DTS HD 5.1 MA (English)

For a gritty historical epic to get the green light these days, it has to have some sort of easy-to-understand hook. (“Hey, it's sexy King Arthur!”) And it seems like enough people complained about the prevalence of PG-13 action movies that it led to the current boom of R-rated sensations — like Deadpool and the John Wick flicks — that gleefully go to extremes. There is absolutely nothing gleeful about Pilgrimage, and the movie doesn't seem all that interested in hooking the masses (significant portions of the film are in French, Irish, and Latin). In other words, the most striking and impressive thing about Pilgrimage is also what can make it feel like somewhat of a slog: this movie is dead serious.

- “You know what they say...the house always wins.”

- “What if we were the house?”

The House, a funny and oddly violent comedy starring Saturday Night Live alums Will Ferrell and Amy Poehler, has a great premise. Whereas most movies road trip their way to Sin City in order to cut loose, The House is about what happens when you import the glitz and glamor (and seediness) of Vegas into suburbia. The bad news is the filmmakers here don’t do much to develop their killer concept. The good news is The House is chock full of talented improvisers eager to pick up the slack.  

For the most part it seems the summer blockbusters tend to be sequels, superhero films, or CGI bonanzas that are simply eye candy to get us to the dark auditoriums to escape the heat. It’s rare that something comes along that is so clever and fresh as Baby Driver.  Personally I’ve been a fan of Edgar Wright from the moment I first saw Shaun of the Dead; he was a writer and director who I felt knew how to make films fun. When he was set to direct his dream project Ant-Man, I was excited to see him finally get a chance to do a giant tent-pole studio film, but weeks before filming was set to begin, he got pulled away and replaced.

When a film like The Survivalist comes along, you somewhat have an idea what to expect when it’s being marketed as a “dystopian thriller”. I like these kinds of films, but for the most part many of them are just not very good and are just a carbon copy of previous dystopian films that came out prior to it.  For years I’ d say the Mad Max series was the gold standard on what you should want to be. Waterworld at least attempted to be Mad Max, but rather than a desert wasteland it went the direction of the high seas. The Survivalist goes another direction; rather than a barren wasteland, or the ocean, it instead plunges deep into the wilderness after society has apparently collapsed and food has become scarce.

In 2003 Open Water hit the screen; it was a success since at the time the found-footage genre hadn’t yet saturated the market.  I thought it was a fun little movie that was creative, and what impressed me most of all was the use of the sharks in the film.  The danger always felt real, and to a point it was a convincing film.  It was inevitable that a sequel would follow, though it came and went so fast, it’s not big surprise that many seem to have forgotten the film existed.  Now it’s nearly a decade since the sequel came out that we now have a third installment, Open Water 3: Cage Dive.

Things are about to change in big ways for the Disney series Once Upon A Time. The sixth season is now out on Blu-ray, and the seventh season has just begun its run on ABC. If you try to go back and forth between these seasons, you might be puzzled more than usual. The show goes into a serious reboot this year. The economics of the show have been pulling it towards either cancellation or pulling in the purse strings. While the ratings aren't exactly blockbuster, it's been a clever way for the Mouse House to keep their properties buzzing as they continue to remake many of their fairy tales in live action these days.

“You know, there comes a time when even the greatest leader has gone as far as he can go.”

Winston Churchill was once voted the Greatest Briton Ever, beating out the likes of Princess Diana and William Shakespeare. Although Churchill had a staggering number of accomplishments throughout his long life, he is most closely associated with being Great Britain’s prime minister during World War II. That’s why the notion that Churchill vehemently opposed the D-Day invasion at Normandy in the days leading up to the pivotal battle is a provocative premise for this well-crafted, well-acted movie. The only problem is that it remains unclear whether that was actually true.

I was first introduced to The Who through the original Tommy album. It was one of my mother's favorites when I was young, and she had actually written out by hand her interpretation of the story the rock opera appeared to tell. I can't remember those scribblings, and I'm not even sure if they're still tucked away in that Decca album I have around here somewhere. But the music always stayed with me. Now, I didn't ever become a huge fan of the band. I always liked them and collected a couple of their albums over the years. I did play a lot of pinball, however. I fell more in with the likes of Elton John. So you can imagine how excited I was in the summer of 1975 when my favorite musician was cast to play the Pinball Wizard

With a title like 2:22 it’s more than a little on-the-nose to point out something major is going to occur at this time.  For a film about premonitions, it’s a shame the film opens up as it does, because it leaves no mystery to the audience and simply tells us what is going to happen, or at least something close enough in the film’s final act.  I hate films that are done in flashback just as much as I hate it when it doesn’t put in the effort to conceal how things are going to unfold.  In a lot of ways the film is like Groundhog Day, only instead of the same day replaying over and over, it is the same events occurring over and over for our protagonist to figure out.

“Ma'am, you need to understand that the president doesn't actually want you to do anything other than continue to be a woman — which you're doing a pretty okay job at.”

While Selina Meyer has done a passable job as a woman throughout the first five seasons of Veep, the vice president-turned-(temporary)president and her staggeringly incompetent staff have failed at pretty much everything else. The good news is Veep itself still does far more than an okay job of poking profane fun at the absurdity of Washington, D.C. and its swollen egos, even though season 6 finds Selina's squad more scattered than ever.