DTS HD 5.1 MA (English)

“Ok, so hear me out…ever watch action movies?”

It’s clear that Canadian filmmaker Allan Ungar and practically everyone involved with Gridlocked have seen their share of action flicks. More specifically, this crew is out to recapture the raucous, rowdy, R-rated spirit of late ‘80s and ‘90s franchises like Lethal Weapon and Die Hard. While Gridlocked doesn’t come close to matching the wit or winning formula of those action classics, this straight-to-DVD effort still manages to be a pretty fun throwback.

“I don’t know what kind of trouble he can get into in a day.”

At first glance, those words — spoken by a father in the midst of a particularly eventful weekend with his estranged son — sound like a filmmaker giving himself permission to put his characters in the most outrageous situations possible. But The Confirmation actually shines by keeping things simple. The movie is a low-key, thoroughly affecting story of a father and son forging an unexpected connection.

"I started at the bottom working every club in New York City. I mopped floors. Swabbed ashtrays. Hauled kegs. You think you work hard? Try scraping Chubby Checker's vomit off the inside of a toilet stall." 

Martin Scorsese is a man who has worked very hard over the years. His list of film accomplishments is too big to list here. On television his recent teaming with Terrance Winter produced Boardwalk Empire. It's not much of a surprise the two would team up again for another HBO series.

Time travel films have been around for years, and with each film there are viewers who just enjoy it at face value and others who watch it to poke holes in the film’s theories.  I have to admit I fall somewhere in between.  With a film like Back to the Future, I don’t look at it as anything more than silly fun, but then a film like 12 Monkeys comes along, and I just go bananas over its theory and execution.  So when a title like Synchronicity came along, I went into it with an open mind.  I know you don’t need a giant budget to pull off a time travel film; what matters first and foremost is the story and the characters that lead the narrative tale for us.

Robert De Niro and Zac Efron have a combined seven Academy Award nominations and a pair of Oscar wins to their names. So it was only a matter of time until these titans of cinema joined forces on the big screen. All joking aside, none of us were expecting Dirty Grandpa to pump up De Niro’s Oscar tally. What *is* a bit surprising — other than how truly bad this charmless, dimwitted, mean-spirited “comedy” turned out to be — is that Efron kind of outclasses his legendary counterpart.

After Robert Eggers received best director out of Sundance, The Witch became a film that went on my radar. Following the release of the trailer to the film I was hooked; its startling yet beautiful imagery was enough to get my attention.  As buzz built around the film as it continued to awe audiences in various festivals, my anticipation for this film was getting out of control.  Could a film really be this great? Is it possible to make a film that still shocks and terrifies audiences?  By the time I found myself getting to this screening, The Witch now was a film that unfairly had something to prove to me, I poked the bear and dared this film to blow me away. As the lights dimmed and the film played out, I came away with more than I asked for.

“Hello boys…I’m baaaaaack!”

You probably know that Independence Day — the spectacular, shameless sci-fi smash that introduced the world to “Will Smith, Global Superstar” — has a sequel coming out next month. What you may not know is that the original film has been granted a 20th Anniversary Blu-ray release. I was 13 when ID4 came out in the summer of 1996, which means the movie’s deluxe destruction and alien shoot-em-up antics were right in my wheelhouse. So I was curious as to how an older and wiser, um, taller version of me would feel watching it with a critical eye.

There's a grand, lurid tradition of cinematic saps who think with the wrong head and get themselves in a heap of trouble. Misconduct tries to tap into that spirit while also mimicking none other than Alfred Hitchcock and Brian De Palma (who was pretty much mimicking Hitchcock himself). Those are some lofty goals, but — at least on paper — Misconduct has some heavy hitters on hand to help achieve them. Unfortunately, this legal thriller is guilty of sloppy, nonsensical storytelling and largely wasting the talents of a pair of screen legends.

With every day that passes we lose those who survived the horrors of World War 2, and eventually there will no longer be those with memories to share from the past, and all that will be left are the films and newspapers from another era.  As these survivors grow older, their memories fade, and all that is left are fragments pieced together from what they can remember.  In the new film Remember from Atom Egoyan, he delivers an intimate tale about a man suffering from dementia who is seeking revenge for atrocities committed in the past.  Considering Egoyan’s last film left me a little underwhelmed I went into this film with caution, and the result is that I think this may be Egoyan’s best work.

Shout Factory digs into the archives for this one. It was back in 1988 that French director Jean-Jacques Annaud went into the wilds to bring us The Bear. Of course he's best known for his take on primitive humans in the more successful Quest for Fire. Like that film, The Bear uses almost no dialog. While it appears to be a nature story akin to Disney's recent Bears, these animals are trained and following a carefully-crafted script based on a novel written by fellow Frenchman Gerard Brach. There is also a small use of stop-action bears that were created by Jim Henson out of his Creature Shop.