Posted in: No Huddle Reviews by Jeremy Butler on June 27th, 2018
Childhood nostalgia abounded when I got this disc. Ducktales was a huge part of my childhood. I mean, who didn’t follow the adventures of Huey, Dewey, and Louie back then?And who could forget about Scrooge McDuck and the Money Bin? So when I heard of the revamping of a series from my childhood, I was instantly on board. However, I must admit that I had some reservation, especially following the transformation of engaging Cartoon Network series Teen Titans into Teen Titans Go! Fortunately, that wasn’t the case for Ducktales Destination: Adventure as I felt myself transported back into my childhood. There was also the added benefit of introducing a show that was a big part of my younger years to my daughter, as she is around the same age I was when I first discovered the show.
Though I remembered a majority of the cast of the original series and they all remain for this adaptation, there was one character whose name that I didn’t recognize immediately: Webby Vanderquack, the boys’ adopted sister. Interestingly, she was the main focal point of the disc’s first episode (The Beagle Birthday Massacre!). Given that the disc is not the complete season, but rather an assortment of six episodes (plus two from the original show), it took a moment to acclimate into the show’s universe. In regards to Webby, it only took a quick Google check to recognize her. The first episode addresses matters of being left out, when Webby ends up being left behind when there is not enough room in the kayak for her with Huey, Dewey, and Louie. The mood doesn’t remain sad for long as she soon meets a new friend and sets about her own adventure, which has her on the run from the Beagle clan.
Posted in: Disc Reviews by Gino Sassani on June 26th, 2018
"Who is Jack Reacher? Born Jack, not John. No middle name. He's a ghost. Served in the military police. A brilliant investigator, troublemaker, too. And two years ago he disappears. You don't find this guy unless he wants to be found."
We've found him. The character of Jack Reacher comes from a series of thriller novels written by Lee Child. From the very start you know that this is going to be a different kind of Jack Reacher than fans have come to know and love from the books. He’s described as being 6' 5’’ and about 250 pounds. Tom Cruise doesn't really fit any of those description elements. He does, however, fit two very important descriptive elements when it comes to Hollywood. He's still a big name and a pretty reliable box office draw. He also put up some of his own cash to produce the movie. Now that's how you get cast for a part very physically different from yourself.
Posted in: Disc Reviews by Jeremy Butler on June 25th, 2018
“If you believe in a goal or dream before it happens, is that real?”
There aren’t a lot of inspirational tales out there for young women who aspire to be athletes. At least not that I have seen. That is why I am sure that Alex and Me is bound to make an impact. This is tale for every girl who aspires for greatness. As a father to an amazing little girl, this really hit home for me. Unfortunately, not so much with my daughter, who is a bit too young to grasp the importance of the message this film is conveying, but I fully intend to keep this movie on hand for when she is old enough to understand.
Posted in: No Huddle Reviews by J C on June 22nd, 2018
“I just need you to not freak anybody out tonight.”
Flower ends up being a pretty strong reflection of its promiscuous protagonist: both the movie and the anti-heroine at its center are sharp, profane, a little all-over-the place, and contain a surprising undercurrent of emotion. The movie is a polarizing experience, to be sure, but I enjoyed going on this particular wild, unpredictable ride.
Posted in: Disc Reviews by J C on June 20th, 2018
Cinematically speaking, the name Eli Roth has been synonymous with murder and mayhem. The director is best known for his work in the horror genre, bursting on the scene with 2002’s Cabin Fever and upping the ante with Hostel and Hostel: Part II a few years later. So it was a bit surprising to hear he’d be taking on a remake of Death Wish — the iconic 1974 Charles Bronson revenge flick — until I started thinking about the bloody possibilities. If the Hostel films gained notoriety as prime examples of “torture porn,” then it seems like Roth has graduated to “revenge porn” with this slick and (intentionally) silly re-imagining.
“People rely on the police to keep them safe. That’s the problem.”
Posted in: Disc Reviews by Brent Lorentson on June 19th, 2018
When Pacific Rim first came out, I had a blast with the film. It was the ultimate giant-monster-versus-giant-robot film that my inner ten-year-old has wanted to see for so long. Sure, the film had some dialog issues, but the world that Guillermo del Toro created with the film was so over-the-top and beautiful that the bad dialog was easy to forget. It knew what it was, brainless eye candy, and it delivered in a big way. Now we have the sequel coming out; del Toro is no longer at the helm, and in his place we have Steven S. DeKnight whose previous directorial efforts have been episodes from Daredevil and Dollhouse. Does the sequel hold up? Well, to put it bluntly, not even close.
John Boyega has been an actor I’ve appreciated since I first saw him in Attack the Block. Seriously, if you haven’t seen Attack the Block yet, stop wasting time and see this immediately. While I’ve enjoyed seeing him in the new Star Wars films, I just feel he’s an actor who hasn’t gotten the appreciation he deserves, and for a while when I saw he was going to be in Pacific Rim: Uprising I had hopes that this could be the film that put him over the top. He comes into Uprising playing Jake, the son of the famed hero of the jaeger/kaiju Stacker Pentecost who was played by Idris Elba. He wants nothing to do with that legacy and instead has become a thief in the world that is still in ruins from the kaiju attacks that occurred ten years prior. It’s while he is trying to steal tech from an old jaeger that he runs into Amara (Cailee Spaeny), who is stealing jaeger tech of her own so she can finish building one herself. The two, though, are eventually caught, and instead of serving jail time the powers that be decide to send them to Top Gun…I mean jaeger training. How this makes any sense is a stretch at best, but this is a movie about monsters the size of skyscrapers, so logic I suppose should really be left at the ticket counter.
Posted in: No Huddle Reviews by Brent Lorentson on June 19th, 2018
It’s been eleven years since that cast and crew took their final bow on the show Will and Grace. In those eleven years so much has occurred such as gay marriage and the rise of the social justice warrior. Just one glance at our political climate these days you can imagine there is plenty of material for comedy gold, heck there was even the revival of Roseanne that attempted to seize the moment. But of all the shows that are on the reboot and revival trend train Will and Grace is the one sit-com I feel is the most suited to take the airwaves. A lot of time has passed, a decade in Hollywood is a few eternities and would seem to be an overwhelming task to reunite the cast and crew but it would seem the stars have aligned for this show but will it actually work?
When we catch up to Will (Eric McCormack) and Grace (Debra Messing) it’s been eleven years and still their relationship is as strong as ever. Grace is recently divorced and in need of a place to stay so it’s at Will’s doorstep where she ends up. Will is still a lawyer and Grace has become a successful interior designer with Karen (Megan Mullally) as her partner. In case you were wondering Karen is still rich, drunk and as fabulous as ever as she uses her connections to get Grace the gig of redecorating The Oval Office. The first episode works well at catching us up with everyone and getting the character riled up about their political beliefs and there was a point that I got worried that this could be all the show would be. Thankfully there is so much more the show has to offer.
Posted in: Disc Reviews by Brent Lorentson on June 17th, 2018
Despite falling into the “coming of age genre”, Love, Simon is actually so much more than your typical mainstream teenage film. In the 80’s John Hughes ruled the box office with his films, everything from Sixteen Candles, Weird Science, Pretty in Pink and of course The Breakfast Club were the films that spoke to the kids of the era. It’s been a while since a film has come along that has fit into the genre that has managed to handle the awkwardness of being a teenager while also toeing the line of being heartfelt and humorous. Over the years there have been attempts to capture the essence of the 80’s John Hughes films, but these seem to always fail by either going to raunchy or attempting to make the lead characters cool and popular. It seems director Greg Berlanti has figured out how to bottle the magic of a John Hughes film and deliver a story Hughes never got to tell, a story about a teen dealing with the struggle of being gay and keeping it a secret from everyone around him. The film is based off the young adult novel Simon vs. the Homo Sapiens Agenda, and the result is an unexpected and refreshing tale that has me wonder why it’s taken so long for a LGBT film to hit the mainstream.
When we meet Simon (Nick Robinson), he is introduced to us through narration as he navigates us through his normal life, normal with the exception of the secret he’s hiding from his friends and family about being gay. We can easily sympathize with his character; after all, he’s simply keeping his secret because he loves his life and friends and is concerned that him coming out could cause things to change. He sees how the one openly gay kid at his school is treated, and it’s enough to convince him that perhaps waiting to come out till he’s about to go to college would be the easiest thing. His parents, played by Josh Dummel and Jennifer Garner, are the supportive type, and then he has his friends Leah (Katherine Langford), Nick (Jorge Lendeborg Jr.) and Abby (Alexandra Shipp) who are part of his tight group as well. There is a good chemistry with everyone involved, and it helps getting to see them as a tight-knit group before Simon’s life takes a dramatic twist.
Posted in: Disc Reviews by Brent Lorentson on June 17th, 2018
When it comes to the Italian western aka the spaghetti western, the first director who comes to mind is Sergio Leone (The Good The Bad And The Ugly); and then there is Sergio Corbucci. While Leone was blazing a successful career, Corbucci first came onto the scene with his film Django. The film was dirty, violent, and mean. For those who are only familiar with the Quentin Tarantino version of Django, well, you’ll definitely see the films are drastically different aside from them both being revenge films. Much later on Corbucci got the chance to follow up his first big hit with another western, The Great Silence. I had gotten to see this dark western before, though it was in the form of a bootleg copy. There was a lot of grain, and the ending attached to the film was radically different from the one Corbucci had intended. Film Movement Classics has done an amazing job at cleaning this title up and giving it a new 2K restoration. As for the film itself, saddle up, because this is like something many have not seen before.
One of the first striking things you will notice about this western is that it is mostly filmed in the cold and in the snow. We meet Silence (Jean-Louis Trintignant) as he is jumped by a group of bounty hunters whom he quickly dispatches, and when one surrenders himself, Silence manages to shoot off the man’s thumbs. That’s the thing about Silence that’s pretty cool. He kills in self-defense but seems to enjoy crippling bounty hunters so they won’t be able to kill again. We later get to find out just why Silence has it out for bounty hunters, but also the grisly reason why he’s been given the name Silence.
Posted in: No Huddle Reviews by John Delia on June 17th, 2018
Irreverent, totally off-the-wall, and exaggerated are the good things about the dark comedy Death of Stalin. The film goes bonkers on the Russian regime lead by Stalin as they picture the death of their leader in 1953. In actuality when the Soviet leader died rumors were rampant on whether it was ordinary or murder; well, this film isn’t going to answer that question, but it’ll lay to rest the madness of it all. You don’t have to be a historian to enjoy the film, just be able sit back and laugh at what may or may not have taken place.
The head of the Russian USSR (Union of Soviet Socialist Republics) Joseph Vissarionovich Stalin has taken ill, and those who are the most important to his reign are buzzing on whether he will live or die. They all have an invested reason why each of them want to see him live or die, but mostly they would rather have the tyrant out of office. Those among them with the most to gain by his death are Georgy Malenkov (Jeffrey Tambor), Nikita Khrushchev (Steve Buscemi), and head of Russia’s secret service Lavrentiy Beria (Simon Russell Beale). Each time Stalin’s health starts to fail him, the three and close relatives gather to check the odds and hover over him like vultures.
