Posted in: No Huddle Reviews by Gino Sassani on December 17th, 2018
"My name is Dylan Reinhart. Not long ago, I was an operative in the CIA known as Agent Reinhart. When I left the Agency and started teaching, I became Professor Reinhart. I wrote a book about abnormal behavior and criminals which was so successful a serial killer used it as clues for his murders. That's when the NYPD reached out to me to help catch him, which I did. So they hired me and I became consultant Reinhart. So now I'm working with this woman, Detective Lizzie Needham of the homicide division, catching killers. Looks like I need a new name...Professor Psychopath."
If this is all sounding a little bit familiar, it should be. ABC did the idea with great success in Castle starring Nathan Fillion. This time many of the folks behind The Good Wife have gotten together for their own version of the idea starring Alan Cumming, and the result isn't near as charming, but it has its moments. You'll get a chance to check them out at home, because CBS has released the first 13-episode season on DVD.
Posted in: Disc Reviews by Archive Authors on December 17th, 2018
The Jerk, released in 1979, is a rags-to-riches-to-rags comedy film of belated self-discovery. This was Steve Martin’s first starring role in a feature film and was also written by him. It's hard to watch the film and quite picture Martin as the unknown he really was at the time. Since then Steve Martin has come and pretty much gone from our collective experience. When this film was released, much of this kind of humor was somewhat unique and clever. Today that is not so much the case, and it looks and feels quite a bit dated.
Carl Reiner directs Steve Martin (who co-wrote the script with Carl Gottlieb) in this gag-laden comedy about an idiotic white man, raised by a poor family of black sharecroppers, who doesn’t realize he’s not black. Navin R. Johnson (Steve Martin) is told the horrible truth when he finds himself instinctively tapping his f…et to an easy listening tune on the radio, instead of a low-down blues. His mother (Mabel King) tells him he’s white and Navin takes to the road (in a World War II bomber helmet and goggles) to start a new life in St. Louis. A filling station owner, Harry Hartounian (Jackie Mason), give Navin his first break, hiring him to pump gas. One day at the station, Navin has a brainstorm, concocting an invention called “The Opti-grab,” a combination handle and nose-brace for eyeglasses. But Navin runs into trouble when a crazed killer (M. Emmet Walsh) picks out his name at random from the telephone book and tries to kill him. Navin escapes to a traveling carnival, where he wrangles a job as the “guess-your-weight” man. At the carnival, he discovers his sexual nature, thanks to stunt rider and S&M enthusiast Patty Bernstein (Catlin Adams). But Navin meets the beautiful Marie (Bernadette Peters) and he quickly falls in love. In the meantime, the “Opti-grab” has taken off, and soon Navin is a millionaire.
Posted in: No Huddle Reviews by Gino Sassani on December 17th, 2018
"Let me know when the governor gets here."
Well, he's in the house, and I'm going to get a lot of razzing for this review of Last Action Hero. The person who thought I should see a shrink for looking forward to the next Saw film is going to be calling for my outright commitment to an institution dedicated to covering walls with nice padding so we won't hurt ourselves. I know this film is generally considered "bad" by critics and moviegoers alike. It swept the Razzies in 1993 and has since been only the kind of film 10-year-olds would really like to see. Me, I've always simply loved this film. From the first time I saw it at the box office, I was hooked. It was one of the first new laserdiscs I bought back in the day, and I watched the heck out of that disc. I'm not ashamed to admit it. I love this movie.
Posted in: No Huddle Reviews by Jeremy Butler on December 15th, 2018
Dog Days is your basic ensemble film, with this time the story being dog-centric, as every subplot features a different dog, and some subplots are interconnected via one dog. It is a family-oriented film, so this time you all will not only been treated to a Nalyce stamp of approval, but a Jessica (my wife) stamp of approval as well. The cast is rounded out with a number of familiar faces that includes Nina Dobrev, Tone Bell, Vanessa Hudgens, Eva Longoria, and many, many more. The story tugs on the heartstrings a bit as it addresses several issues plaguing the cast, such as dealing with loss and opening yourself up after heartbreak. Needless to say, the film had the Jessica stamp of approval the second that Chihuahua (which in my opinion is just a bigger member of the rodent family) was found behind the dumpster. And of course, now I find myself fielding requests for a dog just in time for Christmas.
The story is intercut between several characters at different points in their life; Tara is a barista at a local café, recent college graduate trying to figure out her next step, when she finds a dog abandoned behind a dumpster at the café. Being a decent human being, she takes it to the vet, where she meets Dr. Mike (Michael Cassidy), with whom she is instantly smitten. Speaking of smitten, Garrett (Jon Bass) is a patron of the café that Tara works at and owner of a struggling animal rescue. He’s awkward and immediately taken with Tara, who is wrapped up with her doctor infatuation.
Posted in: Disc Reviews by J C on December 14th, 2018
“I'm sorry there is so much pain in this story. I'm sorry it's in fragments, like a body caught in crossfire, pulled apart by force, but there is nothing I can do to change it.”
To say there is pain in The Handmaid’s Tale might be the biggest understatement of 2018. The series is set in a dystopian near-future in which women — even the ones who are supposedly part of the ruling class — are enslaved and tortured in a variety of heinous ways. Handmaid’s Tale immediately became Hulu’s flagship show and picked up an Emmy for Best Drama Series last year. So expectations were high for this second season, which too often proves to be torturous for viewers as well.
Posted in: No Huddle Reviews by Gino Sassani on December 13th, 2018
In one corner you have U.S Attorney Chuck "The Scholar" Rhodes, played by Paul Giamatti. He's the reigning world champion with a record of 80+ to 0. In the other corner is Bobby "Axe" Axelrod, played by Damian Lewis; he could also be considered undefeated. He runs a sexy brokerage firm. Both of these guys walk and talk like champs. There's a lot of trash-talk between them, but both have very lurid and potentially devastating skeletons in their perspective closets. But what happens when both find themselves in deep trouble? That's the question as Billions heads into Season 3, where you'll get all 12 episodes on four discs with very minimal extras.
The strength of two very strong performances immerses us in each of these worlds to a point that we discover something none of these players know, or at least would be willing to admit. They are very much the same, and the culture of their careers is more alike than not. Both are willing to bend a rule for "the common good", and both believe themselves to be the heroes of their own stories. And that's where the writing and acting come together for a nice perfect storm. Both characters are heroes to the people around them. They've developed almost cult followings. Both are admirable people. Of course, the opposite is just as true. These guys can both play the anti-hero with the best of them. There is both great good and great evil in both. If that sounds complicated here, just imagine how hard it would be to actually pull off.
Posted in: No Huddle Reviews by Brent Lorentson on December 13th, 2018
When it comes to Christmas horror films, it’s been a while since there has been a hit that has tackled the holiday and succeeded. For me you’d have to go back to 2010 with Rare Exports: A Christmas Tale, or more recently Krampus in 2015. But despite the few hits this time of year, there tend to be several attempts for a horror film to come out and make a name for itself. This year we get the low-budget offering All The Creatures Were Stirring, an anthology film which on paper seemed to show plenty of promise, but the execution resulted in one of the most tedious films I’ve seen this year. The film opens up with friends Max (Graham Skipper) and Jenna (Ashley Clements) getting together for the holiday since neither has anyone to spend the holiday with, so rather than be alone they go on a bizarre date. Max decides to take his date to an independent stage performance that is mostly silently performed. Each act that the performers put on is a story that we see over the course of the film. Though this may be a unique way to present the separate stories, it definitely lacks in execution.
The first story -- usually when it comes to anthologies this is the one that tends to be the best or at least should be a major hook. In this case it was the one that showed the most promise, but struck out. “The Stockings Were Hung” takes the office gift exchange and veers in the most violent direction you could expect as the tone of the exchange becomes a game out of the Saw franchise as the coworkers open “gifts” that are weapons or are evidence of the coworkers doing some bad things while on the clock. I get where they were going with this, and this really could have been a fun story, but between some bad acting and the story crawling at a slow pace, it was difficult to care about any of these characters.
Posted in: No Huddle Reviews by Jeremy Butler on December 13th, 2018
The things we do for our children. That was all I could think of while watching Fancy Nancy, another Disney Junior series. Nancy is a girly girl with a love of all things glittery and French. Funny, I can think of another little girl who fits that description. It goes without saying that Nalyce was immediately on board for this disc, going as far as to remind me every day that we need to review this show. When we finally set down to watch it, she was all business, turning off all the lights and basically becoming a zombie staring at the screen. I mean, I've never seen her so dedicated to anything. I have to admit a certain level of pride. Sadly, I was not as enamored with the show as she was.
The series is laid out in the typical format for a Disney series: two episodes per thirty-minute format. Each episode imparts an important lesson that every child should screen to function as a productive member of society, such as the importance of sharing and accepting people for who they are. After every episode I made sure Nalyce told me what the lesson she learned from the episode. It was only slightly less painful than pulling teeth for both of us, as I found myself having to use the privilege of watching another episode as an incentive for her. For her, it was more about the entertainment than the embedded lesson. Nevertheless, I’m a parent first.
Posted in: Disc Reviews by J C on December 7th, 2018
“They destroyed the man I was, but then I was reborn. And this time I came out breathing fire.”
Season 1 of Westworld — HBO’s mega-budget adaptation of Michael Crichton’s 1973 film of the same name — spent a lot of time exploring the nature of reality and humanity through a high-tech theme park’s robotic hosts. And while the show still has plenty of time for those themes, the second season can be tidily summed up with a phrase that nods to another Part II of an iconic sci-fi franchise: The Hosts Strike Back.
Posted in: Disc Reviews by Brent Lorentson on December 6th, 2018
As a fan of The Conjuring films, I keep hoping that these spinoff films will manage to step up and be on par with The Conjuring, but instead they just keep letting me down. But that doesn’t stop the hordes of fans from still seeing these films; after all, the pair of Annabelle films were box office hits, and The Nun had a nice theatrical run as well, earning over $110 million. The Nun is a bit of a departure, as it takes us back to 1952 and is set in Romania to deliver a gothic horror story that seems as though it’s a bit of a nod to the old Hammer films from the 1950’s on into the 1970’s. Does the film deserve its box office success? Well, thankfully I didn’t have to take a vow of silence, and I can tell you all about it.
The film wastes no time in setting the tone and delivering the terror as we see a pair of nuns walk through the bowels of an abbey in Romania as they open a big, scary door that has the inscription “God Ends Here”. Obviously whatever is beyond this door is bad, but why these nuns are so gung ho about opening this door and going inside isn’t explained (at least until much later on into the film). It’s no surprise that the result of opening this door causes bad things to occur, one of which is a nun killing herself as she sees The Nun coming towards her. This sparks an investigation by the Vatican to be led by Father Burke (Demian Bichir) and Sister Irene (Taissa Farmiga).