Disc Type

"Welcome to Benghazi."

It shouldn't matter what your politics might be. The events in Benghazi on September 11th, 2012 bring up some very important questions. Contrary to one 2016 presidential hopeful's declaration, it does make a difference. It did to the people who were there. It does for the families of the four who lost their lives. And it should make a difference to you. With such a political hotbed issue, you'll find that 13 Hours goes out of its way to avoid the political questions. Some might view this as an oversight, but I think it gives the film a greater sense of credibility and makes its impact on the audience to fill in their own political blanks.

"So much has happened. I don't know where to start. First it was all the school shootings. Then these WiFi scooters showed up. And now we know that Manbearpig is real and we could all be dead in a matter of years."

That's true, but I suspect that when we are all dead and gone there will be two things we can count on continuing beyond the end of human civilization. The cockroaches will inherit the world, and they will all be watching South Park, the only television show still running. It's already been 22 years, and doesn't it feel like 50? I don't mean that in a mean way. I love South Park, but I'm starting to find it hard to remember what life was like without it. I'm convinced it will survive us all, and AI versions of Parker and Stone will be producing it until the planet is finally vaporized... and I'm not sure even that will stop this show.

Did you ever wonder what it would be like if on the many journeys Forrest Gump took, one of them involved him trying to solve a young boy’s disappearance and eventual murder?  I didn’t think so.  I’m not trying to be funny, but for the most part that is basically the gist of A Dark Place, where we see a young man who is on the spectrum become obsessed with solving a murder.  It’s not that people who are on the spectrum can’t be highly intelligent and problem solvers, but this film takes things to another level, to where disability or not, no one could get away with what occurs in this film.  Sure, there are movies that are about escaping reality, and one shouldn’t judge it for its realism, but when a film is attempting to be a slice of life in this small town that is devastated by the loss of a missing child, well, there comes a point where the audience should be allowed to call BS.

When we first meet Donny (Andrew Scott), he’s a trash collector in a small town.  He’s a likeable guy, but we see early on that he’s on the spectrum and most likely has OCD amongst other things.  The way Scott plays this character makes him very likeable from the start, and that’s important, because as the film plays out he does some questionable things, and it’s important to see that they are done with the best intentions.  Along for the ride is his partner, Donna (Bronagh Waugh) who is doing her best to break through some of Donny’s emotional walls and quirks.  The moments between Donny and Donna are some of the best moments in the film, and it doesn’t take long to see the potential relationship between the two. Unfortunately, Donny is still carrying a torch for the mother of his child. To be fair, this side story of Donny attempting to pursue a relationship with his ex really brings down the story and serves to do nothing but attempt to make us feel sorry for the guy when that’s not even necessary.  The movie is 89 minutes; time is simply wasted as though it were padding.

"It's been five months since Hannah Baker killed herself. We never thought this trial would happen. We thought we could move on. But when I got called to testify, all of a sudden it made me realize we can't move on. Life is different now."

And that's pretty much the best way to sum up the second season of Netflix/CBS teenage drama 13 Reasons Why. The series started out as a novel in 2007. It didn't catch the world on fire and went largely unread until something appeared to cause the novel to pick up steam in 2011. It hit the New York Times Best Seller list and started to become a teen phenomenon around middle and high school campuses throughout the nation. If Harry Potter didn't provide enough proof that kids were still reading and doing it for their own enjoyment, this novel should do the job. There are no wizards or superheroes or distant alien worlds to explore here. The work is a very straightforward drama about some of the topics that real-world teens deal with every day. Nothing is really taboo here; from cyber-bullying to rape, it's all covered. It's even possible this particular work has saved a few lives over the years. Suicide is the number two cause of death among teenagers these days, and this teen drama doesn't shy away from the circumstances that might lead a young teen with their entire life ahead of them to a tragic and irrevocable decision.

"Legend says that when the ground quakes or lava spews from the earth, it's the dragons letting us know they're still here. Waiting for us to figure out how to get along. Yes, the world believes the dragons are gone, if they ever existed at all. But we Berkians, we know otherwise. And we'll guard this secret until the time comes when dragons can return in peace."

It is surreal to know less about a subject than your six-year-old daughter, but that was the case going into How to Train Your Dragon: Hidden World. Aside from a knowledge of this franchise’s existence, I knew next to nothing about the films as a whole. My daughter, Nalyce, on the other hand, turned out to be a subject matter expert about the series as well as the television series, apparently. It was quite the role reversal having her explain to me significance of Hiccup and his dragon, Toothless. Also, it gave us something to bond over, which was further expanded upon thanks to the opportunity to take her with me to this screening. For me, I found the film to be a wholesome family experience and a satisfactory conclusion to a well-liked franchise, though I’m sure there remains the opportunity for expansion of the film’s universe. Nalyce was mesmerized by the Hidden World and the different species of dragons. All in all, it was a treat for the whole family.

Three-time widower Ben Cartwright (Greene) runs his famous Ponderosa Ranch with the aid of his three grown sons from three different mothers. There’s Little Joe (Landon), Adam (Roberts) and Hoss (Blocker). Set some time in the mid 1800’s, this long-running series followed the family’s many exploits. In the late 1950’s, westerns accounted for six of the top ten programs on TV. Only Gunsmoke had a longer run than Bonanza. From 1959 to 1973, Ben Cartwright and his boys rode across the small screen. Years later in syndication the series re-emerged as Ponderosa, and a handful of TV movies continued the tale into the 90’s.We never have grown tired of the genre that gave us such heroes as John Wayne and Clint Eastwood.

Unlike many of the 1960's Western television shows, Bonanza was all about the characters. You rarely saw a gunfight. There was often a bit of fisticuffs, but usually it ended with a lesson that violence never pays. The show prided itself on using the Western genre to deliver a family kind of show, and it's no surprise that series star Michael Landon would use many of the same kinds of stories and lessons on his own Little House On The Prairie. The Cartwrights are always helping widows, the wrongly accused, and the local Indian population. That help often lands them in hot water.

Hayao Miyazaki is an amazing Japanese animator and filmmaker.  His films include Kiki's Delivery Service, My Neighbor Totoro, and Howl's Moving Castle among other legendary pictures.  I can safely say I have enjoyed most of his films but unfortunately only owned a couple at the time of writing this review.  That's why I was quite astonished when this collector's edition of Princess Mononoke came across my desk.  I was ready to dive in with both feet and re-visit this movie that I had not seen since, well, almost twenty years ago.

In ancient times, the Land lay covered in forest.  Here dwelt the spirits of nature from time immemorial.  

"A clean girl is always attentive and dutiful. A clean girl embraces obedience. A clean girl is always humble and patient. A clean girl embodies sweetness. A clean girl is always temperate. A clean girl is honest and forthcoming. A clean girl gives the school loyalty."

... and is thrifty, healthy, and wise. Watching the beginning of Level 16 reminded me a little bit of that Boy Scout Oath we used to stand and deliver in the gymnasium of Saint Margaret's when I was a young teenager. There are also several aspects of the film that reminded me a little of the disciplined regiment at Saint Margaret's Elementary School. But there's something more sinister afoot at Vestelis Orphanage than a few sadistic nuns packing yardsticks or a scout leader who smelled of stogies.

I’m not a big fan of documentaries, and this one did nothing to disabuse me of that feeling, as the focal point of the documentary is not exactly a pleasant individual when he is not wallowing in self-deprecating despair, though he does have one thing going for him, an imaginative and elegant ability to create beloved and award-winning animation. Hayao Miyazaki has been heralded as one of Japan’s greatest animation directors. His notable works included Princess Mononoke, which was the first animated film to win the Japan Academy Prize for Picture of the Year; his film Spirited Away took home the Academy Award for Best Animated Feature at the 75th Academy Awards, and the critically and commercial successful Ponyo, as well as many others. In 2013, he announced his retirement, and the documentary covers the period after his retirement as well as his return to animation in 2016.

The lack of established narration left me quite disoriented early on, as the purpose of the documentary is never directly addressed. I recommend reading the DVD jacket beforehand to better orient yourself. Essentially the entire film acts as a behind-the-scenes featurette, which appears to even annoy Miyazaki at times. Following his retirement announcement, Miyazaki seems to just be awaiting death. He even goes so far as to ask why he is still alive at several points throughout the documentary. This portion of the film is very difficult to watch, as it forces you confront what age and lack of purpose is capable of doing to the human spirit.

In my review for The Hole in the Ground I talk about my feelings about the “Evil Kid” sub-genre. To sum it up, it’s pretty much my least favorite of the horror genres. Well, this week I got back to back reviews for movies in that genre, and I have to say, The Prodigy managed to surprise me. It brought in only $14 million at the box office with a production cost of about $9 million, and most of the critic reviews were not so kind to the film.  Horror and critics really don’t get along so well, as history will show, mainly because for the longest time there has been a bit of a stigma attached to the genre. Thankfully things have started to change in recent years, but some critics still look at horror as nothing more than flashy B-rate cinema.  Here at Upcomingdiscs I’d like to think we have always loved the genre and appreciate it at its most absurd and sometimes gory nature.

I bring this up because The Prodigy is something of a curve ball in its genre, and with its R rating I feel it’s earned its rating and has given us a character that is genuinely not just creepy but in fact terrifying while walking through scenes with a sweet innocent face. I needed to step away from the film and sleep on this review, because I have to admit I was a bit conflicted, but when I woke up there was still a moment in this film that stuck with me, and I’m a little more impressed by this.