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Like most people my age (I'm not telling), I watched my fair share of Full House. I wished I could be as cool as John Stamos, be as funny as Dave Coulier and wished Bob Saget was my dad. Then I grew up and realized I wasn't as cool as John Stamos, didn't find Dave to be quite as hilarious (sorry Dave), and still wished Bob was my dad (Actually, even more so when I found out he was quite the dirty comic). Fast forward about twenty years and the Full House theme has been brought back into the present with some familiar faces and a few new ones. Let's take a look at Season 2 of Fuller House.

At first glance you would not expect 50 year old cartoon television specials to be this high on the UHD 4K list. Honestly, I was a bit surprised myself. But when you really think about the staying power of these cartoons you realize they've made an emotional connection to generations of children of all ages. I grew up on the Peanuts creations of Charles M. Schulz. Most of us have, in some way or another. His newspaper comic strip is one of the longest running and most successful strips of all time. The work has been translated into every language currently spoken on the planet. The images of Charlie Brown, Snoopy, Linus, and the rest of the Peanuts gang have appeared on just about any kind of product imaginable.

Rebels have friends always rushing to the rescue.”

The Star Wars universe is famously vast, and that’s before even going down the Expanded Universe rabbit hole. Though it's been precisely 40 years since the fourth first Star Wars film premiered, the army of artists who have taken on George Lucas’ iconic creations haven’t even come close to running out of material to explore. Disney XD’s Star Wars Rebels debuted three years ago as an engaging, thoroughly zippy, kid-friendly contribution that has blossomed into a thoughtful, vibrant, and vital part of Star Wars lore.

There is a way this film could have been great if not a little amusing. Imagine if James Bond was being stalked by Q; what would Bond do?  Sure, I’ll admit it’s a silly notion, but it’s all I could think about as I watched this film about a millionaire and his family being stalked by a disgruntled I.T. worker.  In general, it’s a story we see a couple of times a year, the seemingly charming figure that comes into a person’s life that turns out to be crazy and throws everyone’s life into chaos.  Films like Cape Fear and One Hour Photo are just a couple of examples of films that tackled the stalker sub-genre; even last year’s overlooked gem The Gift showed you can still be terrifying with a little creativity.

This is one of those titles that came along where I had no idea what to expect.  I knew it was a horror title, and really that is about it.  The problem with doing films in a single location, though it may save you money when it comes to the actual production, is that in return you put an added pressure on your performers and the story to not be boring and keeping the story moving.  It can be done; after all, 10 Cloverfield Lane is one of my favorite films of the year, and most of it takes place in a bunker.  When it comes to The Id, how did the film turn out? Well, I feel it was a victim of its own design.

The Star Wars universe is famously vast, and that's before the Force even Awakens this Christmas and kicks off a new series of feature films. (And let's not even go down the Expanded Universe rabbit hole.) My point is that it's been almost 40 years since Star Wars premiered, and the army of artists who have taken on George Lucas' iconic creations haven't even come close to running out of material to explore. Disney XD's Star Wars Rebels is an engaging, thoroughly zippy entry that is likely to entertain its intended young target audience along with those who have been obsessed with the Force since a long time ago.

One thing one can be sure of is that there wasn't before him an Orson, and there'll never be a second.”

This year (May 6, to be exact) marks what would've been Orson Welles' 100th birthday. To celebrate, filmmaker Chuck Workman has made a charming documentary with a title as grandiose as its subject. Magician: The Astonishing Life & Work of Orson Welles is a thoroughly entertaining — if somewhat superficial — survey of one of the 20th century's greatest showmen.

One of the miracles of modern technology is its ability to shrink the world down so you can practically (well, proverbially) hold it in the palm of your hand. The cheerily square Smithsonian Channel series Aerial America goes the other way. In fact, the best thing about the show is how it uses technology to fill every inch of your screen with some of the most famous — along with some of the more underappreciated — U.S. landmarks, employing a larger-than-life/bird’s-eye point of view most of us wouldn’t otherwise be able to enjoy.

"There are over 120,000 juveniles incarcerated in detection centers across the United States. Upon release 75% will either return to prison or die in the street. What follows is based on the true story of Camp Kilpatrick and the people there who tried to make a difference."

The Rock -- sorry, Dwayne Johnson, sure has come a long way from his melodramatic days as a WWE superstar.

Pacino and Depp in a mob drama about an undercover fed and his unknowing Mafioso mentor? Fuggedaboudit. Donnie Brasco is based on the true story of F.B.I. agent Joe Pistone (Johnny Depp, Blow), who spent six successful years undercover in the New York Mafia, as one Donnie Brasco. The film opens with Lefty Ruggiero (Al Pacino, Heat), an aging made man, connecting with Donnie about a diamond ring. Donnie’s cover is he’s in the jewelry “business”, and Lefty wants to unload a ring some guy …gave him as payment for a debt.