Disc Type

"I think this is just the beginning."

Walker is out on DVD. No, this is not the next spin-off of the zombie Walking Dead franchise. There's a new ranger in town, and his name is Cordell Walker. I know what you're thinking: "Meet the new boss. Same as the old boss." That's where you'd be wrong. They might share the same name and job, but this Walker is nothing like the Chuck Norris version that lasted for over a decade when you include made-for-television movies. This Walker is much younger. He was a Marine who had joined after 9/11. He has a family. His wife was killed a year ago, and now he's trying to raise his son and daughter with the help of his parents, who were no longer living in the Norris series. The episodes are more of an ongoing story arc, which conforms to pretty much most dramas on television today. While there were certainly elements that ran through the original show, it was pretty much a bad-guy-of-the-week setup. If you haven't caught any of the new show, now is your chance. CBS Home Entertainment has released the entire second season on DVD.

"If you've got the money you can do what you like. Buy another man's life? Why not?"

There are few writers in the 20th century who have had the kind of career Graham Greene had. He was recruited by England's secret service MI6 where his sister was also an agent and spent time around the world. These experiences likely helped him write the kinds of international thrillers that made him one o the most successful writers in the 20th century. His final novel went a little against the grain of his reputation. The Tenth Man doesn't take us too far afield, and it's far more of an intimate tale than he was known for. It would also be his final novel before his death in 1991. But he lived to see it filmed, albeit as a Hallmark Television made for TV film in 1988. But The Tenth Man was a little step above most of the films made for TV in that decade. It actually did play in theatres in Europe, mostly England. Now Kino Lorber has dusted off this 1988 gem and given it a chance at a new life, and it's one of the better of the studio’s latest batch of titles.

"There is an old saying that blood is thicker than water."

We've had Keeping Up With The Kardashians, Gene Simmons with his Family Jewels, and even Snoop Dog's Father Hood. It's become a bit of a trend to follow these celebrity families around and watch the drama of their privileged lives unfold on our television screens. You might think it's a relatively recent phenomenon, but would you believe they were doing it back in the infant days of television when we followed around a musician named Ozzie and his wife way back in 1952? No, we're not talking about Ozzie Osbourne and his family. I'm talking about Ozzie and Harriet Nelson. They were television's darling family before we ever heard about Lucy and Desi. The show actually started on radio like many of the fledgling industry’s early hits including the likes of Gunsmoke. Four years after the radio brought us The Adventures Of Ozzie And Harriet, they moved to television. While their two sons were played by actors on the radio, both David and Ricky Nelson joined the television show, and it went on to make television history, breaking records, some still held today. It was the first television series to ever hit 10 seasons. It lasted from 1952 to 1966 with 436 episodes. Until The Simpsons, it was the longest running scripted television comedy and remains still the longest live-action scripted comedy ever on television. And while the stories were, of course, fictional, most aspects of the show were quite real. Their television home was modeled after their real home. Many of the family's life stories found their way to the series. The four family members were quite real, and you just couldn't fake these relationships.

"No one would have believed in the middle of the 20th century that human affairs were being watched keenly and closely by intelligences greater than man's. Yet, across the gulf of space on the planet Mars, intellects vast and cool and unsympathetic regarded our Earth with envious eyes, and slowly and surely joined their plans against us. Mars is more than 140 million miles from the sun, and for centuries has been in the last status of exhaustion. At night, temperatures drop far below zero even at its equator. Inhabitants of this dying planet looked across space with instruments and intelligences that which we have scarcely dreamed, searching for another world to which they could migrate." 

War Of The Worlds is perhaps one of the most iconic and often infamous science fiction works in literature history. The book by H.G. Wells was published in 1889 but would not see a feature film version for quite some time. Cecil B. DeMille worked with Paramount to obtain the rights from Wells in the mid 1920's. He appeared to appeal to Wells himself, who was a fan of DeMille's work, and the rights were purchased. But the film fell on hard times. On Halloween in 1938 Orson Welles, no relation, produced his famous radio drama of the story. While there were stories of people killing themselves because they believed it was a real radio broadcast of a Martian invasion, most of those stories are myth. It did cause panic, but only because folks ignored the many times the show announced that it was a radio drama. But interest spiked to do the long-dormant film. DeMille approached Welles to do the film, believing that the hysterics from the radio broadcast would make him a natural for the film. When Welles refused, he turned to Alfred Hitchcock, who also turned down the property. Finally George Pal agreed to do the film in the 1950's but soon ran into trouble. You see, the rights were obtained so long ago that they were exclusively for a silent film. The estate of the author was so pleased with Pal as the choice to produce that they fixed the details, and the film was finally released in 1953. It has become a classic in the decades that followed.

Not crazy about the title. Personally, I think that the title of the novel on which this film is based  would have been better suited given the film’s plot. Based on a 1989 Sara Bird novel by the name of The Boyfriend School, this 1990 comedy tells to story of Gus Kubicek, a depressed and overweight cartoonist who is in love with a woman that won’t seem to give him the time of day. I’ve heard some excuses for getting out of having to go out with someone, but lying and saying you have to have dental surgery; that’s pretty low. Despite seeing numerous movies that utilize the “judging a book by its cover” trope, I still was able to see the appeal of the film, as soon as I was able to put myself into the mindset of the film’s time period. By doing this, I was able to avoid perceptions of it being cliché. This was a necessary measure to take, especially if you would like to be able to enjoy the film in 2022. Even so, I’m still not a big fan of the title.

Steve Guttenburg stars as Gus, who spends his days longing for Jami Gertz’s Emily Pear, a beautiful yet shallow young woman, who in no way sees him as a possible romantic partner. Gus’s caring and nosy sister, Lizzie (played by Shelley Long) endeavors to transform him into someone who would capture Emily’s attention. Using her knowledge as a romance novelist, Lizzie gives Gus a full education in qualities that attract women (i.e. The Boyfriend School). And thus, Lobo Marunga, a leather-clad biker from New Zealand, is born.

In truth, I have never been a "Chuck Norris" type guy.  I can get down with many martial artists as previously explained, from Van Damme to Seagal  to Jeff Speakman and probably many others in between.  Except when it came to the Texas Ranger.  Sure, he was an amazing martial artist, but he never had the ability to draw me in, the charisma that could keep me interested when his punches and kicks could not. (But yet I liked Jeff Speakman; go figure.)  Anyhow, I think after all this time I finally found the film that could change that.  Enter The Octagon.

Some of my favorite movies from the 80's and 90's consist of films where very little brain matter needs to be used to consume the action of what's going on the screen.  The type of films I'm talking about are films like Bloodsport, Above the Law, the Perfect Weapon, and Rapid Fire.  Now, from reading those titles, it might sound like I'm a little "man" heavy so to speak but I also heavily enjoy films like La Femme Nikita or Moon Lee films  (Princess Madam or Devil Hunters for example).  Today's film is Catch the Heat which stars Tiana Alexandra in a film where she cranks up the kick butt meter to ten.  Let's see how it performs.

"For those of you who are wondering who this fella here is, I am the legendary Colonel Tom Parker. I am the man who gave the world Elvis Presley. Without me, there would be no Elvis Presley. And yet, there are some who'd make me out to be the villain of this here story. No, no, I didn't kill him. I made Elvis Presley. Nothing all those muckrakers said in their books was true. Me and Elvis, we was partners. It was Elvis the Showman and the Colonel the Snowman. I always knew I was destined for greatness. As an orphan, I ran away to the carnival, where I learned the art of the "snow job," of emptying a rube's wallet while leaving them with nothing but a smile on their face. But a carnival act that would get you the most money, the most snow, had great costumes and a unique trick, that gave the audience feelings they weren't sure they should enjoy. But they do. And I knew if I could find such an act, I could create the greatest ... show ... on ... Earth."

Rock bio-pictures have been pretty hot as of late. It really started with the exceptionally done Bohemian Rapsody that chronicled the rise of the band Queen, and more its flamboyant front man, Freddie Mercury. In its wake have come lesser films that have still performed well at the box office, like Elton John's Rocketman, which turned out to be more fantasy than bio-film. With a subject like Elvis, it's really hard to go wrong. He's one of the most successful brands in rock history, and make no mistake. He was a brand. He was also more than just a flash of style. Elvis Presley is often referred to as The King Of Rock And Roll, at least to his fans. There's no denying the impact that he had on the music scene. He was the first rock and roll star, to be sure. Colonel Tom Parker, his long-time manager and partner, created many of the marketing traditions that are commonplace in the industry today. He knew the value of his star, not only as a performer, but as a brand. For the first time, a musician's image and name started to appear on everything from bath towels to women's underwear. Fans are often split on their feelings for the self-styled Colonel, but Elvis would not have become the name brand he still is today without him. That doesn't take away the selfish way that Parker turned Elvis into his private meal ticket, paying attention to his own needs more than those of his star. But no one marketed a brand like Parker did in the days before Elvis. One of those brand expansions tapped into Elvis's own boyhood fantasy. Elvis had worked as an usher at a local movie theater as a teen. He's often related that he would linger in the auditoriums, watching those movies and fantasizing that he was James Dean or Marlon Brando, two of his idols. With the help if Colonel Parker, Elvis would get to see that dream become a reality. The King was to expand his realm to include the movie business and Hollywood. No experience? No problem. After all, if Elvis could go from failing music in high school to becoming the highest paid musician on the planet, he could certainly tackle the world of acting. And he did just that. And that's really the first "issue" with the film. It might be called ELVIS all in caps, but this is really Colonel Tom Parker's story, and in case you have any confusion on that score, it will become clear soon enough. You see, the entire film is narrated by Parker and told from his unique point of view.

“Bend, never break.” 

Of the DC animated movies, I’d rate this one as quite possibly my favorite of them all. Now when you consider that there are around 47 films created with another five films planned, that is quite the accomplishment. When it comes to Batman: The Long Halloween, the element that I really enjoyed is the mystery portion of it. It felt more like a detective story than a superhero movie. This was also the element that I most enjoyed about the Matt Reeves helmed live action film, The Batman. Not surprising that I identified with this aspect, as the 13-issue limited series that this film was adapted from was also one of the inspirations for the Reeves film. This animated film, like the comic it is adapted from, is centered on Batman efforts to identify and stop a serial killer known as Holiday. Holiday appears to be engaged in a war against the Falcone and Maroni organized crime families. Notably, the film also ties into the events that transform Harvey Dent into Batman's enemy, Two-Face. Contributing to the success of this adaptation, would be the top-notch cast of voice actors, some repeats from another animated films and a couple of fresh faces. Jenson Ackles, who was last voiced Jason Todd for the Under the Red Hood animated film, upgraded to voice Bruce Wayne this time around. Batman staple Alastair Duncan, who has voiced Alfred Pennyworth in at least four other Batman properties, returns to voice the character for a fifth time. Then there is Troy Baker, who has voiced multiple Batman characters to include the bat himself, as well as multiple members of the Dark Knight’s rogue’s gallery across film, television, animation, and video game installments. This outing, he lends his talents to voice the Joker. Rounding the cast are fresh faces: Josh Duhamel as Harvey Kent/Two-Face, Billy Burke as Commissioner James Gordon, Titus Welliver as Carmine Falcone, and most notable the late Naya Rivera as Selina Kyle/Catwoman.

"So much for easing back into things."

This season sports a huge change as the fifth season of SEAL Team hits DVD from CBS Home Entertainment. For the first four seasons the show has enjoyed a pretty well-rated run on CBS's prime time schedule. Season 5 starts out exactly the same way until after the first four episodes. The series was switched suddenly from the television network to the Paramount + streaming service, and with the switch there are several huge changes. The first is in the number of episodes shot for each season. On CBS most shows run from 20-24 episodes a season. This year because of it being a hybrid year, you get 14 episodes. Starting next season you will get only 10 going forward. Another change is that the production values are going up, with a wider span of locations for the team's missions. Finally, you will notice they can now do and say things they could not on network television. They make a pretty big deal of the first time they drop an F-bomb, and there are several as the season progresses. Mostly it's good news, with the exception of the episode count. You can judge for yourself here in this hybrid season.