Posted in: No Huddle Reviews by Gino Sassani on September 30th, 2014
To the point, Criminal Minds is very compelling television. Ever since The Silence of the Lambs and perhaps long before, we have been fascinated by serial killers and the profilers who try to get inside their heads. To see evidence of the continuing trend, one needs only look toward the success of films like Zodiac and shows like Dexter. Of course, serial killers are not the only prey this FBI team pursues, but they are certainly the marquee item on the agenda. To be sure, there are equally disturbing subjects such as arsonists, bombers, kidnappers, and rapists to give the show a touch of variety, but let’s face it, it’s the killers that keep us tuned so attentively to Criminal Minds.
Let’s not take anything away from the show’s true force here. This is an excellent cast being fed brilliant scripts playing to an awesome crew. Everything just clicks on this series, and it only got better in the second year. I am truly impressed with how much these characters are fleshed out and how much we learn about them without the need of office romance. No precious show time is squandered on excessive personal life stories. We’re given just enough to bring the characters alive beyond their team dynamic, which is quite strong. Each character is constructed through the subtle nuances the actors infuse their performance with. From the moment you watch your first episode, you will find this team believable enough to care about them and their work. Surprisingly, the show often gets muddled in a ton of exposition, but somehow it’s carried off by the cast so that you never find yourself going numb with clinical information overload. Granted, the material itself is attention-worthy, but these guys pull it off no matter how interesting the information might be. Add to the stellar portrayals a writing team second to none in the industry. The support teams do everything they need to make sure these talents are never wasted.
Posted in: Disc Reviews by Brent Lorentson on September 30th, 2014
It’s been quite some time since The Chappelle Show went off the air, and it would appear Comedy Central has finally found its replacement. I wouldn’t go so far as to say the show is on the same par, but what Keegan Michael Key and Jordan Peele bring to the small screen is something that has piqued my interest and shows some potential. Both Key and Peele got their big break from working on the sketch comedy show MADtv, and it would seem they are taking their talents and what they learned to bring us something that is a little familiar but still fresh and keeps its audience laughing.
The biracial pair takes chances with their show which is a hybrid of live bits in front of an audience and filmed sketches. Whether they are poking fun at Django Unchained, racial stereotypes or Latino gangsters, Key and Peele manage to keep it entertaining.
Posted in: Disc Reviews by Gino Sassani on September 29th, 2014
"Prisoners of the ARC, hear me now. You've been given a second chance, and as your Chancellor, it is my hope that you see this as not just a chance for you, but a chance for all of us, indeed for mankind itself. We have no idea what is waiting for you down there. If the odds of survival were better, we would've sent others. Frankly, we're sending you because your crimes have made you expendable."
It's 97 years ago and nuclear holocaust has made life on Earth unlivable... at least that's what most people believed. Fortunately, for humanity, several countries had space stations in orbit. These various stations eventually came together to pool resources hoping for a better chance at survival. The ragtag collection eventually became the ARC. Now, nearly a century later they have created a civilization ruled by the dire necessity of their situation.
Posted in: No Huddle Reviews by J C on September 29th, 2014
“Politics, backstabbing, murder...just another day at French court.”
The creators of Reign — the CW's campy, compulsively-watchable adaptation of the Mary, Queen of Scots saga — seem to be perfectly aware of their audience. I don't think I'm talking out of school when I say no one turns to the CW — home of DC heroes, vampires, and other Supernatural beings — for gritty realism or historical accuracy. So it really shouldn't be a surprise to find the monarch's life has been turned into a handsome, soapy, frequently ridiculous drama that will nevertheless make European History teachers around the world facepalm in unison.
Posted in: Disc Reviews by Gino Sassani on September 26th, 2014
"And I heard, as it were, the noise of thunder, one of the four beasts saying, "Come and see." Then, behold, a pale horse, and his name that sat on him was Death, and Hell followed with him."
No, this is not a Johnny Cash song or a bible study post. Believe it or not, we're talking Ichabod Crane from Washington Irving's famous story The Legend Of Sleepy Hollow. Fans of the tale will recall that Ichabod came to encounter the headless horseman in one of the first American horror tales ever written. Irving was a contemporary of our founding fathers, including another Washington who happened to play a big part in a little skirmish with the Brits that came to be known as the American Revolution here and the Great Colonial Rebellion over there. Thanks to the new series Sleepy Hollow, we discover that the British weren't the only ones we were fighting. It's a story of independence we hadn't heard before. It's a fresh take on an old idea that dates back to Kolchak: The Night Stalker. It's out on Blu-ray now, and I recommend you check it out. Just don't mix it up with that American history text. We history teachers frown on that kind of thing, you know.
Posted in: Disc Reviews by Gino Sassani on September 25th, 2014
"There is a town in Maine where every storybook character you've ever known is trapped between two worlds, victims of a powerful curse. Only one knows the truth, and only one can break her spell."
ABC has had a very important asset going for it for years. It's one that the network has seldom taken any advantage of. That asset is its parent company. You see, ABC is part of the Walt Disney family. With the rich history of stories the studio has in its arsenal going back to the 1920's, it was only a matter of time before some clever people decided to find a way to use that rich history into a television series. That time has arrived, and the result is Once Upon A Time. It's the most clever and original series to hit the tube in a long time.
Posted in: No Huddle Reviews by J C on September 25th, 2014
- "Let's never say the words 'Carrion' or 'Initiative' ever again."
- "Amen to that."
Posted in: No Huddle Reviews by Gino Sassani on September 24th, 2014
Special Agent Gibbs (Harmon) heads up this group of criminal investigators. Harmon has always been good, but I dare you to find a character he’s played better. He just eats up the part. You won’t have any trouble believing that Gibbs is the seasoned veteran investigator leading this team. Special Agent DiNozzo (Weatherly) is a former Baltimore homicide detective who often lets his determination run his investigation into trouble. He’ll bend a rule or throw a punch, whatever it takes to bring down the bad guy. Pauley Perrette plays the goth chick/forensic specialist Abby Sciuto. She reminds me a ton of the Penelope Garcia character from Criminal Minds. She’s flirty, far too informal for Gibbs, but is a lot smarter and tougher than she appears. Making himself more visible in this series is David McCallum as pathologist Ducky Millard. Ducky is the Quincy of the group as he checks out the bodies. His dry wit makes him my favorite character on the show. Sean Murray plays Tim McGee, who we've seen go from a young man with little self-confidence to a strong agent in the field. That doesn't mean he still doesn't suffer the barbs of Tony's sarcasm.
NCIS combines elements from many types of genre shows which make it such a fresh series to watch even after 11 seasons. There’s a little bit of CSI along with a touch of Law & Order. You won’t have to look too hard to also see elements of JAG in there as well. While the soap opera aspects of the show run deeper than I like, I don’t find the relationship stuff here to be as intrusive as it was in JAG.
Posted in: No Huddle Reviews by J C on September 24th, 2014
There's certainly an interesting movie to be made about cultural assimilation and the ensuing racial conflicts within the black community. Those topics have been explored in everything from a classic, brilliantly profane Chris Rock routine to the just-premiered ABC sitcom Black-ish. They're also ostensibly tackled in Rise Up Black Man, a total mess of a micro-budget drama that tries to do way too much and accomplishes little beyond leaving viewers scratching their heads.
Will (Prince Duren) is a black recent college graduate whose immediate circle of friends — including goofy best buddy Gary (Dustin Morby) and slightly cougar-iffic girlfriend Lisa (Cassie Self) — is predominantly white. Despite its title, the DVD case and logline for Rise Up Black Man sell the film as the story of Will and Gary taking divergent paths into adulthood. However, the actual film devotes just as much time to the charismatically nefarious Rev. Franklin J. King (Victor Muse), who uses his powerful organization and prominent standing within the black community to line his own pockets. Need further proof that DVD cases can't always be trusted? The film's running time is listed as 146 minutes; the actual duration is 1 hour and 45 minutes.
Posted in: Disc Reviews by Gino Sassani on September 24th, 2014
"The film which you are about to see is an account of the tragedy which befell a group of five youths, in particular Sally Hardesty and her invalid brother, Franklin. It is all the more tragic in that they were young. But, had they lived very, very long lives, they could not have expected nor would they have wished to see as much of the mad and macabre as they were to see that day. For them an idyllic summer afternoon drive became a nightmare. The events of that day were to lead to the discovery of one of the most bizarre crimes in the annals of American history, The Texas Chain Saw Massacre."
Marilyn Burns, Paul Partain, Allen Danziger, Teri McMinn, William Vail and Gunnar Hansen individually may not be that well known. Collectively, many people might confuse them with some group of lawyers or something. But film history has afforded them a higher place in memory past their initial endeavors. You see, back during the middle of a particularly oppressive heat wave in 1973 Texas, this group, directed by a then-fledging auteur in Tobe Hooper, combined to make what is widely regarded as one of the best films in horror movie fame, The Texas Chain Saw Massacre.