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"In penance for their uprising each district shall offer up a male and female between the ages of 12 and 18 at a public reaping. These tributes shall be delivered to the custody of the Capitol and then transferred to a public arena where they will fight to the death, until a lone victor remains. Henceforth and forevermore this pageant shall be known as The Hunger Games."

Now that all four films are out on UHD Blu-ray in glorious 4K, we have the opportunity to view them all again from the very beginning. It's easier to catch the subtle nuances that were planted in the earlier films that would pay off over the four-film run. It took us four years to do that originally. Now you can do it in a day. John Ceballos takes us on the next part of that journey with The Hunger Games: Catching Fire (2013).

"In penance for their uprising each district shall offer up a male and female between the ages of 12 and 18 at a public reaping. These tributes shall be delivered to the custody of the Capitol and then transferred to a public arena where they will fight to the death, until a lone victor remains. Henceforth and forevermore this pageant shall be known as The Hunger Games."

Now that all four films are out on UHD Blu-ray in glorious 4K, we have the opportunity to view them all again from the very beginning. It's easier to catch the subtle nuances that were planted in the earlier films that would pay off over the four-film run. It took us four years to do that originally. Now you can do it in a day. John Ceballos takes us on the first part of that journey with The Hunger Games (2012).

1n 1972 Charles Bronson played The Mechanic, Arthur Bishop. He was a hitman with a high level of skill. When he tries to pass on that skill, he's betrayed, and he has to get himself a heaping helping of revenge. In 2011 Bronson did indeed pass the character to Jason Statham when the film was remade. Unfortunately, Bronson had passed in 2003 and couldn't actually pass the torch on the screen. Statham turned the character into more of an action anti-hero, and the film really didn't perform at the box office. It never made back its budget in the domestic market and barely made money when the worldwide take was finally counted.

Fresh out of the vaults comes another cult classic. Vestron Video has decided to unleash Return of the Living Dead 3 for horror fans to snatch up this holiday season.  Considering the titles that Vestron has already released, for some this might be a title that will leave fans scratching their heads about there being an urge to re-master this film, much less crank out a Blu-ray with so many features.  Well, the simple answer is that the person in charge of acquiring and releasing these titles knows that there are fanboys like me out there who will shell out the money for a product that’s given this kind of attention.  Return of the Living Dead is a cult classic and is mostly responsible for casual moviegoers making the connection with zombies and brain eating

"Stop me if you've heard this one before." 

The first thing you need to know about The Secret Lives Of Pets is that it's not terribly original. Fans of the Pixar Toy Story Franchise will find pretty much every element of this script has been lifted from one of the three Toy Story films. Of course, if you're going to lift an idea, you might as well steal from the best. Of course, there are always formulaic ideas in films, particularly animated films geared mostly toward children. And while I really did enjoy almost everything about this film, I just can't escape the fact that I've seen it all before.

There is a way this film could have been great if not a little amusing. Imagine if James Bond was being stalked by Q; what would Bond do?  Sure, I’ll admit it’s a silly notion, but it’s all I could think about as I watched this film about a millionaire and his family being stalked by a disgruntled I.T. worker.  In general, it’s a story we see a couple of times a year, the seemingly charming figure that comes into a person’s life that turns out to be crazy and throws everyone’s life into chaos.  Films like Cape Fear and One Hour Photo are just a couple of examples of films that tackled the stalker sub-genre; even last year’s overlooked gem The Gift showed you can still be terrifying with a little creativity.

"Space...the final frontier. These are the continuing voyages of the Starship Enterprise. Its five-year mission: to explore strange new worlds, to seek out new life and new civilizations, to boldly go where no one man gone before!"

Of course, we never did get five years from that original show when it ended after just three years in 1969. The new film series has tried to fix that for us. The latest film picks up the five-year mission just after three years have gone by. It's a double homage to the original show.

It’s been a while since Nicolas Cage has been in a big studio-released film.  It doesn’t mean he’s doing bad movies; it just means he’s not doing any tent-pole releases that flood the multiplex.  Seeing Nicolas Cage in a film like Army of One is simply a snapshot of how modern cinema has to evolve for better or for worse.  Really, I don’t mean to come off as though this is a bad film or inferior to any other films past or present, but ten years ago this is a film that would have had a much wider release and would easily have gotten more attention.  After all, who could resist Nicolas Cage in a film helmed by the director of Borat?

Does death only come for the wicked and leave the decent behind?”

Throughout its first five seasons, Game of Thrones has been relentlessly cruel to its viewers heroes in a way that shocked audiences and upended genre expectations. But as Thrones edges toward its conclusion — and as the TV adaptation becomes more unmoored than ever from the George R.R. Martin novels that inspired it — certain storytelling conventions seem to be inevitably taking over. I seriously doubt this saga will have a traditional “happy ending,” but season 6 is as close as the show has ever come to being a full-blown crowd-pleaser.

"What we do has consequences, intended and unintended. The decisions we make, the actions we bring have weight." 

When upcoming heavyweight contenders like Brian Koppelman, David Levien, and Andrew Ross Sorkin get together, you have reason to expect big things. And Billions is very much about heavyweights. The entire show is one big metaphor for a heavyweight prizefight. In one corner you have U.S Attorney Chuck "The Scholar" Rhodes, played by Paul Giamatti. He's the reigning world champion with a record of 80+ to 0. In the other corner is Bobby "Axe" Axelrod, played by Damian Lewis; he could also be considered undefeated.