DTS HD 5.1 MA (English)

"Once upon a time there was a great war that brought so much sadness to so many people. Hardly anyone could remember what happiness was like. But something happened that changed all that..."

“Winnie the Pooh doesn't know what to do …” begins a popular song written by Kenny Loggins, recorded first in 1970 by the Nitty Gritty Dirt Band with a more popular and enduring version by Loggins and Messina a year later. Hundreds of millions of children since the 1920's know who Winnie the Pooh is.

“Everyone was warned, but no one listened.”

These words — which are about as subtle as a tsunami — are heard in voiceover at the start of Geostorm, the latest effort from master of disaster (films) Dean Devlin. Yes, I realize no one should venture into a big budget flick produced by Dean Devlin (Independence Day, 1998's Godzilla) looking for subtlety. But no matter what side of the climate change issue you fall on, Geostorm is equally offensive to all parties. And it's not because of its politics or its shoddy writing, which gives that opening monologue to a character who ends up being completely inconsequential. It's because this would-be blockbuster is shockingly short on both fun and spectacle.

Most people that survive a near traumatic experience don’t go back for seconds. Most people that is. For the group in The House October Built 2, I guess they were adhering to the logic that lightning doesn’t strike the same way twice. Or does it? Embarking on what I can only describe as a horror tour, five friends attempt to capitalize on potential fame and fortune by documenting their experience traveling city to city to explore various haunted houses or hay rides. They even managed to convince the most traumatized member of their group to join them, reopening old wounds and provoking things that best left in the past.

Detroit is a period crime drama focusing primarily on the Algiers Motel incident during the 12th Street riots in obviously, the city of Detroit. The night of July 25, law enforcement, including the local department, Michigan State Police, and Michigan Army National Guard responded to the hotel to investigate reports of a sniper. During the confrontation, three men were killed and another nine, including two white females, were allegedly beaten and humiliated by the first responders. A trial was held for three of the officers involved and a private security guard, with the deaths being declared justifiable homicide.

“Have you ever heard the legend behind the legend of Ninjago?”

Even though I loved the first two Lego movies, I was completely unfamiliar with the toy company's Ninjago line before I sat down to watch this latest entry in the madcap cartoon franchise. (I wasn't even sure how to pronounce “Ninjago”...and the answer isn't as simple as it seems.) But my unfamiliarity with the source material isn't the reason why I feel The Lego Ninjago movie is the weakest entry in the series so far.

“Based on real events...mostly.”

Queen Victoria sure knew how to create a frenzy in court. The monarch's close relationship with Scottish servant John Brown following her husband's death caused an uproar in the royal household and inspired the 1997 film Mrs. Brown, starring Judi Dench. Turns out, Victoria and Dench were just getting warmed up! Twenty years later, the actress reprises her regal role in Victoria & Abdul, which chronicles another unique, unconventional, and even more scandalous relationship between royal and commoner.

Most movies are just not very good. Lots of money goes into turning out boring, repetitive garbage. You watch it and then dispose of it and make room for the next thing. There are some who do more, but the more you do, the greater the risk. Most filmmakers are not given the freedom to take really big risks, but someone who has been given the opportunity to take the big risk is Christopher Nolan. Interstellar is $165,000,000 gamble shooting for the moon.  Actually Nolan is shooting for something way past the moon. He wants to take us to another galaxy. There is so much speculative science in this film that it is mind-boggling. The cutting edge of real science is, frankly, getting crazier and crazier. The average person really has no idea how crazy, but Interstellar is going to try to show us just how crazy. The true nature of some of the elements of the theory of relativity and other related theories is that they defy all logic.

When Christopher Nolan has a new release, it’s an event to get excited about. There are few directors I can say this about. Sure, there are directors that I like, but still there are few who manage to capture what makes going to the cinema an experience. Dunkirk is his latest cinematic opus. Despite it being his shortest film, with the exception of The Following, this is the first time he has shot a film almost entirely in IMAX form. What’s the big deal? Well, aside from the picture being twice the size of the regular format, what he does with these cameras is deliver a beautifully striking picture of destruction and survival.  There’s a lot of buzz going around with this film, and already it’s being looked at as the first real Oscar contender of the year.  Is the film worth the hype?  Is it really Nolan’s best picture?

"Art is a lie. Art gives the chaos of the world an order that doesn't exist." 

The X-Files will soon return for a second revival season with 10 episodes that will likely finish the franchise. But if you're a Gillian Anderson fan, you won't have to wait until next year to get your Anderson fix. Acorn has a release that you really have to discover. Gillian Anderson has served three seasons (or series, as the Brits call them) in Belfast for the BBC series The Fall. With the broadcast of that third and final season, Acorn is releasing a nice complete set of all three seasons on both DVD and Blu-ray.

There is a sense of dread that unintentionally comes along with an independent science fiction film. Despite how far technology has come, it seems that for a science fiction film to really be impressive they need a reasonably decent VFX budget or suffer with a look that often times appears cartoonish by comparison of the larger-budget films. The Osiris Child somehow manages to not just create a grounded realistic futuristic world, but even manages to use practical effects to create some nasty-looking monsters and not pull its punches with the scope of its story. In a film that seems to be parts Elysium and parts Pitch Black; this might be the most ambitious effort I’ve seen in the genre that manages to succeed in many ways.