Posted in: Disc Reviews by Jeremy Butler on January 2nd, 2018
Detroit is a period crime drama focusing primarily on the Algiers Motel incident during the 12th Street riots in obviously, the city of Detroit. The night of July 25, law enforcement, including the local department, Michigan State Police, and Michigan Army National Guard responded to the hotel to investigate reports of a sniper. During the confrontation, three men were killed and another nine, including two white females, were allegedly beaten and humiliated by the first responders. A trial was held for three of the officers involved and a private security guard, with the deaths being declared justifiable homicide. To many, it is considered one of the biggest miscarriages of justice. Coming off her successful depiction of the manhunt for Osama Bin Laden (Zero Dark Thirty), Kathryn Bigelow reteams with writer Mark Boal to bring this story to life.
Granted, although I had heard about this incident during my history class, I will confess a significant ignorance regarding the specific details. With the knowledge that some liberties were taken in regard to how the circumstances came about, I have to classify this film as a real eye-opener. The events of that evening are told from the multiple perspectives of a cast of established actors and rising stars, which includes John Boyega (Star Wars: The Last Jedi), Anthony Mackie (Avengers), Will Poulter (Maze Runner), Algee Smith (Saints and Sinners), Jason Mitchell (Mudblood), John Krasinski, and Jack Reynor (Transformers: Age of Extinction).
Posted in: Disc Reviews by J C on December 29th, 2017
“Have you ever heard the legend behind the legend of Ninjago?”
Even though I loved the first two Lego movies, I was completely unfamiliar with the toy company's Ninjago line before I sat down to watch this latest entry in the madcap cartoon franchise. (I wasn't even sure how to pronounce “Ninjago”...and the answer isn't as simple as it seems.) But my unfamiliarity with the source material isn't the reason why I feel The Lego Ninjago movie is the weakest entry in the series so far.
Posted in: Disc Reviews by J C on December 28th, 2017
“Based on real events...mostly.”
Queen Victoria sure knew how to create a frenzy in court. The monarch's close relationship with Scottish servant John Brown following her husband's death caused an uproar in the royal household and inspired the 1997 film Mrs. Brown, starring Judi Dench. Turns out, Victoria and Dench were just getting warmed up! Twenty years later, the actress reprises her regal role in Victoria & Abdul, which chronicles another unique, unconventional, and even more scandalous relationship between royal and commoner.
Posted in: Disc Reviews by Archive Authors on December 22nd, 2017
Most movies are just not very good. Lots of money goes into turning out boring, repetitive garbage. You watch it and then dispose of it and make room for the next thing. There are some who do more, but the more you do, the greater the risk. Most filmmakers are not given the freedom to take really big risks, but someone who has been given the opportunity to take the big risk is Christopher Nolan. Interstellar is $165,000,000 gamble shooting for the moon. Actually Nolan is shooting for something way past the moon. He wants to take us to another galaxy. There is so much speculative science in this film that it is mind-boggling. The cutting edge of real science is, frankly, getting crazier and crazier. The average person really has no idea how crazy, but Interstellar is going to try to show us just how crazy. The true nature of some of the elements of the theory of relativity and other related theories is that they defy all logic.
One of the most important things in Interstellar is its attempts to deal with some of the properties of time. The laws of physics tell us time acts differently in different situations. In this movie time rules everything in people's lives, but the main character is given the power to do something with time that most of us don't even imagine. It's important to know some of these situations are described in actual scientific theory. In fact, real science is getting closer and closer to God all the time. Most people who don't believe in God don't expect science to contradict that way of thinking. Interstellar doesn't talk about God, but it comes close to doing something similar. It is science's contention to state statistically there are millions of planets with intelligent life out there. Some of those intelligence forces will seem like God to us. This is simple science, but people have such a wide range of beliefs that no one will ever agree on what is the truth. The reason we don't agree is because mankind is just not smart enough to have real answers.
Posted in: Disc Reviews by Brent Lorentson on December 21st, 2017
When Christopher Nolan has a new release, it’s an event to get excited about. There are few directors I can say this about. Sure, there are directors that I like, but still there are few who manage to capture what makes going to the cinema an experience. Dunkirk is his latest cinematic opus. Despite it being his shortest film, with the exception of The Following, this is the first time he has shot a film almost entirely in IMAX form. What’s the big deal? Well, aside from the picture being twice the size of the regular format, what he does with these cameras is deliver a beautifully striking picture of destruction and survival. There’s a lot of buzz going around with this film, and already it’s being looked at as the first real Oscar contender of the year. Is the film worth the hype? Is it really Nolan’s best picture?
Christopher Nolan is widely known for his Dark Knight Trilogy, as well as Inception and Interstellar. While I’m a fan of these films, it’s his film Memento that has always stuck with me as his most inspired work, a film that plays with a timeline to serve the overall experience of the film. Dunkirk is yet another film that unfolds over the course of three timelines to tell its story of heroism and survival. While I appreciate Nolan’s attempt to be innovative with this storytelling technique, it’s definitely something I feel harms the overall film, because as the film unfolds we jump from one scene in the afternoon to another scene at night, and the sequences are edited to in such a way that tonally they coincide, but visually it’s jarring. But still that’s not the greatest fault I find in the film; instead, it’s that I feel we are missing the entire first act of the film.
Posted in: Disc Reviews by Gino Sassani on December 8th, 2017
"Art is a lie. Art gives the chaos of the world an order that doesn't exist."
The X-Files will soon return for a second revival season with 10 episodes that will likely finish the franchise. But if you're a Gillian Anderson fan, you won't have to wait until next year to get your Anderson fix. Acorn has a release that you really have to discover. Gillian Anderson has served three seasons (or series, as the Brits call them) in Belfast for the BBC series The Fall. With the broadcast of that third and final season, Acorn is releasing a nice complete set of all three seasons on both DVD and Blu-ray. If you want to win a copy of the DVD set, you have to stay tuned here and be sure to check out our 12 Days of Christmas Giveaways. In the meantime, I'm going to tell you about the Blu-ray set that I've just had the pleasure to consume for review.
Posted in: Disc Reviews by Brent Lorentson on December 7th, 2017
There is a sense of dread that unintentionally comes along with an independent science fiction film. Despite how far technology has come, it seems that for a science fiction film to really be impressive they need a reasonably decent VFX budget or suffer with a look that often times appears cartoonish by comparison of the larger-budget films. The Osiris Child somehow manages to not just create a grounded realistic futuristic world, but even manages to use practical effects to create some nasty-looking monsters and not pull its punches with the scope of its story. In a film that seems to be parts Elysium and parts Pitch Black; this might be the most ambitious effort I’ve seen in the genre that manages to succeed in many ways.
Kane (Daniel MacPherson) is an officer who works in a space station over a planet and discovers that the planet is about to be wiped out. Unfortunately his daughter is visiting him from Earth, has travelled through space to visit him, and is staying at the planet her father is looking over. Kane goes against orders to rescue his daughter and get her to a bunker to protect her, but in the process his ship is shot down and he crash-lands miles away from where he needs to be. As luck would have it, Kane is rescued by a mysterious figure, Sy (Kellan Lutz) who happens to be an escaped prisoner who reluctantly helps Kane get him to the city where his daughter is supposed to be.
Posted in: Disc Reviews by J C on December 7th, 2017
“Sounds like you don't have a lot of faith in faith.”
You know how sports teams retire the jerseys of their most beloved, outstanding players so that no one can ever wear their number again? Well, we are well past the point where movies about exorcisms need to be hanging from Hollywood's rafters. Simply put, no one has ever come close to doing it as well as William Friedkin did almost 45(!) years ago with his adaptation of The Exorcist. If anything, The Crucifixion is an even more egregious misfire than other head-spinning stabs at the genre because this movie is actually based on an intriguing, horific real-life case.
Posted in: Disc Reviews by Brent Lorentson on December 4th, 2017
Coming along the heels of Straight Outta Compton, the new HBO documentary series The Defiant Ones takes a more in depth at the life and career of Dr. Dre as well as famed musical producer Jimmy Iovine. The 4-part series comes out to over four hours of interviews and stock footage that spans over the course of both of their careers, and as a result we get a comprehensive look at the music industry like we’ve never seen before. Whether you are a fan of hip-hop or rock, there is something here for everyone, but for those who seem to have zero tolerance for rap, it’s the story about these two and where they came from to their joint venture in a 3.2 billion-dollar deal with Apple that transcends all taste in music. This is a rags-to-riches story about a Brooklyn boy and a kid straight out of Compton who had a passion to create music, and in the process they changed the industry forever.
Part 1 is our introduction to Jimmy Iovine and Dr. Dre, where we get their birth stories and how they were as kids. What stands out the most here is seeing how much this pulls back the curtain to the myth about gangster rappers, and we see how Dre was simply a kid with a passion for music and how he had a unique ear to create something different. As for Iovine, we see how he did all he could to not have to work the boat docks and went from creating a failed band to eventually getting a job working at a recording studio. Personally, the highlights of this part were seeing old studio footage of Jimmy being an engineer for the Bruce Springsteen album “Born to Run” and how he got a song Springsteen decided not to use and Jimmy ends up giving it to Patti Smith to create the son “Because the Night”. Follow this by seeing old footage of Dr. Dre working with Easy E for the song “Boys N the Hood”, well, it is incredible that someone thought to bring a VHS camcorder to document these moments that would become part of music history.
Posted in: Disc Reviews by Archive Authors on November 29th, 2017
Of the many films based on books by prolific writer Stephen King, Misery ranks near the top. Falling somewhere between the horror and thriller genres, this film about a twisted obsession is frightening because the premise seems very real. Directed by Rob Reiner (A Few Good Men), who first visited King territory with his 1986 film Stand By Me, Misery tells the story of romance writer Paul Sheldon (James Caan, Elf) and the fan who rescues him after a car accident.
Paul wakes to find himself in the care of Annie Wilkes (Kathy Bates, About Schmidt), who’s obsessed with his “Misery” romance series. At first she seems caring, nursing him while he recovers from the accident, which left him with two broken legs and a dislocated shoulder. Soon, though, it becomes apparent that Annie is quite disturbed, and Paul realizes he’s in captivity. When his latest book in the Misery series comes out, Annie is outraged to discover that Paul, who wants to do more serious work, has ended the romance series and killed off the protagonist. She forces Paul to begin writing a new Misery book to fix things, and in his crippled state he has little choice – he’s at Annie’s mercy, until he can escape or be rescued. But is anyone out looking for him?
