Foster on May 20th, 2013
“Never let the truth spoil a good story.” – Charlie Watts, drummer
Ever since they came on the scene in the ‘60s, The Rolling Stones have done things in their own unique and unapologetic style. Widely regarded as the anti-Beatles, The Stones’ blues-infused rock music spoke to many people and inspired many a future musician. They personified the era of sex, drugs and rock & roll...especially the "drugs and rock & roll” part.
Posted in: No Huddle Reviews by Jonathan Foster on May 9th, 2013
“Texas Territory. In 1821 it was known as ‘Téxas’, and its inhabitants were known as ‘Texicans’. This is the story of their fight for freedom. This is the story of Texas.”
Texas. Just the name of our nation’s second-largest state evokes images of cowboys, gunfights, scenic vistas, and much more. Few states have the combination of history, natural beauty and colorful characters that Texas does. These factors have provided a wealth of stories, and James A. Michener’s Texas (based off Michener’s best-selling novel) recounts one of the most tumultuous times in the state’s history.
