Dolby Digital 5.1 (English)

Like most people my age (I'm not telling), I watched my fair share of Full House. I wished I could be as cool as John Stamos, be as funny as Dave Coulier and wished Bob Saget was my dad. Then I grew up and realized I wasn't as cool as John Stamos, didn't find Dave to be quite as hilarious (sorry Dave), and still wished Bob was my dad (Actually, even more so when I found out he was quite the dirty comic). Fast forward about twenty years and the Full House theme has been brought back into the present with some familiar faces and a few new ones. Let's take a look at Season 2 of Fuller House.

If you are one of those people like myself who have never seen an episode of Fuller House and need a quick rundown of characters, well here you go. We have DJ Tanner-Fuller (played by Candace Cameron Bure) who is widowed, a veterinarian and has three kids. The three kids are Jackson (played by Michael Campion), age 13, Max (played by Elias Harger), age 7 and Tommy Jr (played by Dashiell & Fox Messitt), age barely out of the womb (probably around 2). In addition, we have DJ's sister, Stephanie Tanner (played by Jodie Sweetin) who has moved from London to help DJ raise her kids. Also, she is ridiculously hot. (There I said it, I'm sure it will come up again).

At first glance you would not expect 50 year old cartoon television specials to be this high on the UHD 4K list. Honestly, I was a bit surprised myself. But when you really think about the staying power of these cartoons you realize they've made an emotional connection to generations of children of all ages. I grew up on the Peanuts creations of Charles M. Schulz. Most of us have, in some way or another. His newspaper comic strip is one of the longest running and most successful strips of all time. The work has been translated into every language currently spoken on the planet. The images of Charlie Brown, Snoopy, Linus, and the rest of the Peanuts gang have appeared on just about any kind of product imaginable. Our pop culture contains too many references to the strip to mention briefly. For me, it was the television specials starting in the mid 1960’s that brought the gang into my life. The classics are running annually, still after nearly 50 years. A Charlie Brown Christmas, A Charlie Brown Thanksgiving and It’s The Great Pumpkin, Charlie Brown are the most mentioned and certainly beloved by generations of children and adults. I thought I never missed an airing.

A Charlie Brown Christmas

Rebels have friends always rushing to the rescue.”

The Star Wars universe is famously vast, and that’s before even going down the Expanded Universe rabbit hole. Though it's been precisely 40 years since the fourth first Star Wars film premiered, the army of artists who have taken on George Lucas’ iconic creations haven’t even come close to running out of material to explore. Disney XD’s Star Wars Rebels debuted three years ago as an engaging, thoroughly zippy, kid-friendly contribution that has blossomed into a thoughtful, vibrant, and vital part of Star Wars lore.

There is a way this film could have been great if not a little amusing. Imagine if James Bond was being stalked by Q; what would Bond do?  Sure, I’ll admit it’s a silly notion, but it’s all I could think about as I watched this film about a millionaire and his family being stalked by a disgruntled I.T. worker.  In general, it’s a story we see a couple of times a year, the seemingly charming figure that comes into a person’s life that turns out to be crazy and throws everyone’s life into chaos.  Films like Cape Fear and One Hour Photo are just a couple of examples of films that tackled the stalker sub-genre; even last year’s overlooked gem The Gift showed you can still be terrifying with a little creativity.

Mike Regan (Pierce Brosnan) is a millionaire who has it all.  He has a beautiful, loving wife, Rose (Anna Friel) and a teenage daughter, Kaitlyn (Stefanie Scott) as well as a successful enterprise.  Mike is looking to expand his brand and create a new business venture, one that looks to embrace the future of technology as our society continues to grow all the more dependent on our smart phones and computers.  After helping save Mike’s pitch to the company, Ed (James Frencheville), an I.T. temp, gets hired full time to the company.  Impressed with Ed’s talents, Mike even goes so far as to invite the new I.T. guy out to his home to check out his home security system.  I don’t think you need a Magic 8-Ball to see where this is going.

This is one of those titles that came along where I had no idea what to expect.  I knew it was a horror title, and really that is about it.  The problem with doing films in a single location, though it may save you money when it comes to the actual production, is that in return you put an added pressure on your performers and the story to not be boring and keeping the story moving.  It can be done; after all, 10 Cloverfield Lane is one of my favorite films of the year, and most of it takes place in a bunker.  When it comes to The Id, how did the film turn out? Well, I feel it was a victim of its own design.

Meridith (Amanda Wyss) has pretty much spent her entire life at home, and her youth has been spent taking care of her father.  Her father, Mr. Lane (Patrick Peduto) is far from the loving father who appreciates what his daughter has sacrificed to take care of him.  He’s a mean old coot, and very early on in the film we wouldn’t blame Meridith if she snapped and killed him one day.  Well, that’s actually all this film seems to really be about, a woman being brought to her breaking point where she can justify to herself that it’s OK to kill her father.

The Star Wars universe is famously vast, and that's before the Force even Awakens this Christmas and kicks off a new series of feature films. (And let's not even go down the Expanded Universe rabbit hole.) My point is that it's been almost 40 years since Star Wars premiered, and the army of artists who have taken on George Lucas' iconic creations haven't even come close to running out of material to explore. Disney XD's Star Wars Rebels is an engaging, thoroughly zippy entry that is likely to entertain its intended young target audience along with those who have been obsessed with the Force since a long time ago.

The Emperor has foreseen a new threat rising against him. The children of the Force...they must not become Jedi.”

One thing one can be sure of is that there wasn't before him an Orson, and there'll never be a second.”

This year (May 6, to be exact) marks what would've been Orson Welles' 100th birthday. To celebrate, filmmaker Chuck Workman has made a charming documentary with a title as grandiose as its subject. Magician: The Astonishing Life & Work of Orson Welles is a thoroughly entertaining — if somewhat superficial — survey of one of the 20th century's greatest showmen.

One of the miracles of modern technology is its ability to shrink the world down so you can practically (well, proverbially) hold it in the palm of your hand. The cheerily square Smithsonian Channel series Aerial America goes the other way. In fact, the best thing about the show is how it uses technology to fill every inch of your screen with some of the most famous — along with some of the more underappreciated — U.S. landmarks, employing a larger-than-life/bird’s-eye point of view most of us wouldn’t otherwise be able to enjoy.

A quick primer if you’ve never seen the show (as I hadn’t prior to popping in this Blu-ray): the series debuted in 2010, and each hour-long episode is devoted to a different U.S. state or region. Every one of those episodes is solely comprised of stunning, leisurely aerial shots of that respective state’s natural and man-made landmarks, along with a brisk history lesson courtesy of narrator Jim Conrad.

"There are over 120,000 juveniles incarcerated in detection centers across the United States. Upon release 75% will either return to prison or die in the street. What follows is based on the true story of Camp Kilpatrick and the people there who tried to make a difference."

The Rock -- sorry, Dwayne Johnson, sure has come a long way from his melodramatic days as a WWE superstar. His first major film role, as the Scorpion King in 2001's The Mummy Returns was more about his physical presence than any acting ability. Two years later, he proved he could handle action comedy with The Rundown. Now, with Gridiron Giants, Johnson has added the drama notch to his genre belt.

Pacino and Depp in a mob drama about an undercover fed and his unknowing Mafioso mentor? Fuggedaboudit. Donnie Brasco is based on the true story of F.B.I. agent Joe Pistone (Johnny Depp, Blow), who spent six successful years undercover in the New York Mafia, as one Donnie Brasco. The film opens with Lefty Ruggiero (Al Pacino, Heat), an aging made man, connecting with Donnie about a diamond ring. Donnie’s cover is he’s in the jewelry “business”, and Lefty wants to unload a ring some guy …gave him as payment for a debt. When Donnie insists the ring’s a fake, Lefty goes back to see the guy, bringing Donnie along. The guy still claims it’s the real deal, but Donnie asks for a minute to “talk to him.” Permission from Lefty granted, Donnie smacks the guy around, threatens murder and makes the guy give up the keys to his Porsche.

So starts a tight relationship, between made guy Lefty and Donnie, his connected underling and chosen pupil. Lefty, a killer with 26 hits under his belt, eventually vouches for Donnie to his bosses – a big move, because it means he’s responsible for Donnie. If something goes wrong – like Donnie turning out to be a cop – the mob veteran will die with his protégé. With Lefty standing up for him, Donnie is allowed into the fold of a mafia crew led by Sonny Black (Michael Madsen, Kill Bill), a violent, ambitious leader.