Disc Type

Everest is an existential film. It could be one of the most beautiful travelogues you've ever seen, but it is far more than that. Its beauty and majesty are perfectly enhanced by 3D, but the true significance has to do with the mysteries of the soul. What drives men to do things that they have no business doing? What makes them climb a mountain whose summit is at the height that 747 jets fly? The old answer that is always used is, “Because it's there”. Obviously, the reasons run much deeper. There is a void in many people that they can only fill by doing the impossible. They look for accomplishments and knowledge that will hopefully give life meaning

Have you ever had a dream that you wake up from and as your head spins from the snippets of the dream you can remember it takes you a few moments to clear your head and remember where you are?  Usually this is a result from a hard night of drinking, but for Major John Cafferty (Tahmoh Penikett) it is a battle he is waking up from, and it is not a dream.  With no memory of what happened, Major Cafferty wakes up in a special military hospital with several members from his platoon, only some of his soldiers are dead, and no one has a clue as to how they found themselves in the medical facility.

In our experience, almost everything ends in death.”

Given its morbid-sounding title, I suppose you can also say that in the case of Rosencrantz & Guildenstern Are Dead, things *start* in death as well. The inevitability of death — a notion that is simultaneously profound and crushingly simple — is one of several big picture ideas explored by the small potatoes title characters. Rosencrantz & Guildenstern Are Dead, now making its Blu-ray debut, is equal parts brilliant and befuddling. But as thought-provoking and exhilarating (and funny!) as the exchanges are, I'm not entirely sure this material was meant to be presented as a movie.

In 2012 Sinister had its release and horror fans seemed to be divided on the film.  For me, I dug the mythology of Bughuul, an evil spirit who appears in 8mm family films that seem to always end in some new gruesome way.  He’s a character the horror genre needs, as I see him as a silent hybrid of Jigsaw (from the Saw franchise) and Freddy Krueger (from the Nightmare on Elm Street franchise), where he’s a killer who gives us unique kills in some unsettling locations.  Now with the release of Sinister 2, do the filmmakers step up their game and deliver us more from the possible new icon of horror?  Sort of; just not how I would have expected it.

The tale of Little Red Riding Hood, like many other children’s stories, is so well known and influential that it has been reimagined time and time again. In fact, one of my favorite short stories, The Company of Wolves, is a loose adaptation of the aforementioned tale. While I can’t call Little Dead Rotting Hood a favorite, I really appreciate how they were able to create a unique story while implicitly maintaining key elements of the original tale. More often than not the important visuals and motifs are present. Unfortunately, the pacing of the events is a little slow and really makes the film feel empty.

Any time I get a double feature, the first thing that comes to mind is that these two movies don't know it, but they are now in competition with one another in my eyes. It was that way for Grindhouse as well as originals subsequent sequels. This time was no different in my eyes, and after screening both features there is a clear victor. Which one, you ask? Well, I'm not telling at this moment. (Don't worry, I will, but I can't just give it up that easy, because if I do, what assurance do I have that you will watch both films?) However, I'm sure my preference will become quite clear once you start reading.

Yak: The Giant King is a 2012 animated offering from Thailand. It is based on Ramakien, the country’s version of a famous Hindu epic poem. Neither of those facts is readily apparent in the packaging and presentation of The Giant King, an American adaptation that was recently released on DVD. On the one hand, it helps explain why the dialogue here hardly ever matches the characters’ lip movements. But knowing that this crude, chintzy offering is actually based on something rather substantial makes it even more of a letdown.

"Millions of people around the world believe we have been visited in the past by extraterrestrial beings. What if it were true? Did ancient aliens really help to shape our history? And if so, what if there were clues left behind, something hiding in plain sight? What if we could find that evidence?"

Ever since Eric von Daniken released his speculative book and its subsequent 1970 film Chariots of the Gods, there has been an entire field of study created around something commonly called Ancient Astronaut Theory, the idea is that extraterrestrials have visited many of our ancient civilizations.

Popular opinion and so-called critical opinion often seem to careen off cliffs like lemmings in increasingly unpredictable ways guided by whims and subtle shifts in the proverbial winds. I find myself shocked by things praised and things condemned. Sometimes I feel like a little boy who sees a naked emperor while everyone else is shrieking how much they love the new elegant ensemble. In this case, I'm seeing a lovely presentation while there are many who are whining. Part of the problem is that Season 2 of True Detective is considerably distinct from Season 1.

"Four weeks ago, an invisible dome crashed down on Chester's Mill, cutting us off from the rest of the world. The dome has tested our limits, forcing each of us to confront our own personal demons... rage... grief... fear. Now, in order to survive, we must battle our most dangerous adversary... the enemy within." 

Under The Dome began life as a Stephen King novel. The basic idea was that a mysterious clear dome isolates the town of Chester's Mills from the rest of the world. Of course, the story was populated with King's trademark characters that represent his own special version of Americana.