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It’s been a long wait for those of us wanting to see Eli Roth’s return behind the camera since Hostel 2 hit the screens. I’ve been more than a little excited since hearing about Roth’s plans to bring the cannibal genre to its jungle roots.  It’s been long enough since audiences have been shocked by the ferocity we haven’t seen from the genre since Cannibal Holocaust and Cannibal Ferox.  Sadly, the intentions were there, but the execution just fell short.  Instead of getting the shock and gore we’ve come to expect since Cabin Fever and Hostel 1&2, this time around we get a film that feels a little restrained.

Justine (Lorenza Izzo) is a college freshman who desperately feels the need to protest against the injustices in the world but hasn’t quite found a cause worth fighting about.  That is, until in one of her classes the subject of female circumcision is brought up.  It’s a subject that offends and disgusts, and it’s one of Roth’s moments to interject his “agenda” upon the audience.  Though for most viewers they will simply pick up on this scene as being a way to foreshadow some of the brutality to come.

“History of man is defined by war. And war is defined by the men who fight it.”

Well, it is definitely more high-tech than the 2007 version, but is that necessarily a good thing? That’s what you are here to find out in this reboot of the popular video game of the same name (minus the Agent 47 part, that is). Rupert Friend is Agent 47 in this updated version, and I will say that despite my initial upset feelings about the recasting of the character, he does an excellent job as the highly motivated and proficient assassin. As far as reinvention goes, I was pleased with this despite it being theoretically ridiculous in some areas, but hey, isn’t that what fantasy is anyway?

"His imperfections were unsettling. But Frank Sinatra was a genuine artist, and his work will endure as long as men and women can hear and ponder and feel. In the end, that's all that really matters." 

He was The Beatles before The Beatles were The Beatles. His voice would make women swoon and men want to be him. He romanced some of the most beautiful women in Hollywood history, and he sat at tables with kings, princesses and presidents. He was The Voice. The Chairman Of The Board. He was Old Blue Eyes. His name was Francis Albert Sinatra, but we all called him Frank.

America’s most dysfunctional family is back for a fifth season. Showtime dramedy series Shameless, based on the popular UK series of the same name, continues with the same level of comedy and drama that has made it one of the network’s all-time popular shows. The Gallagher clan is always full of surprises, and this season is no different, especially when comes to the family matriarch, Fiona, who probably comes through the largest arc this season as always. Usually when a show reaches this point, it begins to show signs of tedium or signals that it is close to its end; however, that is not the case here, as the season 6 is expected to begin in January.

When we last looked in on the Gallaghers, Fiona was just released from jail and is now on probation. Mickey was worried about Ian, who was beginning to exhibit symptoms of his bipolar disorder. When Fiona wishes to hospitalize him, Mickey fights back and asserts that he will look after Ian. Frank the Plank awakens from his liver transplant to discover his marriage to Shelia. Told that the side effects of his transplant won’t be pleasant and he must refrain from drinking, Frank takes off with Carl and shares a drink with his way-underage son. The final scene was probably the most shocking, as a familiar face showed up outside the Gallagher house.

We're in hell.”

The Blu-ray cover for Bone Tomahawk features a grizzled Kurt Russell donning a cowboy hat. That image immediately indicated to me that I would be in steady, exceedingly capable hands for the forthcoming Western adventure. What I didn't necessarily expect was for Bone Tomahawk to also deliver one of the more frightening, engrossing, and pulse-pounding movie-watching experiences of the year.

Pan is a very big and expensive movie, so when you buy your ticket you are getting a lot for your money. Most movies are not for everyone, but it is safe to say that an expensive movie will offer more entertainment value than an inexpensive or cheap movie. Pan was also put together by an award-winning team of respected filmmakers who have been very successful in the past. That is also a good bet when you are buying a ticket. Pan is an expansion of the story of a beloved children’s classic, Peter Pan. Again, you can’t go wrong there. In fact, it is mostly new material that serves as a prequel to the existing story where Captain Hook is basically a nice guy, and there is a whole new villain instead. The new villain, Blackbeard, is played with tremendous gusto by Hugh Jackman. Again, this is a good thing. Rooney Mara (nominated this year for numerous awards for the film Carol this year) is Tiger Lilly. Garrett Hedlund is the young Hook. Amanda Seyfried is Mary, the mother of Peter. Promising young actor Levi Miller is Peter Pan. Peter starts out in a cruel London orphanage but is kidnapped by the evil Blackbeard and his pirates in his giant floating pirate ship and taken to a place beyond space and time which you probably know as Neverland. Peter is eventually rescued by the young Hook, but the story beyond that gets difficult to summarize. The movie is an amazing visual experience and well worth watching.

Now the bad news. The film was not well received by most critics. The reason is because the film has some issues that might distract from the complete enjoyment that the $150 million budget might lead you to expect. One problem is that the original Peter Pan is perceived as having racist elements, especially with a character like Tiger Lilly. The producers tried to avoid that by hiring Mara, a white actress. Then there was a petition circulated that Hollywood didn’t hire enough actors of color. It seems like a no-win situation to me. You can’t have it both ways, people.

With their impossibly beefy frames, larger-than-life personas, and familiarity with staged combat (sorry, buddy), pro wrestlers fit the old-school action star mold perfectly. Unfortunately for them, Hollywood isn’t nearly as interested in action flicks that don’t have superheroes, dinosaurs, or Liam Neeson. And while interconnected cinematic universes are all the rage at the moment, Lionsgate and World Wrestling Entertainment have a pretty interesting partnership themselves. Their latest offering is the dopey, compulsively watchable 12 Rounds 3: Lockdown, which is considerably more entertaining than it has any right to be.

You may have guessed by now that 12 Rounds 3 (even the title is wonderfully ridiculous) is the third film in the saga. However, it’s also the second film in the “Action Six-Pack” series, a recent pact between Lionsgate and the WWE to make a sextet of action flicks starring the latter company’s wrestlers. (The first film in the “Six Pack” was Vendetta.) Even before this partnership, the WWE had found a measure of straight-to-DVD success by plugging its superstars into action vehicles that are only vaguely related to each other. (See, The Marine series.)  

Whenever I read the caption that says the story is inspired by true events, the first thing I wonder is how much of film is actually truth and how much is poetic license. Am I the only one who wonders that? I’m guessing I’m not. In the case of Dragon Blade, I’m thinking that the opening featuring Jackie Chan’s trademark clumsy marital arts style is likely the latter, a tale that falls short of war epic status due to sentimental tendency. Held my attention in the beginning; however, I felt my interest wane in the middle, and by the conclusion it had lost me completely. Sad, because I was excited for this film when I originally heard about it.

Dragon Blade takes place in 50 BC, and Jackie Chan is Huo An, captain of the Silk Road Protection Squad. As the group’s leader, Huo An with a small coalition does his best to keep the peace in Silk Road, a task that is very difficult given the constantly warring factions. Despite these obstacles, Huo An holds steadfast to his code, refusing to resort to violence without attempting peaceful negotiations first. An honorable man, his life is shortly turned upside down when he and his group are accused of smuggling gold and sentenced to a prison camp.

This may very well be our last mission, Ethan...make it count.”

You wouldn't know it from looking at him, but Tom Cruise is now 53 years old. So it's only natural to wonder how many more Missions the indomitable superstar has left in him. Well if Rogue Nation is any indication, the above quote is meant to be more winking than prophetic. Just like its tireless star, the fifth installment of the 19-year-old Mission: Impossible film franchise is sprier, tighter, and more energetic than its age might suggest.

In a war, there's really only two things that are gonna ruin your day...officers and orders.”

The concept of duty — particularly giving and following orders that will almost certainly result in death — is at the forefront of War Pigs, a straight-to-DVD actioner that doesn't actually have that much action in it. For a movie with the likes of Dolph Lundgren and Chuck Lidell gracing its Blu-ray cover, scaling back on the butt-kicking seems like a death sentence. However, I was surprised to find the action sequences were actually the weak link in this limited but reasonably entertaining World War II yarn.