Posted in: Disc Reviews by Michael Durr on November 8th, 2019
We are back with another collector's edition from Shout Factory. This time we tackle the much celebrated Spirited Away, directed by Hayao Miyazaki, which was released in 2001, when it did so well that it ended up on our domestic shores in the following year. It was absolutely adored by critics, and here is a fun fact. I have never seen it. Little did I know that the American trailers I was seeing around this time were warping my idea of what the film was really about. Finally, after all of these years I have had the opportunity to watch and digest such a fantastic film.
Posted in: Disc Reviews by Brent Lorentson on October 30th, 2019
“Thrill Me!”
When it comes to catch phrases, at least in this household “Thrill Me!” is easily the most used, and it’s all because of Night of the Creeps. I’m not quite sure how many times I’ve seen this film, but for me, when you name off classic horror films, this makes my top 10. I was only six when this film first came out, and I actually discovered it in the mid-90’s upon realizing it was directed by Fred Dekker who was responsible for The Monster Squad (the movie I blame and love for my introduction to horror). What I’m trying to get at is, I’m not sure if it is possible for me to be “objective” with this film. Night of the Creeps is simply a film that is fueled with nostalgia, but I feel has aged better than most horror films from the 80’s. For those who are fans of the film, at least the ones I’ve met, can agree on the film’s awesomeness and its fun B-movie campy-ness that manages to toe the line perfectly between remaining fun while playing a homage to the old 50’s monster films while being a legit horror film. Also there is Tom Atkins, who is a legend in my eyes because of this film.
Posted in: Disc Reviews by Jeremy Butler on October 25th, 2019
"I was really hoping the whole "maze" thing was just a metaphor."
Following Superman’s most recent run of animated movies, the DC Animated Universe (DCAU) is turning to Wonder Woman for its next installment, which acts as an origin story for the Amazon princess. In Bloodlines, Princess Diana (Rosario Dawson) leaves Themyscira to become a guardian of peace in what is coequally called man’s world. Joined by Air Force Captain Steve Trevor (Jeffrey Donovan of Burn Notice fame), Diana faces enemies both superhuman as well as mythical in this welcomed addition to the DCAU. In my humble opinion, the animated realm is the main place that DC is having success over Marvel, as they maintain a steady stream of content. This is not a jab against the original series dominating the CW network, which are also good (some better than others. Arrow < The Flash). Though it does take a second to pick up in the beginning, once it does, Wonder Woman: Bloodlines delivers an engaging and action-packed story, which will undoubtedly help further DC animated universe.
Posted in: Disc Reviews by Gino Sassani on October 25th, 2019
It was 1962, and Ursula Andress emerged from the tropical island surf sporting a provocative swimsuit, and a tradition was born. The seductive scene would become the first iconic image in a line that has lasted a half a century and counting. Fifty years; 23 movies makes it the longest running film franchise in motion picture history. He had many faces over those 50 years: Sean Connery, Roger Moore, Timothy Dalton, Pierce Brosnan, George Lazenby, and even David Niven, Peter Sellers, and Woody Allen in a 1967 spoof. For the last three films, he's been played by Daniel Craig. They all had somewhat different styles. They all had a line of beautiful women. They all faced different challenges and foes. But they all shared the same name: Bond...James Bond.
Posted in: Disc Reviews by Brent Lorentson on October 23rd, 2019
When it comes to gritty detective films, Seven and Zodiac are two that help define the genre. It seems like there are so many films that are attempting to piggyback off the style, but so many films fail because they are trying so hard to copycat the films, or they simply pull their punches with the material. Night Hunter is the newest film to make an attempt but sadly just falls apart. There is a lot of potential in this film, with Henry Cavill (Man of Steel) taking the top billing; then there are Ben Kingsley, Stanley Tucci, and Nathan Fillion filling out the cast. The cast and the storyline give this the potential to be a great thriller, but unfortunately the delivery ends up being something just a little better than an episode of Law and Order.
Posted in: Disc Reviews by Gino Sassani on October 22nd, 2019
"Come and see. Come and see. The death of humanity upon a shore of corpses, broken heads, spilled guts, scorched flesh. Come and see the young tearing each other's throats out. Rivers of poison will flow through the halls. Oath breakers. Philanderers. Murders will wade through those rivers. Come and see. Come and see."
When Vikings started five years ago, I found it to be quite an ambitious task for a network that usually featured documentaries and reality shows about odd jobs. I approached this one with some caution. Now I've thrown caution to the wind for these compelling characters. I was particularly drawn into the lead. Travis Fimmel was outstanding as the Viking leader Ragnor Lothbrook. When his character was killed off after three years, I suspected things would be winding down for this experiment. I could not have been more wrong. Alex Hogh Andersen plays Ivar, his crippled son, who rises to be more powerful and more brutal that Ragnor ever was. The actor shares many of Fimmel's characteristics, both in his physical look and the way he carries himself. It's one of the most perfect father-and-son casting pairs I've ever encountered. Because of Andersen, the show has been reborn, and there's still a lot of life in this series. The release of the first half of Season 5 is another strong contribution to your home entertainment library.
Posted in: Disc Reviews by Gino Sassani on October 17th, 2019
"You know me, always saving the day."
After the disappointment that was the recent Suicide Squad animated feature, Warner and DC needed to save the day with the release of The Death of Superman, and that's exactly what they did. The Death Of Superman was a major milestone in the history of the Man of Steel in the comics. It all started in December of 1992. DC announced they were killing off their most iconic hero and ending the Superman run of comics. Of course, that was only partially true. Once Supes was "killed off" the comic split into four new branches, as the vacuum created by his death needed to be filled both in the fictional universe as well as the commercial side of ours. Eventually the lines were reunited, and Superman has been alive and well ever since. But this was a huge event in the world of comics. The Justice League and Batman vs. Superman films used aspects of the story in the recent film, but this animated feature goes back to its comic roots and more faithfully brings that comic series to life. The Reign of the Supermen would follow and would tie up the story started in the first film. Now things would drift away from the comics somewhat, but it's an epic story when viewed together, and that's what Warner Brothers does with this release. It's called The Death and Return of Superman and it combines both animated features into one near-three-hour event, and it's out in 4K.
Posted in: Disc Reviews by Brent Lorentson on October 15th, 2019
I wonder how this film would have been received if The Road simply didn’t exist. It’s just about impossible to watch this film and not see the striking similarities between the films, though Light of My Life definitely isn’t as grim or as brutal as The Road. Light of My Life is the directorial debut from Casey Affleck, who seems to be following in his brother’s footsteps by taking the step behind the camera. How does he fare behind the camera? He definitely shows that he has a solid eye when setting up his shots and telling a story, though there is certainly room for him to improve. It’s a bold move to make a post-apocalyptic film your first feature and decide to star in the film as well, but for me I was glad to see him take such a risk, and I’m impressed he almost nailed it. The film takes us into a world where most of the world’s female population has been killed off by some sort of a disease. While the world isn’t quite in shambles, we definitely see that society has quickly crumbled as cities struggle to thrive. Rag (Anna Pniowsky) has somehow managed to survive this vicious disease, and with the aid of her Dad (Casey Affleck) he’s kept her alive and has been training her to survive in this hostile environment. This is pretty much a father’s worst nightmare for his daughter to grow up in, and we get to see how her father deals with everything from suspicious travelers to simply educating her on puberty.
Posted in: Disc Reviews by Gino Sassani on October 12th, 2019
"Did you say Chucky?"
The 70’s and 80’s were fertile ground for horror films. It was a new era of iconic monsters. Starting with Michael Myers and Jason, the trend that gave us Freddy seemed to be at the end of its run by the late 1980’s. Certainly sequels were still being churned out, but it seemed like we’d seen the last of these maniacal monsters, at least for a while. But before it petered out, the cycle would supply our nightmares with one more notable denizen…Chucky. Later Chucky would pace the sidelines here in Tampa as the head coach of the local NFL franchise, but for the last 20 years it was the darkest alleyways of our dreams that Chucky prowled. Inhabited by the soul of a killer, Chucky was truly one of the “Good Guys”. Child’s Play was the brainchild of writer Don Mancini. Mancini’s original story Batteries Not Included was changed because of the impending Spielberg film to Blood Buddies. The title and many aspects of the story would evolve over time. Eventually the title Child’s Play took over, and Chucky was born.
Posted in: Disc Reviews by Brent Lorentson on October 11th, 2019
The Conjuring franchise and its spin-offs have been a success at the box office since 2013. Now with the third Annabelle hitting the big screen, it’s time ask the question: is this the end for the franchise? We already know there is going to be a third Conjuring film coming out next year, but beyond that, I’m guessing the studio heads are watching to see how this film fares with the summer competition. I wasn’t a fan of the first Annabelle. The second one was better, but still it seemed to pale in comparison to The Conjuring films, so to be honest, my expectations were not very high for this new installment. As it turns out, this ended up being my favorite of the spin-off movies, and I have no shame admitting how much fun I had with this one.
