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"Blacks are mentally inferior, by nature subservient, and cowards in the face of danger. They are therefore unfit for combat." - U.S. Army War College Study 1925

Obviously, there's another story to be told here. George Lucas says that he's been wanting to tell this story for over 20 years. It's a story that has often been told in both film and documentary form. In none of those cases has the movie been made into the kind of spectacle film that we find in Red Tails. Lucas gives the legendary air group the Saving Private Ryan treatment, and we get to see these World War II heroes in flight like we've never seen before.

YouTube had all but killed off the idea of mailing silly home videos to the likes of America's Funniest Home Videos. These days, people prefer to stream dozens of videos on their computers and save themselves from the watered down jokes of Bob Saget or current host Tom Bergeron. Tosh.O takes a similar format of displaying such silly videos, but focuses on things that have gone “viral” online. Like AFHV, Tosh.O adds their own commentary and sketches to the presentation but in a much more crass, cable-savvy manner.

Daniel Tosh makes for a very suitable host, which makes the difference to those who may consider aimlessly surfing through YouTube's channels to be a more valuable way of taking in the latest in mind-numbing entertainment. Tosh not only is capable at delivering edgy quips but often places himself at the butt of self-deprecating and/or harmful sketches where he may partake in the same idiocy he seems to be lambasting at other points in the episodes (a memorable example being his attempt to eat a teaspoon of cinnamon and karate chop a hundred coconuts after smoking Salvia).

For most of the last decade or more CBS has dominated the primetime drama market on network television. One of the reasons, of course, has been the prevalence of top-flight crime dramas like the NCIS and CSI franchises. From 2003 until 2009 the Thursday line-up on the eye network included the blockbuster pairing of the original CSI and Without A Trace. Both were products of filmmaker Jerry Bruckheimer's television stable. While CSI focused on the science behind a criminal investigation, Without A Trace took the more traditional route of the human element to the FBI's Missing Persons Unit.

Jack Malone (LaPaglia) was the tough-as-nails head of the unit. He had a degree in psychology and acted very much like a profiler at times. It was his job to direct the investigation unit. The team consisted of Vivian Johnson (Jean-Baptiste). She was a veteran officer and Jack's right hand. Danny Taylor (Muciano) had changed his last name to escape his family roots which included a habitual criminal brother and an abusive father. The unit was his way of starting a new life. Martin Fitzgerald (Close) was the son of a powerful senator and was always fighting to prove himself on his own merits. Samantha Spade (Montgomery) was the young attractive young woman on the team who had already had an affair with the married Jack but also had romantic ties to Martin. Unfortunately, she didn't do much to break the vulnerable female role.

At first glance it would be very easy to say that Beyond doesn't really offer us anything terribly new in the crime drama genre. For the most part I would tend to agree with that criticism. I would counter with the argument that a very good film doesn't need to be very original to be good. Sometimes the value in a movie lies in the fact that it does what it does do extremely well. That's how I would describe the sleeper direct-to-video release Beyond.

Jon Voight stars as Detective John Koski. He's a detective in Anchorage, Alaska who specializes in missing children. He's not exactly by the book, and more of his perps end up dead than in the courtroom, but the children usually end up found and alive. Sounds like a win/win to me. Still, he's haunted by that first case where he wasn't able to save a little girl. It turns out he's more haunted by that incident than even he suspects. When 7-year-old Amy (Lesslie) disappears from her bedroom one cold wintry night, Koski, just months from retirement, gets the case. The girl's mother Sarah (Polo) is the sister of the Chief off Police (Mulroney).

Often in columns, writers are basically forced to do enough research on their own to qualify as experts. But that is not always enough. Sometimes, we are a lot better off if we just consult an expert from the get-go and ask them all of the pertinent questions we need answered. My wife happened to be that expert I needed for the latest season of True Blood, Season Four. Without her, Sookie Stackhouse might just be another girl from the Jersey Shore. Wait, which show am I reviewing again?

What do we need to remember from Season 3, well only two things really. One, Sookie Stackhouse is in Fairyland and two, Bill Compton is the King of Louisiana. Outside of that, we should be able to explain the rest. Let us rejoin the cast of True Blood, shall we?

"This Martius is grown from man to dragon. He has wings. He's more than a creeping thing. There is no more mercy in him than there is milk in a male tiger."

There's a certain hierarchy when it comes to the amount of cinematic interpretations of William Shakespeare's plays. At the top tier, we have the endlessly adapted Romeo and Juliet, Hamlet, Othello and Macbeth the Scottish Play. A step below that, you've probably got your King Lear, As You Like It, A Midsummer Night's Dream and a few more. And about a dozen tiers below that, we finally come across Coriolanus.

Steven Spielberg’s very-long-in-gestation adaptation of Hergé’s Tintin finally came into being over Christmas. The story, very much in keeping with the globe-trotting adventures of the comic books (drawing heavily, in fact, upon The Secret of the Unicorn), has Tintin (voiced by Jaime Bell) become embroiled in a treasure quest after buying a model ship that has one third of the secret concealed in its mast. Captured by nefarious evil-doers who will stop at nothing to find the treasure, he encounters Captain Haddock (Andy Serkis), and a legendary friendship is formed.

Spielberg’s affection for the character is present in every frame of the film, and the story hurtles along from location to location, our heroes making one hair’s breadth escape after another. The characters are all very recognizable versions of their 2D comic book incarnations, and the animation is stunning in its meticulous detail.

"It's Memorial Day. What am I supposed to remember?"

Happy Memorial Day, everyone! When I saw that I would be reviewing a movie called Memorial Day, I was afraid Garry Marshall had made another one of his awful ensemble romantic comedies — ala Valentine's Day and New Year's Eve — that stars everyone in Hollywood...and Hector Elizondo. Thankfully, this film is simply an (overly) earnest dedication to the men and women who have served in the Armed Forces, as well as their families.

Growing up as an only child, I did my share of strange things. I staged wrestling matches with my wrestling figures, ran baseball games with myself (against myself) and also did my share of creating battles with my G.I. Joes. Feel free to call me a nerd or introvert at any time. As a result, every time I see a wrestling match or watch some baseball, I am reminded of those unique moments I shared as a child. Perhaps when I watch the new G.I. Joe Show: Renegades, I can relive some of those moments yet again.

Cobra Industries is here to help the world by providing products that every man, woman and child can enjoy. They provide helpful pharmaceuticals to the world, they even bake a tasty apple pie. Cobra is so involved in the everyday activities that it is hard for anybody to imagine their lives without them. This explains why they are the perfect corporation to house a lot of secrets and have a very heavily armed security force. The more you know (rainbow flies across the screen).

“His name is Samson. He’s big with his cat, with mama and with his stick. Black Samson… he’s mean and clean and rules the scene.”

In the 70s and 80s, filthy little theaters littered New York’s 42nd Street, sandwiched between adult bookstores, porn theaters, and peepshows. These dens of celluloid sin hosted an endless loop of “B” movies affectionately known as grindhouse films. They ran exploitation films, drive-in double features, and European softcore of every subgenre, ranging from Blaxploitation to Sexploitation, from Euro-crime to Sci-Fi and Horror. Some theaters projected these movies 24 hours a day, seven days a week! 42nd Street Forever collects nearly ninety (approximately three hours and forty-five minutes) of sensational vintage trailers from these grindhouse classics.