Posted in: Disc Reviews by Brent Lorentson on October 22nd, 2016
The third release of the Vestron Video Collector’s Series that Lionsgate has decided to put out isn’t just one film but two, Waxwork and its sequel Waxwork 2: Lost in Time. If you think just because it’s a two-for-one release that they may have taken the lazy route on handling the transfers and features, well, I can happily say that you’d be wrong. If you like campy horror, especially the kind that existed during the late 80’s on into the early 90’s, then this is the kind of double-feature set you’ll have a blast with. It doesn’t hurt, either, that it’s being released just in time to be enjoyed for those of you looking to put together some horror movie marathons during the Halloween season
Posted in: Disc Reviews by Gino Sassani on October 21st, 2016
You know, I miss James Gandolfini. I know that HBO misses him as well. When The Sopranos finished, Gandolfini signed a development deal with HBO. He would not only work in front of the camera but help find and produce material for the network. We all know what happened next. Gandolfini passed suddenly, just when it seems he was breaking out of his Tony Soprano typecast, and one gets the feeling that he was going to do great things. One solid indication of that promise comes in the HBO series The Night Of... which was one of those passion projects that the man never got to see through.
Posted in: Disc Reviews by Brent Lorentson on October 19th, 2016
I can’t be the only one who misses seeing Mel Gibson in a tent pole movie for the studio every year. Sure, he said some rotten things, but does it matter what he does in his personal life? The man still is a great actor and an even better director. Hollywood has always been forgiving of its talent; it’s a system that seems to enjoy seeing talent make a comeback and do some amazing work. What it seems is that sometimes we forget that these icons on the screen are human, and they make mistakes and do stupid things and they have to own these experiences for the rest of their lives in the spotlight.
Posted in: Disc Reviews by Jeremy Butler on October 19th, 2016
Growing up one of coolest jobs I thought was out there was undercover work. Not to diminish all the threats to one’s well-being associated with that profession, but come on, who didn’t want the opportunity to reinvent themselves as someone else entirely. Undercover affords that opportunity. That said, it does not come without a cost, and that cost is explored thoroughly in The Infiltrator, a based on a true story tale about a U.S. Customs agent who infiltrates the most successful and equally dangerous drug cartel led by the one and only Pablo Escobar. An interesting little tidbit that I was unaware of before the opening credits was that this film was shot right here in the Tampa area, which provided recognizable environment and a chance to pick out familiar territory.
Posted in: Disc Reviews by Brent Lorentson on October 19th, 2016
I’ve always been a fan of Tarzan; I loved the old series and the films basically because I just dug how he was this fearless character who lived in the jungles who fought the bad guys and a few wild animals as well. As I got older that was when I discovered the books of Edgar Rice Burroughs, and I just had a blast with all these pulp tales about the civilized Wildman and the beautiful Jane. I even remember how excited I was about seeing Greystoke: The Legend of Tarzan as a kid; even though this screen adaption bored me to tears, it was still exciting to see the character up on the screen. Now it’s 2016, and the character is swinging into action on the big screen again, and with a large budget to back it up.
Posted in: Disc Reviews by J C on October 14th, 2016
Imagine if Three Men and a Baby was remade with just two guys, a baby, a battle axe, and a bunch of arrows. Despite its exceedingly generic Americanized title, The Last King has a little something different to offer action-weary movie watchers. The story is set in a time and place — 13th century Norway during the country's civil war — that is probably unfamiliar to U.S. audiences. And while much of the hand-to-hand combat and royal treachery will prove cliched to some, they are presented with some fun tweaks and an occasionally sentimental tone that doesn't always mesh with the hard-hitting action.
Posted in: Disc Reviews by Brent Lorentson on October 13th, 2016
When you have a title like Satanic, it’s kind of hard to not start to build up expectations right out of the gate. I like a horror film that isn’t afraid to go dark and play with the subject matter of the occult, because honestly it’s the only topic that can manage to get under my skin. The Exorcist in my opinion is hands down the best horror film of all time and manages to haunt me after a viewing simply because the boy I once was who went to Catholic mass every Sunday knew that it could happen.
Posted in: Disc Reviews by Gino Sassani on October 12th, 2016
"...And then all light will end, and the world will live in darkness. The very air will be pestilence to mankind. And our brethren, the night creatures, will emerge and feed."
We could be talking about the end of the world. We could also be talking about the untimely demise of Penny Dreadful with just its third season at Showtime. It came with a suddenness, and not without controversy. John Logan originally planned for the series to go 6-7 years.
Posted in: Disc Reviews by Brent Lorentson on October 8th, 2016
After the release of The Editor on Blu-ray last year and with the remake of Susperia in the works, it would seem that there is a slow revival of the Giallo film. For those unaware of the term or style, it’s basically a horror/ mystery film that tended to have slasher elements that emerged out of Italy. These were beautiful and stylish films that directors like Dario Argento, Mario Bava, and Lucio Fulci were the ambassadors of. While The Editor was more of a spoof of the genre, though well done, it is Masks that has really gotten my attention. Though it comes out of Germany, the love and attention to detail in adding so many of the familiar hallmarks of the Giallo film makes Masks more than just a simple homage, but it’s so well executed I could have believed this was a lost Dario Argento film.
Posted in: Disc Reviews by Gino Sassani on October 7th, 2016
"Did I miss anything while I was gone?"
Did you ever. Banshee came to an end with this, the fourth season, and it did not go quietly, to be sure. But it's not how it ends, but how this final season begins that's a bit of a mystery. There is a time jump of a little over 18 months that will cause you to feel like you might have missed something. If that doesn't confuse you, the season's constant tripping around in time will turn this season into a show very different from the Banshee we've come to know and love.
