DTS HD 5.1 MA (English)

If there was a show I could recommend to someone who is looking for a smart thriller that doesn’t talk down to its audience, I couldn’t point to Person of Interest fast enough.  It’s a show that may be labeled sci-fi for some, yet its science and technology may not be so far off.  The idea of our government or private agencies using security cameras or our phones to monitor us is no longer just a rumor muttered around in circles of conspiracy theorists, but is quickly becoming a reality of day-to-day life. I kind of saw the show as a riff on the Batman story, subtract the cape and cowl and exchange it for a suit, then throw in a dash of George Orwell’s 1984, and you can see where the show got its start.

Ever since writer/director Jeremy Saulnier came out with his gripping revenge film Blue Ruin, fans have been patiently waiting to see what he’d do next.  If you have not had the chance to see Blue Ruin and you are a fan of the revenge genre, it’s a film that is certainly a must see and is one of the few films that lives up to the hype that surrounds it.  The problem with doing such a strong and powerful film so early in your career is that expectations seem to just skyrocket, and it seems there is just no way you can make everyone happy.  As a fan first and critic second, I know I’ve been guilty of doing this in the past, and it’s almost impossible to not get excited, and at the screening for this film, I know I was not the only one with high expectations.

“Are you a good guy or are you a bad guy?”

I honestly try to be a good guy whenever I sit down to write a review because the fact is I wouldn't be doing this if I didn't have a deep love for movies. Heck, I can usually even derive enjoyment and find the charm in films that obviously have limited resources. Unfortunately, it's hard to stay positive whenever Steven Seagal pops up on a Blu-ray cover, always with the same neutral expression and always brandishing a firearm. Code of Honor, Seagal's latest offering, is no exception. If the question is, “Is this a good movie or a bad movie?”...I think you know the answer.

For the Gasparilla International Film Festival, to nab the latest film from writer/director Richard Linklater is kind of a big deal. GIFF was the second festival to show Everybody Wants Some after its debut at the acclaimed South by Southwest festival.  With the film being lauded as a spiritual sequel to Linklater’s cult hit Dazed and Confused, I had to admit I was a bit skeptical about this film and its ability to even match up to its predecessor, after all it was the indie darling that helped launched the careers of Matthew McConaughey, Ben Affleck, Milla Jovovich, and many others.  This ensemble of talented up-and-comers managed to capture this cinematic lightning in a bottle about high school

"I don't know if it's a demon or a devil, or just some hungry thing from some dark place in time. I just know it's not going to stop coming after you or anyone else it wants to. 'Cos once it has the scent of something it likes, it can't be stopped." 

Just days before the tragic events of 9/11 brought so much real-life horror into our lives, Victor Salva attempted to resurrect some old-school monster movie magic on the movie-going public. The low-budget thriller hit the box office with a bang. Its $13 million opening weekend was a record for Labor Day and is partly responsible for studios taking a closer look at the traditionally slow release weekend.

We’ve all heard and seen the story before; a family loses a loved one and consumed with grief they meddle with unknown forces to see their loved ones again.  The Monkey’s Paw is one of my favorite stories that cover the topic. I’m sure everyone at some point had to read this short story in school.  Having read the story and seen the numerous films that have covered the topic, you’d think by now people would have learned to not mess with forces they don’t understand.  The Other Side of the Door is the new paranormal horror film to cover the subject, and it seems people still just haven’t learned. Is the film worth taking a look to see what lies beyond the door, or is this one better left alone?

After a tidy, 20-year gap between making 1978’s Days of Heaven and 1998’s The Thin Red Line, director Terrence Malick has morphed into a regular workaholic. Since 2005, the enigmatic filmmaker has cranked out a whopping (for him) four movies, including 2015’s Knight of Cups. Malick’s most recent effort strikes many of the same lyrical, dazzling, and confounding notes as Tree of Life, which is the best-received film from the director’s surprisingly prolific recent run. But while Knight of Cups undeniably has glimmers of grand beauty and ambition, it mostly plays as if someone made a spot-on parody of a Terrence Malick film.

American football has been making the news of late, and not just in the sports pages. For the last couple of years there has been an increasing concern for players’ safety. From our president declaring he wouldn't let his fictional son play the game to the hard-hitting Will Smith film Concussion, football has taken some heat over its violent nature. Players are retiring early, and the subject of life after football becomes more of a social question than ever before. That's where HBO's Ballers comes in. It's a half-hour look at the NFL from the player perspective, both current and retired. It's intended as a light bit of dramedy, and it certainly is that. Even so, the series doesn't hide from some of the brutal realities of the sport, from the trappings of fame and fortune to the realities of its eventual end.

"My name is Fox Mulder. Since my childhood, I have been obsessed by a controversial global phenomenon. Since my sister disappeared when I was 12 years old in what I believe was an alien abduction. My obsession took me to the FBI, where I investigated paranormal science cases through the auspices of a unit known as the X-Files. Through this unit, I could continue my work on the alien phenomenon, and the search for my missing sister. In 1993, the FBI sought to impugn my work, bringing in a scientist and medical doctor to debunk it... which only deepened my obsession for the better part of a decade, during which time that agent, Dana Scully, had her own faith tested. In 2002, in a change of direction and policy, the FBI closed the X-Files, and our investigation ceased. But my personal obsession did not."

Just in case you don't know what the heck we're talking about here.

“Ok, so hear me out…ever watch action movies?”

It’s clear that Canadian filmmaker Allan Ungar and practically everyone involved with Gridlocked have seen their share of action flicks. More specifically, this crew is out to recapture the raucous, rowdy, R-rated spirit of late ‘80s and ‘90s franchises like Lethal Weapon and Die Hard. While Gridlocked doesn’t come close to matching the wit or winning formula of those action classics, this straight-to-DVD effort still manages to be a pretty fun throwback.