Posted in: Disc Reviews by J C on October 16th, 2015
“People have short attention spans. And there’s always another murder.”
Barely a year after Gone Girl became a mid-range blockbuster, we're already getting our second big-screen adaptation of a Gillian Flynn novel. To be fair, both Gone Girl and Dark Places went into production around the same time in the fall of 2013. But that just means someone anticipated that a single shot of Flynn's twisted brand of Midwest murder/mystery mayhem wouldn't be enough to satisfy movie audiences.
Posted in: No Huddle Reviews by Gino Sassani on October 15th, 2015
"Death by 100 cuts."
You should know the setup by now. Here's a quick rundown: it's 97 years ago, and nuclear holocaust has made life on Earth unlivable... at least that's what most people believed. Fortunately for humanity, several countries had space stations in orbit. These various stations eventually came together to pool resources hoping for a better chance at survival. The ragtag collection eventually became the ARC. Now, nearly a century later they have created a civilization ruled by the dire necessity of their situation.
Posted in: Disc Reviews by J C on October 15th, 2015
It wasn’t until I settled in to watch Spike TV’s three-part/six-hour miniseries based on the (relatively short) life of King Tut that I realized we hadn’t really seen his story depicted on screen before. I mean, it’s probably a bad sign that the most famous on-screen portrayal of the ancient Egyptian monarch comes courtesy of…Steve Martin. Given the liberties this miniseries takes with casting and storytelling, I reckon some historians would’ve preferred Martin as the famous pharaoh here. However, I still found this to be a suitably entertaining and attractive (if somewhat overstuffed) melodrama.
"No one fears you. You are the boy king who lives behind other men."
Posted in: No Huddle Reviews by Archive Authors on October 14th, 2015
by Dustin P. Anderson
We follow Melissa, a child neglected by her parents, who argue and are consumed by their careers. Melissa meets a crab and adopts this creature as her pet, feeding it food from her father’s science experiment. Melissa loses her parents in a tragic explosion and is taken in by her uncle. Twenty years after the explosion she has become a “public menace”, shooting anyone who comes close to her property, where she keeps the now-giant crab. The crab goes unnoticed until her eggs start hatching and terrorizing people in the woods. When people start killing her babies, she goes on a rampage and starts terrorizing everyone who was unlucky enough to touch her children. Can Melissa keep her friend from destroying the town?
Posted in: No Huddle Reviews by J C on October 14th, 2015
“We'll get hit again...and it's going to be a bigger monster.”
The character who utters these words in San Andreas is referring to an impending earthquake that could literally rip California apart. But he could just as easily be talking about the summer movie season, when audiences who have just been rocked by a catastrophic quake have to deal with something called “Indominus Rex” a mere two weeks later. San Andreas almost certainly won't end up as the biggest bully on the Hollywood block, but it's a big, dumb, fun disaster flick the whole family can enjoy.
Posted in: No Huddle Reviews by Dan Holland on October 14th, 2015
I was very excited to see The Target come through Upcomingdiscs headquarters. I am an avid consumer of New Korean Cinema, and The Target actually shares a producer with Oldboy (2003), my favorite film of all time. However, as soon as the credits roll, you learn that the film is inspired by Point Blank (Á bout portant), a French film made in 2010. So, I am immediately torn between my love of New Korean Cinema and my disdain for remakes. I must say, The Target was a rather pleasant surprise. Tae-joon is a young doctor who begins treating an accused murder suspect, Yeo-hoon, after he is chased from the crime scene by two thugs. An unknown assailant kidnaps Tae-joon’s pregnant wife and gives him the instruction to release Yeo-hoon before he falls into the custody of the police. Soon thereafter, Yeo-hoon escapes and Tae-joon realizes the police are not as helpful as they seem.
One thing that is important to note is that the film’s screenplay is penned by Cheol-Hong Jeon, whose oeuvre includes impressive titles such as Crying Fist and Kundo: Age of the Rampant. That being said, I am thrilled that Jeon did not copy Point Blank’s original screenplay. While I did enjoy the original French feature, I am very impressed with the complexity of Jeon’s adaptation. There are a few key similarities involving character occupations and general story arch, but ultimately, the story is a refreshing new thriller.
Posted in: Disc Reviews by Gino Sassani on October 12th, 2015
I grew up on the horror comics of the 1970's. Eerie and Creepy were two of my favorites. My father would buy them and pass them down to me when he finished reading them. They were black and white so that they could take advantage of a loophole in the Comics Code and often featured lurid and gory stories of horror and depravity. Probably not the most appropriate reading for a young boy, but I ate them up. Before those comics there were the EC horror comics from Bill Gaines in the 1950's. Titles like Tales From The Crypt and The Vault Of Horror called out to readers with gory and hideous covers. But it didn't really start there. It all goes back to 19th century England and the publication of weekly pamphlets that featured the same kind of ghoulish entertainment for the masses. They were called “penny dreadfuls”, describing the price and the material they contained. That tradition has evolved over the last century or so, and television has taken the place of that kind of literature. It was only a matter of time before that 19th century tradition would be reborn as a Showtime series called, appropriately enough, Penny Dreadful.
The series has used three popular horror novels as its foundation. You'll find characters and situations from Bram Stoker's Dracula, Mary Shelley's Frankenstein, and Oscar Wilde's The Picture Of Dorian Gray. John Logan, who brought us the thrilling Roman adventure Gladiator, takes these basic works of literature and weaves a complicated story that sprinkles in a few other horror elements to bring us something deliciously new. He whips them together in a period piece that is thick with atmosphere. He populates them with incredibly animated characters played by actors that are, for the most part, quite solid in their roles. We were introduced to them in the first season, but we hadn't been given that season to review. So let me give you a rundown of the characters you'll encounter.
Posted in: No Huddle Reviews by J C on October 12th, 2015
“It is upon us now...an old and faceless foe.”
In the second season of Reign, that foreboding statement refers to the plague and ensuing famine that lay siege to the court of King Francis II, Mary Queen of Scots, and their subjects. But in real-life terms, the most dangerous “old and faceless foe” for a promising series entering its second season is the “sophomore slump.” That's why I'm pleased to report the CW's sumptuous period drama was able to maintain the shamelessly soapy momentum from its guilty pleasure first season.
Posted in: No Huddle Reviews by Jeremy Butler on October 11th, 2015
Secrets abound in this horror more akin to The Omen rather than Carrie as I had originally suspected. I tell you, that life lesson about not judging a book by its cover still rings true. On the horror scale it does not really have that bone-chilling effect, but it holds its own, and the young talent does make an impression. Kennedy Brice plays the titular character, a little girl with an active imagination, or at least that’s what the grown-ups tell themselves as strange incidents keep happening around her.
As mentioned above, June is a little girl who has moved from foster home to foster home since being put into the system. Born into a cult that believed her to be the vessel for an entity that would bring judgement to the world, a massacre during a ceremony leads to her being brought into the system. After her latest placement ends in an occurrence that no one can explain, her social worker (Eddie Jemison) finds her a home with a loving couple, Dave and Lily Anderson (Casper Van Dien and Victoria Pratt).
Posted in: No Huddle Reviews by Jeremy Butler on October 9th, 2015
“What an interesting girl.”
Four against one, hardly fair odds. Then again, that is how this group prefers it. Little do they know that their latest prey is much more than she appears. Abigail Breslin is every predator’s nightmare in this action thriller about a group of boys who like to lure unwitting girls into the woods to hunt for sport. This film had style, a bit of noir, making it difficult to the determine the time period it is meant to be portraying, but all the same, this was one of my favorites of movies I’ve reviewed this year.
