Posted in: Disc Reviews by Brent Lorentson on February 18th, 2016
I was a little hesitant with picking up this film. I wasn’t sure if a film about a grandmother spending the day raising money to pay for her granddaughter’s abortion was a film I could find the humor in. Well, I’m glad I took a chance on this film; not only does this film have so many layers beneath its overall plot, but it never once attempts to have an agenda towards its audience. Considering the potentially heavy subject matter, the film instead keeps its attention on what matters most, the people who come in and out of our lives whether they are friends or family; in the end it’s how we treat them that make us who we are.
Posted in: Disc Reviews by J C on February 17th, 2016
“Before we start, I want you to know something...I'm not a rat.”
I could get into *a lot* of trouble if anybody found out I was talking to you. After all, there is absolutely, positively nothing worse than a rat, a point that is made crystal clear in Black Mass. But I'm putting my neck on the line here because I figured you'd want to know this fact-based crime drama marks the welcome return of Johnny Depp, who has spent the better part of the past decade in the Magic Kingdom loony wilderness.
Posted in: Disc Reviews by Gino Sassani on February 17th, 2016
On the surface MI-5 looks to be a mundane direct-to-video film attempting to cash in on a couple of things. Mission Impossible: Rogue Nation is the fifth in the series and often referred to as MI:5. The new James Bond film has a plot involving the head of MI-5 attempting to take down the MI-6 department and our beloved 007. None of these would contribute to the fortuitous name. Rather it’s the difference in racial sensitivity between Britain and the United States. MI-5 is actually a feature-film version of the long-running British series Spooks. The film’s original title happens to be Spooks: The Greater Good.
Posted in: Disc Reviews by Archive Authors on February 16th, 2016
The Martian, which is about an astronaut stranded on Mars, is one of the biggest hit movies of the summer. By the end of the movie, the entire world is united in their hope that the astronaut will be saved. The Martian is not a true story. The 33 is. It is the true story of 33 miners trapped underground for 69 days in a Chilean gold mine in 2010. The world really does come together in their hopes and prayers for the trapped miners. Even though it is a true story, it also functions as a good old-fashioned disaster flick in the tradition of The Poseidon Adventure or The Towering Inferno. It also showcases Latino actors primarily, but some other big-name actors round out the cast as well.
Posted in: Disc Reviews by Gino Sassani on February 16th, 2016
In 2013 husband-and-wife production duo Mark Burnett and Roma Downey teamed up to bring The Bible to the History Channel. The 10 episode series gave as a whirlwind tour of the milestones from the Bible and brought about some critical acclaim along with solid ratings. It aired during Easter/Passover season. It was certainly an ambitious project and left the team feeling they could do more with the project. They managed to strike a deal this time with NBC to air a sequel of sorts to the mini-series. Enter AD The Bible, which takes an opposite approach to the first show.
Posted in: Disc Reviews by J C on February 15th, 2016
“It's like five minutes before every launch, everyone goes to a bar, gets drunk, and tells me what they really think of me.”
During the final act of Steve Jobs — which is less of a biopic and more of a three-act performance piece inspired by the visionary Apple co-founder — the movie winks at its own gimmicky premise. The cheeky reference to the film's rigid, laser-focused structure is appropriate given that Jobs obsessively measured the design his own products down to the millimeter. The result is a movie that wonderfully mirrors its protagonist: Steve Jobs is enthralling, endlessly imaginative, and kind of exhausting.
Posted in: Disc Reviews by Dan Holland on February 11th, 2016
"Ah, the holidays. The most wonderful time of the year. And so begins my tale..."
Love the Coopers seems to be a holiday title that arrived a little later than expected at the Upcoming Discs hub. Within the first five to ten minutes, you come to realize that it is a family-oriented holiday film with a rather impressive A-list cast, consisting of Steve Martin, John Goodman, Diane Keaton, Alan Arkin, Ed Helms, and Olivia Wilde. If you aren’t already a fan of any of these actors and actresses, the film’s story is endearing, as are most holiday films. However, what sets this film apart from other holiday titles (for me, anyway) is the hauntingly accurate idea of a “family” being a bleak entity, as well as atmosphere, that we all must learn to love in our own ways.
Posted in: Disc Reviews by J C on February 11th, 2016
A detective appears to be trapped between heaven and hell in Convergence, which is not all that different from the way I felt watching this supernatural thriller. On one hand, I was impressed by some of the mood and unsettling imagery established by writer/director Drew Hall; the film is mostly set in an abandoned hospital, which inspires even more dread than spending time in a fully functional one. Then again, there are also a lot of nonsense characters and story elements here that don't get a satisfying payoff, making Convergence an occasionally confounding and hellacious slog.
Posted in: Disc Reviews by Brent Lorentson on February 9th, 2016
Season one of From Dusk Till Dawn gave us a ten-episode remake of the hit original movie while setting up a mythology to stretch its story over numerous seasons. Season two wastes no time in blazing its new path as it continues the blood-soaked adventure that departs from the famed Titty Twister and takes us deeper into the vampire syndicate. How does season two fare? After making it through the 10-episode season, I can say I survived this bloody, testosterone-laced thrill ride, but it does have a few missteps along the way.
Posted in: Disc Reviews by J C on February 9th, 2016
The story is the star in Freeheld, which chronicles a same-sex couple's fight for equality. The film is based on the Oscar-winning documentary short of the same name and follows Laurel Hester, a New Jersey cop with terminal lung cancer, as she attempts to pass her pension benefits to domestic partner Stacie Andree. Despite being a modest production, Freeheld was able to enlist some top-drawer acting talent. Unfortunately, it also attracted a risk-averse team of filmmakers who tell Laurel and Stacie's story in a thoroughly rote and uninspired manner.
