Disc Type

by Normandy D. Piccolo

When I first saw the title, Ja’mie: Private School Girl, I thought, “Cue the bow chicka wow wow music.” Did I have it wrong. What came to mind after looking at the DVD cover instead was more, “Dude Looks Like A Lady.”  To some Ja’mie may be the hottest, funniest chick to prance across the screen since Divine or Candy Darling. To others, she may be an unbearable, annoying train wreck to watch.  Ja’mie: Private School Girl is a spinoff show based on a character created by popular Australian comedian, Chris Lilley.

At this point in his alternately mocked and celebrated career, Nicolas Cage starring in a movie called Rage seems redundant. (Especially since “Rage” would be a much more eloquent title for this classic YouTube video.) Yet here he is starring in what looks like a Taken ripoff…until you realize he already starred in a Taken ripoff two years earlier. To its credit, Rage does appear to want to say some interesting things about the way secrets refuse to stay buried and the perils of resorting to violence. Unfortunately, the film often takes the most misguided and clichéd avenues to get there.

"I wonder if you could spare me a little of your time?"

Erle Stanley Gardner wrote crime fiction, and while many of his 100 or so works are unknown to most of us, he created a character who has become as identified with criminal lawyers as any other in fiction. It was in these crime novels that Perry Mason first faced a courtroom. He developed a style where he would investigate these terrible crimes his clients were on trial for. He would find the real killer, and in what has become a Hollywood cliché, reveal his findings in a crucial moment during the trial

I’m a sucker for a good urban legend.  Growing up, friends and I would dare one another to lock ourselves in the bathroom with candles and perform the “Bloody Mary” chant, and other times we’d pull out the Ouija board and attempt to communicate with the otherworldly spirits that seem to only want to talk during the midnight hour.  Well, now there is a new game that you and your friends can get together and play into the late night hours, that is if you’re willing to risk losing your life in the process.

"Space... the final frontier. These are the voyages of the starship Enterprise. Its continuing mission, to explore strange new worlds. To seek out new life and new civilizations. To boldly go where no one has gone before."

The sixth season of Star Trek: The Next Generation is arguable one of the best seasons in the history of the franchise. There are likely many reasons for this.

Experimental film can mean lots of different things. Usually it means chaos and disorientation as we are plunged into worlds we have never seen before, but experimental can merely mean doing something that has never really been done before. In this case, it is taking a simple idea and seeing if you can make it work. Can you make something interesting that seems too simple and too basic? Anything can work if you apply discipline and intelligence to a project.

"Hi, little guys."

There was a time, decades ago when Walt Disney Studios was doing quality documentaries on a pretty regular schedule. Many of them appeared on the television show The Wonderful World Of Disney, and more than a few were released as feature films. And while that tradition has continued somewhat, it's been a while since I was truly impressed by a Disney documentary. That all changes with the release of Bears.

Need for Speed is based on a video game. It caters to people who love the experience of speed. There is a huge audience for this sort of thing. To their credit, the writer and director makes every effort to create an actual story and real characters in this presentation. It is easy to compare it to Fast and Furious, but why bother. That gives these sorts of films too much credit. Fast and Furious and Need for Speed are designed to give people a thrill. If anything, Need for Speed takes things more seriously than the Fast and Furious series.

Many would agree that we are in the golden age of television, where the pedigree of the television drama has never been equaled in talent or scope of the stories we are seeing projected on our television sets night after night.  As these stories have gotten bigger and bigger with every following year and season, it would also seem that drama TV has also fallen into its grimmest time.  Not to mean that there is anything wrong with seeing these tales of survival like The Walking Dead or rooting for the ultimate anti-hero like Walter White.

The Muppets debuted in 1955, and the late great Jim Henson’s creations have been delighting audiences (and fellow entertainers) of all ages ever since. They’ve made their mark on the small screen — most notably with The Muppet Show (1976-81) — and at the movies, starring in eight feature films across four different decades. However, 2011’s The Muppets was their first big-screen outing in a dozen years, and the movie spent most of its time wondering if the Muppets’ old-fashioned, irreverent charm still had a place in a more jaded pop culture landscape.