DTS HD 5.1 MA (English)

“How much of an a--hole do you have to be to be successful?”

Over the last couple of years, a grand total of three movies — 2013’s Jobs, along with 2015’s Steve Jobs and now Steve Jobs: The Man in the Machine — have applied that very question to Apple’s late co-founder. Each film has approached the issue from different angles, but this Alex Gibney documentary is easily the most comprehensive, even if it’s not the exactly the most entertaining or satisfying.

“When I was small, I only knew small things. But now I'm five, I know everything!”

Room opens on the day that Jack, the movie's relentlessly curious young protagonist, turns five. Jack is our entry point and guide through this story, but there's at least one important thing he doesn't know. In Room, we see how a mother and her son cope with one of the most harrowing circumstances imaginable. It should make for a grim experience, but this wonderfully-crafted film winds up being a moving story about resilience and how parents and their children can draw strength from one another.

"There’s always some variable you didn’t account for."

Manhattan is one of those variables. It's one of those dramatic stories where mankind is altered forever. If it weren't absolutely true, someone would have had to make it up. Every child in schools around the world knows about the atomic bombs that ended World War II. We've all seen the terrible destruction that exceeded even the expectations of the scientists and engineers who designed and built these bombs. We all live in the aftermath of these events. Yet little is known about the people who devoted their lives to making it a reality, not only those directly involved, but their families and the support network necessary to bring them all together. Enter WGN America, and the tale is finally told.  Manhattan enters its second season on Blu-ray.

"One last mission." 

That’s exactly what we’re talking about here. It’s the last mission for our brave Section 20 team. Strike Back follows the exploits that elite and secret British military team called Section 20. On paper they do not exist, but they've got all the best new high-tech toys, and they're going to need every one of them. But after this season they will no longer exist. This is the fourth and final season of Strike Back. It’s time to say goodbye, but there’s a farewell party planned, and this release is it. Let me assure you that Strike Back is going out with a bang… literally.

Weaponized can't seem to make up its mind about what kind of action flick it wants to be. It appears to be the story of a grief-stricken military contractor who obsessively pursues a dangerous experimental program, but instead the film focuses on a brawny, brooding homicide detective. On top of that, the Blu-ray's cover art prominently features an imposing robot that doesn't even factor into the plot until about 10 minutes before the credits roll. Most importantly, the movie totally ignores the schlockiness of its botched, cliche-ridden plot and plays everything distressingly straight, which makes Weaponized a pretty joyless trip to the near future.

The film opens on July 4, 2017 with proud papa private military contractor Kyle Norris (Tom Sizemore) on the phone with his son. The connection at the other end of the phone is abruptly cut off after Norris's son is killed during a terrorist attack on the Pentagon. Norris vows to eliminate the terrorist cell that wiped out his son, and the action jumps forward to 2018. Detective Mitch Walker (Johnny Messner) is called in to investigate when a young war veteran Jack Simon (Timothy Woodward Jr., also the film's director) shoots up a hotel for no apparent reason, killing multiple people. One moment, Simon has no recollection of doing the shootings, the next he's robotically confessing to Det. Walker before gruesomely killing himself.

Life on the road as a comic always seemed like it would be the bachelors dream lifestyle: a new town every other night, getting to meet new people and see new sites while getting paid to tell jokes. Well, for the most part I still think it’s a pretty sweet deal, but in the new existential comedy Entertainment, we get a glimpse into what the road life would be if you just happened to be one of the worst comedians to take the stage.  This slow, depressing look at The (unnamed) Comedian (Gregg Turkington) as he attempts to mend his relationship with his daughter doesn’t go for laughs but instead attempts to take an introspective look at its star, and just seems to go nowhere.

As we watch The Comedian in his life offstage, he’s your average guy who seems to be disappointed with his lot in life but seems to embrace the “art” of his craft.  When we see The Comedian take the stage, we see a shift in demeanor as the quiet and meek man turns into crude and obnoxious comedian who stumbles his way through jokes and insults.  It’s a very Andy-Kaufman-esque performance, only lacking the showmanship of his lounge lizard persona, and most importantly, the humor.  What makes the character so frustrating is that it is obvious he’s no good, but yet he does nothing to attempt to improve upon his act, but instead he points the finger at the audience.

“Don’t ever threaten my family again.”

In Extraction, a government analyst embarks on an unsanctioned rescue mission after his father — an over-the-hill CIA field operative — is kidnapped by a shadowy group of bad guys. In a related story, I think I got my dad a CD for Father’s Day last year. But while the hero of Extraction might edge me out in the Son of the Year race, the rest of this crummy actioner is basically a harmless debacle.

Taking the next step in a series of random steps.”

Those words are part of a toast near the start of this season, as chronically neurotic and self-absorbed writer Hannah Horvath prepares to embark on a mini-adventure that will temporarily take her away from her natural habitat of New York City. They also double as a tidy summary of the entertaining (and appropriately messy) fourth season of HBO's Girls, while simultaneously capturing what it's like to progress through your 20's.

My, my, my, it is always interesting to watch established actor leave their comfortable circumstances and explore other areas. I imagine it is easy to be complacent with your work and very difficult to find roles that continuously challenge you, so why not seek out new titles? In the case of Criminal Activities, the actor I am referring to is Jackie Earle Haley (Watchmen), who makes his director debut with this tale about four men who end up way over their heads. In my experience, actors either hit or miss when they step into the big chair; you can either end up with soul-crushing reviews or an Academy Award. Although this film is unlikely to reach such meteoric heights, I would still call it a success by a large margin.

Four high school friends (Michael Pitt, Rob Brown, Chris Abbott, and Dan Stevens) reunite at a funeral following the tragic death of another one. It is clear that these four have not spoken for some time and are at different junctures in their lives but decide to spend some time together to relive old memories and catch up. In the midst of their reminiscing, one of them mentions some inside information overheard regarding a breakthrough a company has made that is about to quadruple the value of their stock. Eager to invest and reap the benefits, however short on the parcel, the group unknowingly borrows the money from let’s call it a less than accredited source (i.e. the mob).

“...Be like we were when we were 28. I think that would be awesome, right?”

It certainly seems awesome to the four main characters in Togetherness, who are each dealing with their own set of anxieties as they hover around 40. If that previous sentence doesn't exactly sound like a recipe for laugh-out-loud comedy, then you're on the same wavelength as this impressive HBO dramedy. Togetherness takes a bittersweet, refreshingly humane approach to portraying marriage and friendship.