Posted in: Disc Reviews by Brent Lorentson on October 16th, 2017
For the most part it seems the summer blockbusters tend to be sequels, superhero films, or CGI bonanzas that are simply eye candy to get us to the dark auditoriums to escape the heat. It’s rare that something comes along that is so clever and fresh as Baby Driver. Personally I’ve been a fan of Edgar Wright from the moment I first saw Shaun of the Dead; he was a writer and director who I felt knew how to make films fun. When he was set to direct his dream project Ant-Man, I was excited to see him finally get a chance to do a giant tent-pole studio film, but weeks before filming was set to begin, he got pulled away and replaced. When it was announced he was working on an action-comedy named Baby Driver, well, I was excited, but the film’s title had me scared, fears of him doing something along the lines of Baby’s Day Out ran through my mind, but then as the cast started to assemble, I couldn’t help but get excited. Kevin Spacey, Jamie Foxx, Jon Hamm, Jon Bernthal … and these were simply the co-stars. Then when the first trailer dropped, this became the title of the year for me to keep an eye on. While this might not be the kind of film that gets nominated for best picture, for me this had potential to simply be an experience, the kind of fun you hope to have when you see a movie.
So who is Baby? Ansel Elgort heads this film with the title name, and for most he’s a guy who’s come out of nowhere. He’s been in The Divergent series and The Fault in our Stars, but Baby Driver is his first step into the spotlight, and as I mentioned above, he is surrounded by some major talent. The casting of Baby is key. Picking a relative unknown works, because the audience doesn’t know what to expect from this guy, and this works in the film as he’s surrounded by some dangerous heavy hitters in the crime world and they see this kid with his I-pod, they can’t help but wonder what’s up with this guy. Our intro to Baby Driver, wastes no time at showing us just what Baby can do as he is the getaway driver for a bank heist in Atlanta.
Posted in: Disc Reviews by Brent Lorentson on October 13th, 2017
When a film like The Survivalist comes along, you somewhat have an idea what to expect when it’s being marketed as a “dystopian thriller”. I like these kinds of films, but for the most part many of them are just not very good and are just a carbon copy of previous dystopian films that came out prior to it. For years I’ d say the Mad Max series was the gold standard on what you should want to be. Waterworld at least attempted to be Mad Max, but rather than a desert wasteland it went the direction of the high seas. The Survivalist goes another direction; rather than a barren wasteland, or the ocean, it instead plunges deep into the wilderness after society has apparently collapsed and food has become scarce.
The film follows a man who is simply credited as the survivor (Martin McCann), and we see him dragging a body away and dumping it into a shallow grave. It’s an ominous opening that has the viewer questioning if this is a guy we should root for or not, but following this scene we go on to see his daily routine in his boring isolated life. Apparently one of his routines is having a little private time with himself, and the camera has no problem shying away from this. This goes up there as one of the most pointless gratuitous nude scenes I’ve seen at least since the opening sequence of Nocturnal Animals. I’m far from a prude, but I’m a believer that everything we see on the screen should have some meaning to drive the story forward. This instead just became a distraction.
Posted in: Disc Reviews by Brent Lorentson on October 12th, 2017
In 2003 Open Water hit the screen; it was a success since at the time the found-footage genre hadn’t yet saturated the market. I thought it was a fun little movie that was creative, and what impressed me most of all was the use of the sharks in the film. The danger always felt real, and to a point it was a convincing film. It was inevitable that a sequel would follow, though it came and went so fast, it’s not big surprise that many seem to have forgotten the film existed. Now it’s nearly a decade since the sequel came out that we now have a third installment, Open Water 3: Cage Dive.
It’s unfortunate for this film that 47 Meters Down also happens to come out the same year. (You can check out my review of that film on the site as well). With a bigger budget, polished cinematography, and a recognizable cast, it’s no wonder that 47 Meters Down was the one to score at the box office while Open Water 3 managed to sink with barely a whimper. This isn’t the first time films with similar plots have released at the same time, but most often the case there is one that stands out; this isn’t the film to do that.
Posted in: Disc Reviews by Gino Sassani on October 11th, 2017
Things are about to change in big ways for the Disney series Once Upon A Time. The sixth season is now out on Blu-ray, and the seventh season has just begun its run on ABC. If you try to go back and forth between these seasons, you might be puzzled more than usual. The show goes into a serious reboot this year. The economics of the show have been pulling it towards either cancellation or pulling in the purse strings. While the ratings aren't exactly blockbuster, it's been a clever way for the Mouse House to keep their properties buzzing as they continue to remake many of their fairy tales in live action these days. So there's a value beyond merely ratings and advertisement revenue to be gained here. The best solution was obviously to rework the show, and that meant most of the cast are not returning. Only Regina (Parrilla), Hook (O'Donoghue), and of course Rumple/Gold (Carlyle) are returning as regulars in Season 7. So if you want to see the show's swan-song (pun intended), pick up Season 6 on Blu-ray.
Well, you're invited; now gather up your Disney Fastpass and get in line for more television adventures in Storybrooke. Ah, but before you get on the boat for this year's ride, you might want to be sure you're all caught up on the adventures of these characters. This is not the place to start. The mythology of Once Upon A Time gets quite complicated over the previous seasons. This is not the place to start if you want to watch the show. Check out our previous reviews of the first four seasons of Once Upon A Time. Bang it here to get caught up: Once Upon A Time Reviews.
Posted in: Disc Reviews by J C on October 11th, 2017
“You know, there comes a time when even the greatest leader has gone as far as he can go.”
Winston Churchill was once voted the Greatest Briton Ever, beating out the likes of Princess Diana and William Shakespeare. Although Churchill had a staggering number of accomplishments throughout his long life, he is most closely associated with being Great Britain’s prime minister during World War II. That’s why the notion that Churchill vehemently opposed the D-Day invasion at Normandy in the days leading up to the pivotal battle is a provocative premise for this well-crafted, well-acted movie. The only problem is that it remains unclear whether that was actually true.
Posted in: Disc Reviews by J C on October 6th, 2017
“In our conversation, he seemed relaxed, unfailingly candid, earnest, and trustworthy. That is his talent and his curse.”
You probably know the name Bernie Madoff, the notorious fraudster who used a Ponzi scheme to steal almost $65 billion dollars from his victims. (Yes, that's “billion” with a B!) But if you were hoping to gain some insight into the man and his methods, this HBO film isn't really the place to look. The Wizard of Lies features a fantastic cast, some effective directorial touches, but is too often guilty of telling rather than showing.
Posted in: Disc Reviews by J C on October 4th, 2017
“This may seem a peculiar request...but could someone explain why I'm here?”
That question is posed slurred by Jack Sparrow, Johnny Depp's perpetually sloshed swashbuckler, during his very first appearance in Pirates of the Caribbean: Dead Men Tell No Tales. Given that this is the fifth film in a faded franchise — and that Depp probably needs the money — the answer for why any of this is happening appears to be painfully obvious. Which is why I was delighted (and frankly a little shocked) by how much fun I had watching this latest entry, which manages to entertain while openly plundering the original movie's winning formula.
Posted in: Disc Reviews by Brent Lorentson on September 29th, 2017
With a title like 2:22 it’s more than a little on-the-nose to point out something major is going to occur at this time. For a film about premonitions, it’s a shame the film opens up as it does, because it leaves no mystery to the audience and simply tells us what is going to happen, or at least something close enough in the film’s final act. I hate films that are done in flashback just as much as I hate it when it doesn’t put in the effort to conceal how things are going to unfold. In a lot of ways the film is like Groundhog Day, only instead of the same day replaying over and over, it is the same events occurring over and over for our protagonist to figure out.
Dylan (Michael Huisman) is an air traffic controller who is good at his job; he claims it’s his ability to see patterns that helps him do his job as well as he does, though after a freak accident in the control center nearly causes two planes to collide, he is put on a temporary suspension. It just so happens that Dylan meets Sarah (Teresa Palmer), who was on one of the flights that almost collided, and the two seem to fall for one another at first sight.
Posted in: Disc Reviews by J C on September 27th, 2017
“Ma'am, you need to understand that the president doesn't actually want you to do anything other than continue to be a woman — which you're doing a pretty okay job at.”
While Selina Meyer has done a passable job as a woman throughout the first five seasons of Veep, the vice president-turned-(temporary)president and her staggeringly incompetent staff have failed at pretty much everything else. The good news is Veep itself still does far more than an okay job of poking profane fun at the absurdity of Washington, D.C. and its swollen egos, even though season 6 finds Selina's squad more scattered than ever.
Posted in: Disc Reviews by Gino Sassani on September 27th, 2017
"My name is Oliver Queen. After five years in hell, I returned home with only one goal: to save my city. Today I fight that war on two fronts. By day, I lead Star City as its mayor. But by night, I am someone else. I am something else. I am the Green Arrow..."
Who the heck is this Green Arrow of whom you speak? If that's your first question, you need to go back a couple of grades and catch up with the rest of us. The comics are good place to begin, but the television universe is its own place and not tied so tightly to the DC comic book universe. Your best place to go to catch up would be the first three seasons. It'll be worth the effort, and I can get you started with those reviews found Here.
