Posted in: Disc Reviews by Brent Lorentson on December 21st, 2016
Coming out of Norway we have In Order of Disappearance, a film I knew nothing about aside from the cover art. To be , it pretty much reminded me of any of the numerous revenge films we’ve seen Liam Neeson in. Stellan Skarsgard instead stars in this revenge romp that I feel got lost in translation with me. It’s not that I couldn’t understand the base of the film being a revenge tale; this is very much clear as day, but it is the film’s sense of humor that borders on being dry and black, to other points I feel it’s just a Norwegian thing. Usually one of the first things I do with a foreign film is I make sure everything is set to the original language track and use the subtitles to follow along (never been a fan of dubbing). As it would turn out, whoever decided to subtitle this film decided to use white lettering. Normally that wouldn’t be a problem, only for this film most of the backgrounds are filled with snow, so the white on white forced me to listen to the dubbed track, and the actors doing the dubbing are really bad at times and ruin the experience.
Nils (Skarsgard) is just your average guy who has been awarded an honorary citizen of the year award; he’s humbled by this but continues on with his day-to-day life as a snow blower. His life gets thrown into chaos when he discovers his son has been murdered, and over drugs. It’s the kind of news no parent wants to hear, and just when Nils is ready to take his own life, he comes across a drug addict who knew his son and has the answers to what “really” happened to him. Not to throw you any curve balls, but Nils decides he wants blood and is going to go after anyone and everyone who was involved with his son dying. As you can imagine, there is a lot of bloodshed to follow.
Posted in: Disc Reviews by Brent Lorentson on December 15th, 2016
In 1959 when Ben-Hur came out, it was a massive undertaking that nearly closed the gates for MGM after nearly bankrupting the studio. It was a huge risk in producing such a large-scale epic that fortunately paid off and became one of the studio’s cornerstone successes. The story of Judah Ben-Hur and his fall from being a prince, to becoming a slave, to eventually becoming a hero to the people in the arena is such a familiar story that it’s hard to not feel you’ve seen this before without even entering the theater. In some parts I look at Gladiator and see somewhat the same film, only being set in a separate time and place. But really, the story of betrayal at the highest levels, and seeing great figures fall only to pull themselves up again is a theme Hollywood seems to relish, and it seems to attract many viewers in the process. Now it seems Hollywood is desperate for remakes, and I figure someone felt it was time to once again dust off the story of Ben-Hur, only this time throw in all the CGI gimmicks at the director’s disposal; after all, $100 million isn’t the investment it used to be for a film. But to paraphrase the great Ian Malcom from Jurassic Park, perhaps the producers were so preoccupied with thinking if they could remake the film they didn’t stop to think whether they should.
Jack Huston (Boardwalk Empire) is the newest star to tackle the role of the Jewish Prince Judah Ben-Hur. This is the kind of casting that has me a little excited, because right now he’s just an actor on the rise, and having him front in center on a grand epic is something that could help make Huston a breakout star. He’s a departure from previous incarnations, but in a good way; he gives more range than what we’ve seen before, yet sadly doesn’t have that commanding presence that Charlton Heston was able to bring to the role. But Huston manages to give his character charm as we see him in love with Esther (Nazanin Boniadi), a servant girl in the palace. But the crux of the story is around the friendship/brotherly bond between Judah and Messala (Toby Kebbell), a Roman soldier who grew up as an adopted child with Judah.
Posted in: Disc Reviews by J C on December 15th, 2016
“Word of advice: don't take up a sentimental attitude over the poor.”
That bit of wisdom is offered by Henry Wilcox, the scheming, obliviously shameless wealthy capitalist in Howards End. The 1992 Merchant-Ivory film — which gets a spiffy, 25th Anniversary Blu-ray release courtesy of Cohen Media Group — is based on an E.M. Forster novel that was published in 1910. However, Henry's philosophy towards the less fortunate members of society strikes a chord more than 100 years since the character made his debut. And that's just one reason Howards End is worth another look as we prepare to turn the calendar to 2017.
Posted in: Disc Reviews by Brent Lorentson on December 14th, 2016
relatively out of the spotlight as she has worked on making her cable network channel, OWN, a success. While I wouldn’t ever say I was a fan of Oprah’s work on the screen, I could appreciate what she did in The Color Purple and Beloved. This being said, I have to admit I was a bit reluctant to take a title that at first glance seemed to be a show that would be heavy-handed with its subject matter centered around the church. Despite my concerns, I’m glad I picked up this title, because despite how it handles some very familiar topics, it’s presented in a manner that not only feels fresh but is truly an engrossing show that manages to suck the viewer in and kept me wanting to see what would happen next.
Grace Greenleaf (Merle Dandridge) returns to her Memphis home with her daughter, Sophia (Desiree Ross), to pay her final respects to her sister who has passed on. Grace returns home but is hardly greeted with open arms. The Greenleaf name is one that has a far reach, due to the fact that Bishop James Greenleaf (Keith David) runs Calvary, a large mega-church that has thousands of followers, with several members of the family taking on large roles in the day-to-day functioning of the church. The Greenleaf family (at least a good portion of them), all seem to live together under one roof, in a mansion that is situated upon a large, picturesque piece of property. The show wastes no time in setting up all the drama that unfolds behind the walls of the mansion and inside the church.
Posted in: Disc Reviews by Jeremy Butler on December 8th, 2016
It was rumored from the very beginning that George Miller was considering a black & white format for the film. There are box office risks associated with such a brave choice. We're hearing some of the same thoughts coming out of the Logan shoot. The nice thing about the sophistication of home video today is that there is now an outlet for those kinds of artistic choices, and this is a pretty solid example of it. It's hoped more of these kinds of alternate ideas can make it to home video giving filmmakers the chance to unleash things that might just be too risky at the box office. You still get the original film as part of of this combo so you're not giving anything up.
It is one of the most anticipated movies of the summer and another subject in the category of “can Tom Hardy do no wrong?” Mad Max: Fury Road is the reimagining of the iconic film that helped launch Mel Gibson’s career decades earlier. This is not new territory in Hollywood by any stretch of the imagination; remakes have happened so often in recent years that they have practically become their own genre. However, I would like to point out something that will hopefully set this film apart in the eyes of the audience: how often do you see a remake that is overseen by the creator of the original film that you know and love?
Posted in: Disc Reviews by J C on December 1st, 2016
The most remarkable thing about Looking might have been how thoroughly unremarkable it was. The HBO dramedy — which followed the love lives of three gay friends in San Francisco — sidestepped any sort of headline-grabbing sensationalism. However, Looking was often low-key to the point that it bypassed being funny or particularly entertaining. The latter point was a bigger issue early on since the show's naturalistic tone made Looking more engrossing as the series progressed and deepened its roster of characters. You can see for yourself how the show got better as it went along now that HBO has released the entire Looking saga — two seasons and a movie — in one handy Blu-ray set.
“I don't know if either of us are very good at being who we think we are.”
Posted in: Disc Reviews by Gino Sassani on December 1st, 2016
"Sometimes a dragon gets lost...and winds up far from his home."
It appears to be the intention at Walt Disney Studios that each of its animated classics is to be remade as a live-action film. You can certainly understand the why that might be so. Computer-generated images have passed into the realm of photo-realistic presentations. Today there isn't anything you can't bring into the "real" world to interact with actual flesh and blood actors. The concept brought us the brilliant Jon Favreau version of The Jungle Book. Not all of these attempts have been or will be quite so successful. I count Pete's Dragon among one of those lesser-than films.
Posted in: Disc Reviews by Brent Lorentson on November 29th, 2016
Fresh out of the vaults comes another cult classic. Vestron Video has decided to unleash Return of the Living Dead 3 for horror fans to snatch up this holiday season. Considering the titles that Vestron has already released, for some this might be a title that will leave fans scratching their heads about there being an urge to re-master this film, much less crank out a Blu-ray with so many features. Well, the simple answer is that the person in charge of acquiring and releasing these titles knows that there are fanboys like me out there who will shell out the money for a product that’s given this kind of attention. Return of the Living Dead is a cult classic and is mostly responsible for casual moviegoers making the connection with zombies and brain eating (yes, we real horror fans know better, but I always thought it was cute when an old girlfriend would dress as a zombie for Halloween and shuffle around moaning “brains”). If I’m being straight with you, I can’t remember the sequel at all, but the third I do remember, and there are some fond memories that still hold up with this title.
When Curt (J Trevor Edmond) picks up his girlfriend Julie (Melinda Clarke), he’s got a surprise for her, only it ends up being the start of the many bad decisions to follow. He’s decided to steal his dad’s key card and use it to access Top Secret areas on the base his father works at. His father is Colonel John Reynolds (Kent McCord), and as it would turn out, the Colonel is in charge of a program that uses a unique chemical, Trioxin, to re-animate corpses. That’s right; the military is at it again trying to create a weapon that will no doubt turn against them. Curt and Julie slip far enough into the base to get a glimpse at some of the gruesome experiments and reluctantly decide they’ve seen more than they can handle.
Posted in: Disc Reviews by Brent Lorentson on November 24th, 2016
There is a way this film could have been great if not a little amusing. Imagine if James Bond was being stalked by Q; what would Bond do? Sure, I’ll admit it’s a silly notion, but it’s all I could think about as I watched this film about a millionaire and his family being stalked by a disgruntled I.T. worker. In general, it’s a story we see a couple of times a year, the seemingly charming figure that comes into a person’s life that turns out to be crazy and throws everyone’s life into chaos. Films like Cape Fear and One Hour Photo are just a couple of examples of films that tackled the stalker sub-genre; even last year’s overlooked gem The Gift showed you can still be terrifying with a little creativity.
Mike Regan (Pierce Brosnan) is a millionaire who has it all. He has a beautiful, loving wife, Rose (Anna Friel) and a teenage daughter, Kaitlyn (Stefanie Scott) as well as a successful enterprise. Mike is looking to expand his brand and create a new business venture, one that looks to embrace the future of technology as our society continues to grow all the more dependent on our smart phones and computers. After helping save Mike’s pitch to the company, Ed (James Frencheville), an I.T. temp, gets hired full time to the company. Impressed with Ed’s talents, Mike even goes so far as to invite the new I.T. guy out to his home to check out his home security system. I don’t think you need a Magic 8-Ball to see where this is going.
Posted in: Disc Reviews by Gino Sassani on November 24th, 2016
"Space...the final frontier. These are the continuing voyages of the Starship Enterprise. Its five-year mission: to explore strange new worlds, to seek out new life and new civilizations, to boldly go where no one man gone before!"
Of course, we never did get five years from that original show when it ended after just three years in 1969. The new film series has tried to fix that for us. The latest film picks up the five-year mission just after three years have gone by. It's a double homage to the original show. The number of days reflected the series start, and it picks up where they left off...kind of. But we did get a fourth and partial fifth year of the original voyages, and while it has never been considered truly canon, the original cast joined many of the original writers in 1973 to bring Star Trek back to the small screen. It was Filmation's Star Trek: The Animated Series, and it appeared on Saturday mornings from 1973 until 1974.
