Disc Type

Being a woman's hard work.”

Femininity — the quality and essence of being a woman — is at the forefront of The New Girlfriend, a gender-bending and genre-bending offering from French director Francois Ozon. The film is a curious mix of farce, rom-com hijinks, frank sexuality, and serious drama about loss. The formula isn't always cohesive, but it makes for an intriguing twist on the old “boy meets girl” story.

"The way of life depicted in this program dates back 300 years. Hunting, especially alligator hunting, lies at its core. Some images may be disturbing. Viewer discretion is advised."

And they're not kidding. Gator hunting is a bloody business, and this show gets you right up close and in the action. The hunters set hooks with bait, and once a gator is hooked they must reel it in and shoot it in a very small vulnerable spot in the back of the head.

I have to admit that I'm not much of a Keanu Reeves fan. However, I'm a huge fan of Keanu Reeves movies. Let's face it, Keanu can be quite wooden with as much screen presence as a test pattern. OK, I'm showing my age with that line. But one thing he knows how to do well is pick great films to star in. From The Matrix and the recent very hit John Wick to the underrated The Devil's Advocate, Reeves can sure pick 'em. The worse case scenario here would be Keanu in an uninteresting movie. Well...Knock Knock. Who's there? An uninteresting Keanu Reeves film.

Have you ever stumbled across someone’s diary?  At first glance it may look innocent enough, but for the person with dreams, fears and confessions, it is that friend and confidant that will listen to its author as they bare their soul and not be faced with judgement. In The Diary of a Teenage Girl, not only do we get a peek into the secret life of Minnie Goetze (Bel Powley), but we are taken on a journey of experiencing first love and sex through the eyes of a 15 year-old girl.  It’s sweet, it’s tragic, but where this film’s strength comes at its audience the strongest is with its honesty, which for some may be a bit too sobering of a reminder of what life is like as a teenager

Here comes another in the long line of movies featuring a WWE superstar. Boy, I tell you, the floodgates open after The Rock (although now he goes by Dwayne Johnson) proved it was possible to move from wrestling stardom to silver screen stardom. That said, none them have really made the leap successfully since him; however, that is not from a lack of trying. This time around, Randy "The Viper" Orton looks to try his luck in the sequel to a WWE sponsored film in The Condemned 2.

"Did you ever have a dream but didn't know where it started?"

Some dreams did indeed start with the box office flop Nomads. It was the first starring role in a feature film for future James Bond Pierce Brosnan. It was also the first film directed by John McTiernan and his only screenwriting credit to date. Both would go on to have quite flourishing careers, and I suspect neither spends much time looking back at Nomads, and with good enough reason. And those careers did not take long. For McTiernan his next three films would be, in order: Predator, Die Hard, and The Hunt For Red October. The film also sports a score by legendary Bill Conti

1969 was a very eventful year for the United States of America. While I will not name all of the events that transpired over that year, I will remind you of two of the most recognized: In July, Apollo 11 lands on the moon, and in August, Woodstock takes place in upstate New York. However, the events that take place in Stonewall are not as publicized as the space race or the culminating concert of the hippie movement. In fact, I had never heard of the Stonewall riots until my final year of college. To those who are not familiar with the riots, allow me to set the scene: During the early hours of a Saturday morning in late June, an unexpected police raid befalls Stonewall Inn.

Broad City is about two 20-something ladies who don’t give a whoop whoop. They care so little that they don’t know they don’t care. On top of that, there is a motley collection of odd oddballs. That’s a problem, because these people have nothing but problems. Not that any of them care. And these ladies are like dudes so much that they say “dude” to each other. Our two ladies (I say ladies because I don’t want to say girls or women or other less complimentary appellations) are named Ilana Wexler and Abbi Abrams, played by Ilana Glazer and Abbi Jacobson. Glazer and Jacobson are creators, co-writers, and performers, and their involvement goes back to a web series they created before it was picked up by Comedy Central.

"So that’s what it’s like to be Simonized."

Years before he became the iconic suave British secret agent with the license to kill, Roger Moore might just have put himself in the running through his six-year run on British television’s The Saint. The show was part of the British Invasion of spy shows that came close on the heels of the first James Bond film Dr. No. Moore played Simon Templar, known throughout the globe as The Saint. While Templar wasn't really a spy, he acted like one most of the time, and the series managed to cover most of the conventions of the genre.

The Intern tackles a pretty important issue. Age gaps are the elephant in the room that no one wants to acknowledge. The issue is confusing to address, because a lot of people don’t even know what age group they belong to or don’t care. But the differences are very real, and they cause enormous alienation and division. Baby Boomers and Millennials are two examples which are represented here by Robert De Niro and Anne Hathaway, who has a daughter starting the first grade, so another age group is represented. To be clearer, Baby Boomers are born between 1946 to 1964, Generation X 1965 to 1980, Generation Y/Millennial 1981 to 2000 and Generation Z/Boomlets after 2001.