Disc Type

All too often do indie films fall under the category of “character study”. It’s almost as if that the entire “independent” genre has divided itself into these dramas focusing on painfully slow character development or budgetless, empty husks of action films riddled with terrible CGI. I have seen independent films that held my attention with captivating writing, but they seem to be few and far between. Little Men is no exception to the trend: it did have some interesting character development, but the story had great opportunities for intense conflict that just never followed through.

The story takes place in New York, where a failed actor, Brian (Greg Kinnear), and his mildly successful wife, Kathy (Jennifer Ehle), are trying to make ends meet. All the while, they are trying to put their young son, Jake (Theo Taplitz) through school. After the death of Brian’s father, the little family sees a glimmer of hope with the inheritance of a tailor shop run by Leonor (Paulina García), assumed to be the deceased’s old flame. During the slow process of figuring out how to legally take the business away from Leonor, Jake befriends her son, Tony (Michael Barbieri), setting up the primary anxieties of the film.

The first time I saw C.H.U.D., I was deathly afraid I was going to be watching yet another zombie movie. C.H.U.D. is an acronym for ‘Cannibalistic Humanoid Underground Dwellers,’ so with only that description, my assumption wasn’t unreasonable. For the readers who have actually seen C.H.U.D., you probably know that I was pleasantly surprised: it was actually a very fun monster movie. Yes, they were humanoid, but they were rather creepy, with bright glowing eyes and scaly skin. C.H.U.D II apparently forgot how amazing the original creatures were, because they are absent from the entire film (even though they are proudly displayed on the front cover of the Blu-ray case). Instead, we are treated to a zombie film with glam metal transition music and only the worst brand of tongue-in-cheek silliness.

The film begins within a no-name military hospital, where the ‘higher-ups’ are determining what to do with the last C.H.U.D. specimen, named Bud (Gerrit Graham). This entire meeting summarizes the absolute basic elements of the original plot line (essentially creating an information dump consisting of what the writers may have remembered from that one cool movie that they had seen a couple years ago). Now, Colonel Masters (Robert Vaughn) seeks to utilize the C.H.U.D Virus for biological warfare, but his funding is suddenly cut. He orders the body to be frozen and sent to a CDC facility in a small town. Upon arrival, the body finds its way into the hands of teenagers who need it for their school project. The fun ensues.

When this series initially started, I was intrigued, although it merely seemed like a filler show. However, I find that I have to eat my words, since Beauty and the Beast survived four seasons before coming to a climax with this final season. The swan song for the show had already been sung before the first episode of this season even aired, but that didn't stop the cast or the crew from providing a suspense-filled season as well as a proper conclusion to the story. 

Catherine and Vincent's (Kristen Kruek and Jay Ryan) tale has been filled with danger and circumstances that have tried to tear them apart, usually starting the seasons apart. However, the start of the final season finds them very much together and celebrating their honeymoon. They believe the danger is behind them and Vincent's secret is safe, courtesy of a Department of Homeland Security cover-up. Matters heat up quickly when news regarding beasts starts to hit the internet. Before long, the couple finds themselves back in the thick of things aided by their loyal friends J.T., Tess, and Catherine's sister, Heather.