Disc Type

Mirror mirror on the wall, which is the fairest Snow White movie of them all? (Or at least 2012.) Well, if we're going by box office receipts and critical reception, the winner is Snow White and the Huntsman, the gothic, snarlier twist on the classic tale starring Kristen Stewart (everything starring Stewart is automatically snarlier), Charlize Theron and Chris Hemsworth. However, if we're going by costumes, production design and general shiny-ness, Mirror Mirror easily wins. I realize that sounds like faint praise, but this family-friendly take on Snow White has its quirky charms.

"Squeal like a pig..."

It's one of those lines that you know even if you've never seen Deliverance. The line and film have entered our pop culture and have been referenced in hundreds of films that followed. Along with the iconic rendition of Dueling Banjos, taken from the traditional piece Feuding Banjos, well... you might feel like you've seen the film even if you haven't. Deliverance is a film about Americana that has itself become a large part of Americana. Most of us have found ourselves in a situation where we start hearing those familiar notes in the back of our heads. The truth is, they just don't make them like this anymore.

The opening scene of Black Limousine is highly dramatic and highly deceptive. We open on a space station beginning to explode and disintegrate in orbit as a female astronaut tries to revive a seemingly dead male crew member. The music swells as the explosions beginning to trigger and expand. The credits roll. We see David Arquette sitting in a crowded theater watching the screen. He then lingers outside the theater looking at a movie poster and trailing his fingers across the words “Music by Jack McKenzie”

"Now, if you're unfortunate right now and don't have any weed, I'm sorry. But please stop this movie right now — it just won't work if you can't watch this without no weed."

Did I mention that this disclaimer at the start of Mac & Devin Go to High School comes from a profane talking joint named Slow Burn (voiced by rapper Mystikal)? Anyway, I can't say I wasn't warned.

“Sometimes things happen in life that turn everybody silent. So silent that nobody dares to talk about it anymore. To no one. Not even themselves.”

Who knew there was a hormone mafia in Flanders (not Homer Simpson’s neighbor, but Flanders is part of Belgium, but unique with its own dialect and culture)? Evidently, shady criminals sell illegal experimental hormones to farmers so they can fatten up their livestock. In Bullhead these are brooding crooks that sit and talk about their problems a lot and seem to resent cows a great deal. The one with the biggest problems happens to be the biggest man among them, Jacky Vanmarsenille (Matthias Schoenaerts)

 "The law was made by rich white people. Our job isn't to follow the law. Our job is to make the law."

TNT brings us a different kind of legal drama with the first season of Franklin & Bash. These are a couple of young lawyers who don't let the courtroom rules get in the way of helping out their client. They've gotten themselves quite a reputation, and it's finally paying off.

The notion that nice guys finish last — or that girls tend to gravitate toward bad boys — isn't exactly the most original idea in the world. There have been many cinematic examples that both support (The Last American Virgin) and debunk (Bridget Jones's Diary) this theory. The Jerk Theory — a totally formulaic, surprisingly watchable "teen" comedy where most of the actors are pushing 30 — wants to be the movie that proves not every girl in the world wants a bad boy. Instead, the movie inadvertently makes the point that every girl in the world (except maybe one) wants a bad boy.

"In ancient times the world was ruled by gods and monsters...And now the time of the gods is ending."

It appears that Greek mythology has become the fodder for a ton of movies of late. From young adult films to the hardcore action movies, audiences are getting their fill of the familiar gods and beasts from mythology lore. Some are calling it a trend or hot phase, like vampires and robots. Whatever it is, it isn’t a phase, and it isn’t merely passing through.

In 2004 DOG the Bounty Hunter first took to the airwaves. On the surface it looked like yet another one of those reality cop shows where camera guys followed the men in blue as they took down the bad guys. Dog wasn't a cop; in fact he'd spent a part of his life on the other side of the law. Still, he was decked out in a Kevlar vest with a badge hanging from a chain around his neck. The cameras followed him around as he kicked in doors and stalked his criminal prey.

It’s been six years since the end of the Civil War, and zombies have managed to overrun the landscape.  Had this been the actual turn of events, I believe more kids would surely enjoy digging into their history books, but as we all know this is not the case.  But this is the “what-if” scenario that writer/director John Geddes portrays for us in his new Canadian horror film Exit Humanity.