Posts by Michael Durr

Some of my favorite films are those directed by Mel Brooks.  Blazing Saddles, Spaceballs, Young Frankenstein, The Producers, and the list goes on and on.  He has an ability to create a wonderful parody that blends comedy and homage to so many great films.  The films are those quite frankly that you can watch over and over again even if you have heard the joke fifty times in a row.  (I used to recite Spaceballs by heart until my college roommates at the time threatened to beat me to a bloody pulp)  So imagine my surprise when in the year 2022,  we get an animated film with Mel Brooks in one of the supporting voice roles, and it smells quite a bit like Blazing Saddles.  Let's take a look at Paws of Fury: The Legend of Hank.

Before we start this fine film, we are treated to a Big Nate short, since this is Nickelodeon and all.  I thought it was named How to Make Ice Cream, but it's actually named Bad Hamster, according to online sources.  It starts out with Nate and a few of his friends making an online video about how to make ice cream.  A few minutes later, I'm watching an awful dance number from a hamster who is singing "Don't Shove Me in Your Pocket"  while pooping out other hamsters.  I'm not kidding.  This is worse than "Frozen Fever", which was in front of the live-action Cinderella from 2015.

To date, I have probably seen each Despicable Me and Minions movie anywhere from half a dozen to a dozen times.  I blame most of this on my wonderful seven-year-old son, who thanks to this instant delivery of entertainment age has re-watched these movies at countless opportunities.  Naturally, my eyes glaze over at Gru, the Minions, and other supporting characters in between researching Blu-ray and 4K disc release dates.  But the truth is that it is one of the few movie series where I have went out of my way to make sure I had every 4K disc.  So, when we heard about a new movie of the little yellow guys, we were thrilled to say the least.  Eagerly, which was rare for us, we even decided to go on a Thursday night to our favorite theater (thank you Star Cinema Grill).  Let's see how it turns out.

Let's take it back to the 1970's.  We see a motorcycle running through the streets and the rider sporting a purple afro with the law giving chase.  She is able to duck into a record shop named Criminal Records.  Criminal Records is a front for the notorious group known as the Vicious 6.  The person on the bike is no other than Belle Bottom (voiced by Taraji P. Henson) who has stolen a map that will lead to a special necklace which contains a stone related to the Chinese zodiac.

The original heist movie is often credited to The Asphalt Jungle, directed by John Huston.  A criminal mastermind, a million-dollar jewel heist, a band of outlaws, and the dame in a seamy and gritty underworld.  It had all the qualities that would set up that genre for decades to come.  Today's offering is another film that is often listed on top-twenty lists for the genre, Ad ogni costo, better known by its English title as Grand Slam.  In it, a retiring school professor recruits four criminal masterminds to steal ten million in diamonds.  We'll have to see if it makes the grade or is doomed to be held back for another year.

Rio de Janeiro.  Kids are shouting and singing as people board a plane to go to America.  In particular, these kids are wishing their former professor, James Anders (played by Edward G. Robinson) safe travels, as he happens to be going to New York.  Music is played, and a hearty goodbye is felt as we roll the credits.

The year of 1975 was an interesting year.  I was born, Jaws was the top grossing film of the year, followed by One Flew Over the Cuckoo's Nest.  Other interesting films included Return of the Pink Panther, Three Days of the Condor, Rollerball, and The Adventure of Sherlock Holmes' Smarter Brother.  Somewhere after those films and others, we have a film called Breakout, which featured the action star Charles Bronson.  Fresh off his greatest film, Death Wish, Breakout would be one of the three films with Bronson that would come out during 1975 (other two being Hard Times and Breakheart Pass).  In Breakoutwe explore the topic of prison escape.  Let's make sure this one gets out with good behavior.

Mexico, 1971.  A bus drives through a small town.  Inside the bus are a couple of prisoners who are smiling at each other while two guards watch over them.  One of the prisoners hands over a bribe to the guard.  The guards hand them  some clean clothes.  The bus stops and the guards get out.  The prisoners also get out thinking their freedom is soon at hand.  The first prisoner runs off into the desert.  The guards hand the second prisoner a gun and tell him to shoot the first prisoner.  He shoots twice wildly but the third (and the fourth gunshot) hits him square in the chest, killing him.  Elsewhere, a briefcase is exchanged between two men and they shake hands.

From the beginning of civilized history, the government regardless of where it resides has always preferred its society to conform, to act alike so that there is no trouble or dissenting.  It is far easier if people fall in line so that the ruling class can continue to prosper while its peasants struggle along.  Truth is that most citizens would rather not rock the boat, so they forsake their personality and their soul for another day that was like yesterday.  Even when there is conflict or angst within a society, it's often manufactured by the government in order to give its people a perceived outlet for their deepest and darkest emotions.  Today, we explore Privilege, a film that takes a look at the not so distant future where a British pop star takes the UK by storm, but little does the public know that the government is the one pulling the strings.

The narrator tells us that Steven Shorter (played by Paul Jones) is quite happy to be back in the UK after a successful American tour.  His adoring fans are being held back (well, most of them) from the pop singer.  He gives them the release they need from the state of the world and gives them an outlet for their emotion, which they gladly pour out for this musical icon.

Easter 2021.  I'm sitting in a hotel room.  My wife and son are asleep in the adjoining room.  Meanwhile, I'm sitting in a chair flipping through channels on the television.  I come upon PBS where music is typically opera or symphony-based.  However, on this particular occasion, I am witnessing something far different.  A lady dressed in a red vinyl dress is playing guitar at the Austin City Limits.  It's clearly rock with a bit of indie and pop thrown in for good measure.  But it's unique all its own and familiar at the same time.  At first, I'm drawn in by her beauty, but I stay far longer once I hear her music and captivating sound.  Within days, I'm buying Masseduction  (and have bought several of her other CDs since then).  Her name is St. Vincent.  As it turns out, even before I was in that hotel room late at night, she was working on a mockumentary called The Nowhere Inn.  After the film falling victim in part to COVID for its release, it finally made it's way to Blu-ray.  Let's take a look.

A long, desolate highway.  A limo passes by with Annie Clark, also known as musician St. Vincent.  She is as it turns out doing just that: listening to music.  The driver up front rolls down the windowed partition and asks who she is, because he's never heard of her.  Annie tries to explain, but the limo driver just goes on and on about how neither he nor his friend have ever heard of her.  Eventually he rolls up the partition and Annie goes back to listening to her music.

Most people want to do the right thing.  It's usually far easier in your private life to do the right thing than it is, say, in a job environment where you have people constantly breathing down your neck.  They are far more interested in the company's pocketbook or their image to society than what is right and wrong.  Therefore, it often leads to a lot of decisions (especially those in places of power) that from a surface appear questionable.  It's even worse when that company or organization is in the public eye every moment of the day.  Today, we look at a film where an ex-cop has retreated to the mountains in search of a simpler life away from the grey choices of the police force.  All based on trying to do the right thing.  Let's take a look.

Charlie Waldo (played by Charlie Hunnam) stretches in the woods and sits in silence meditating on his life.  Meanwhile we get some ecological narration about the future state of the planet and how awful the United States is at preserving it.  (Trust me, kids, China is much, much worse.)  After a brief morning, Charlie goes right back to meditating.  He also washes his clothes the old fashioned way.  All of the sudden he is greeted by a beeping horn of a car.

The power of the media is indeed one of the most powerful forces on Earth.  They have the ability to manipulate regardless of where the truth actually lies.  This exists on all sides of the political spectrum regardless of country, creed, or faith.  It is truly sad that such fabrication actually exists and even more unfortunate that people will take it in hook, line, and sinker.  Our film today, Armageddon, takes place in France, but plays havoc with manipulating those all over Western Europe by using the media to instill fear.  Fear of mortality, fear of losing life, a fear that makes the strongest person into a blithering child.  Let us take a look.

A SOS car stops, and a repairman by the name of Louis Carrier (played by Jean Yanne) steps out.  He yells at his friend, Einstein (played by Renato Salvatori) who is picking up trash that he just inherited 250,000 bucks.  It seems that his brother died and left behind a life insurance policy.  Furthermore, it is his lucky break, and he is saying goodbye to his dear friend.  Einstein asks him what he is going to do, and Louis replies, "Make the headlines."  Let's roll those credits.

Despite my tender age, I didn’t see Escape from New York until I was in my early twenties. My parents never talked about it, my college friends didn’t seem to care, and the Internet wasn’t nearly as prevalent as it is now. But it has become my favorite movie of all time. What’s curious is that the sequel to the film, Escape from L.A., is what introduced me to Kurt Russell and the character of Snake Plissken (and became the foundation of everything I consider to be “cool”).  It holds a giant chunk of my movie heart, and I’m glad today to bring you this review of the UHD Blu-ray from Paramount. It is 1998, and hostile forces inside the United States are growing strong.  Los Angeles is ravaged by crime, and the US Police Force is formed to keep the peace. A political candidate (played by Cliff Robertson) emerges and predicts a millennium earthquake that will destroy Los Angeles in divine retribution. An earthquake measuring 9.6 on the Richter scale hits at 12:59pm on August 23rd in the year 2000.

The presidential candidate becomes President and shortly after becomes President for his life term. He relocates the capital from Washington DC to his hometown of Lynchburg, Virginia. Los Angeles is no longer part of the United States. As a part of Directive 17, all unfit people would be sent there indefinitely behind the Great Wall with no chance ever of retribution. Unfit people could be anybody the President decides, from criminals, murderers, to simply people based on their religion and red meat consumption. Yes, eating a steak in the 21st century could be grounds for exile.

Superman: The Animated Series was partly made in the same fashion as the massively popular Batman: The Animated Series. The tone was a little more serious, and the stakes were raised in order to create a sense that Superman might just have met his match. It was first produced in 1996 and made 54 episodes through the year 2000. The show received high praise for raising the bar but at the same time keeping what was important to the mythos of Superman. In fact, it even received a nomination for an Emmy. Besides Smallville, this probably stands out as the best television adaption of the one known as Superman, the Last Son of Krypton and hero to the planet Earth (and beyond).

(Summaries taken from previous DVD review; the rest applies to the new Blu-ray version)