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Stemming from a backdoor pilot episode within the series GirlfriendsThe Game is a comedy series about a woman (played by Tia Mowry Hardict) who gave up her career as a doctor in light of the success of her boyfriend’s being a star athlete (this is the first pang of misogyny, with more to come). The CW cancelled the series after the third season, and it was picked up by BET for it's remaining years. The show was an absolute hit for a while and managed to score well with fans of Girlfriends. It was like getting an extra nine seasons of that show.

Most of the male lead characters in this show are current or former members of a fictional professional football team called the San Diego Sabers. In fact, most of them seem to have been cut from the team for one reason or another but coast day to day on their fame and burn through their riches. The first few episodes do siphon some comedy from this situation when the character Derwin Davis (played by Pooch Hall, which is a perfect name for a baseball player…but that has nothing to do with anything) has to sell off his cars and home and learns the true cost of all things he used to buy while abiding with the “baller’s code.” Suddenly a $900 bottle of champagne is no longer casually sent to friends’ tables at the bar.

This was the big surprise during the 2018 Super Bowl halftime show; that this film that would be immediately available on Netflix after the game. As you can imagine, this was pretty significant for me, as I only had a vague knowledge of the film due to its limited promotion until this event. How apropos it is that this film be released around the same time of as the 2019 Super Bowl.  Part of the Cloverfield Universe and armed with basically a who’s who of international talent, I can say that The Cloverfield Paradox is among my favorite of the movie franchise, based predominantly on the performances of the cast. The plot of the film tends to be a bit heavy on the science, which may make it difficult to follow for those who aren’t that well-versed with that subject.

Set in 2028, the Earth is suffering a global energy crisis, and countries are close to going to war over the remaining energy reserves. In an attempt to resolve the crisis, the space agencies of the world have band together to form a coalition force on a space station to test a particle accelerator to create an unlimited power source.  After two years of failed attempts, tensions between the countries’ representatives begin to grow and accusations of sabotage are lobbied against one another, mainly at German physicist Ernst Schmidt (Daniel Bruhl, Captain America: Civil War).

The setting for Gunsmoke was the by-now-famous Dodge City, circa 1870’s. Phrases like “get out of Dodge” would enter the popular lexicon as a result of this resilient series. Marshall Dillon (Arness) was charged with keeping the peace in Dodge City. The only other character to see the entire 20-year run was kindly Doc Adams (Stone). Star Trek’s own Doc, Leonard McCoy, took many of his traits from Doc Adams. He was the humanitarian of the city, always looking to help someone. Like McCoy, he had a taste for bourbon and a soft heart underneath a rather gruff exterior and was always ready with free advice. Dillon’s love interest throughout most of the series was Miss Kitty Russell (Blake). While there were certainly a few romantic undercurrents, the romance never came to fruition. Miss Kitty was a prostitute on the radio and was likely one here as well, but CBS chose to underplay that aspect of her character as a “saloon girl”. Finally Dillon’s faithful sidekick deputy was Chester (Weaver). Chester often found himself in trouble and was the naïve son figure to Dillon.

Gunsmoke is the longest-running scripted live-action television show in history. The series ran from 1955 to 1975. At first it was a half-hour black-and-white show that evolved into a color hour by 1967. It actually started before the days of television, premiering on radio in 1952. Then it was William Conrad as the tough-as-nails Marshall Matt Dillon. When television came into its own, Gunsmoke made the jump to the bright living room box and made history. Westerns would ride across our small square screens for the next three decades, making it the most successful genre of that time, and it was Gunsmoke that started it all. The television version of Gunsmoke was originally conceived as a vehicle for John Wayne, who opted to remain in movies. Yet it was Wayne himself who suggested James Arness, and it turned out to be a career for the one-time “carrot” monster from The Thing. Gunsmoke started before all of the big westerns and was around when most of them had departed.

When did it become mainstream to root for the bad guys? Certainly our pop culture has been propagated with colorful villains since Shakespeare, goons we love to hate or even just love. Still, the rule always seemed to be that the white hats always win and the black hats get what’s coming. Television once demanded that shows follow that simple code. When Alfred Hitchcock did his television show, the stories often ended with the bad guys appearing to win. To comply with the code, he developed a habit of offering us a usually humorous sidebar about the unfortunate fate of the stories’ bad guys. It became a trademark that was created to keep to a moral code. But when did all of that change? Was it with The Sopranos? We all became enamored by this lovable teddy bear of a guy in Tony. We don’t have to spoil it by pointing out he’s a killer, adulterer, and all-star criminal sociopath. The Shield places us squarely in that same situation. Vic Mackey has a lot in common with Tony Soprano. He’s guilty of the entire litany just made. But he wasn't the first dirty cop we rooted for. Dennis Franz created two of the best between Hill Street Blues and NYPD Blue. He was as brutal as they come. But even Buntz couldn't kill a fellow cop in his unit or even worse. So why do we love him so much?

The answer most certainly lies in the compelling writing both of these shows share. Perhaps we’re not so much in love with Tony or Vic, but the stories that are told around them. It just might be that superior drama rivets us to our sets. We root for the bad guy because, to be frank, when they go down, the ride’s over. As with The Sopranos, we don’t want our moments with The Shield to end. Therefore Vic simply has to stay just one step ahead of his just desserts, or the story's over. It finally did end, but Mill Creek has brought Vic back, and he's as good as he's ever been. But now he's in HD and on Blu-ray. This is the kind of show binge-watching was invented for. I dare you to watch just one.

I have had many story ideas in my head for quite sometime.  Putting them on paper is indeed another thing.  One such story is a road trip between some friends that starts out normally, but little by little it becomes unraveled until it represents a tremendous and crazy affair.  Unfortunately, I only got through nine chapters, and it hasn't seen a word since.  Today's review is focused on an anime that is named The Night is Short, Walk On Girl.  It involves the story of a girl who starts a normal night drinking through town.  However, little by little the people and events around her become more extraordinary and bizarre as the night carries on.  Hopefully this one makes it well past the ninth chapter.

We visit a restaurant. A girl with black hair is drinking with her friends.  She stares endlessly into a bowl of soup until it turns into a bunch of eyeballs, and then we hear a train whistle.  The girl wishes to be out on the town instead of watching time pass.  The scene moves to another table where we meet Senpai, a teenager obsessed with the girl with black hair.  The School Executive Festival Head (who also apparently cross-dresses when the mood suits him) confronts Senpai with this accusation, but he denies it.

"If the human features of Hitler are lacking in the image of him that is passed on to posterity, if he is dehumanized and shown only as the devil, any future Hitler may not be recognized simply because he is a human being."

We have become so removed in time and experience from the evils of Nazi Germany that the entire experience has been cheapened. When politicians call another politician a Nazi or compare them with Hitler, it's absolute proof that they have no idea of what they're talking about. It shows a complete absence of understanding to compare any person or party in modern day America with the brutality and genocide that was the reality of Nazi Germany. Mill Creek has put together a collection of documentaries that everyone should see for themselves. You can't watch these historically tragic incidents and ever again think the comparison applies to even the worst American politician. We keep saying that we should never forget. But it's obvious that we've already forgotten. Here's a timely reminder.

"They are working. They have been working for us for over 10,000 years. They have been called man's best friend. Soft fur and wet nose. Smart and loyal. Aiding us in transportation, hunting, companionship, protection, and many more ways. They share a bond with us like no other animal. They are career dogs, and this is a look into the history, training, and duties: jobs that can only be filled by our four-legged friends."

Dogs on the Job is a seven-part series that takes a closer look at the various breeds of dog and the kinds of jobs they were bred to perform. The first episode gives us a pretty good lesson on how dogs became to be associated with humans and why those early wolves would become so cooperative with humans. It's pretty clear that as much as we have directed the evolution of the canine from the wolf to what it is today, these animals have also altered our evolution in many ways. It's safe to say that neither would exist today in their present form if not for each other. Each episode after the first takes a look at two kinds of dogs or job specialization. Experts in those fields offer up their information, and there's footage of the dogs pretty much doing their stuff. If I have a complaint at all, it might be that there's not enough of the dogs and more than enough talking heads. Of course, can there ever be too much footage of dogs?

Family Guy has reached a level of impact upon the American pop culture where I believe the characters need little to no introduction.  Is there anyone really that doesn’t recognize Stewie? After all, he’s reached the status of icon and has even become a fixture of the Thanksgiving parade as one of the many floats.  Where The Flintstones, then later The Simpsons were at one time the dominating animated family on the television tackling day to day struggles of the modern American (each in their own and unique way), Family Guy (love it or hate it) now seems to be the go-to animated family.

Coming on the heels of the DVD release of the sixteenth season, Fox has released Family Guy: 20 Greatest Hits.  With well over 300 episodes, I can imagine it must’ve been a daunting task to put together this collection of episodes.  There are plenty of classic episodes in the lineup, but I have to be honest; I felt there were a few episodes I didn’t agree with that were included. But for those who may have never seen the show or just caught an episode and can’t understand the big deal is about the show, this is the DVD set that will bring you into the fold.

"I have no motive, my friends, to deceive you. I am sincerely desirous to promote your welfare. Listen to me, therefore, when I tell you that you cannot remain where you now are. Circumstances that cannot be controlled which are beyond the reach of human law and render it impossible that you can flourish in the midst of a civilized community. You have but one remedy in your reach, and that is to remove to the West. The choice now is before you. May the great spirit teach you how to change. Your friend, Andrew Jackson"

With friends like that, who needs enemies, or so the saying goes. It was called the Trail of Tears, and it is one of those actions which did not put this great nation is such a great light. The treatment of the native inhabitants of this continent has certainly been an embarrassment and along with slavery marks the darkest of moments in our history. Mill Creek has assembled a collection of documentaries that have been endorsed by the Cherokee Nation and has been collectively titled The Trail Of Tears.

I was quite reluctant to attend the screening for The Oath. My reluctance wasn't based on my willingness to see the film. People like us will go to any kind of a movie. I love films. My issue was the impression I received from the trailer. The film appears to be ripped from today's political climate and quite possibly to be a close parody of the actual present political situation. No matter on what side of that issue I might personally happen to fall, we here at Upcomingdiscs try our best to keep our politics out of our work. It's not fair to fellow writers for them to be brushed with any other writer's ideals, and it's simply unnecessary to create a hostile environment here for any of our readers or staff. So I approached the screening with the caveat that I might not actually review the film. When the studio agreed to those terms, I set out to experience The Oath. I'll give you a little "inside baseball" into the movie review business. When a critic is invited to a press screening of a film, there is a bit of a contract strongly implied in that invitation. Attendance is an agreement to write and publish a review of the film that is reported back to the studio. No studio has ever even commented on the review's content. Rest assured we are completely free to write whatever we want with the exception of revealing important spoiler information and agreeing to a specific embargo date (as sometimes we see a film weeks before they street). So that freedom to decide not to review was an important and rather unusual agreement to have, because I was not sure I was going to be willing to follow through. Fortunately, the trailer is a bit revealing, and The Oath isn't a one-sided spoof at all. It can easily be enjoyed no matter what your individual politics happen to be.This film certainly touches on the political divide; however, it quite smartly removes itself a full step away from the current participants or personalities. The story pretty much focuses on one family that has gathered together for a holiday meal. Like most families, there are the usual tensions, and that includes differing ideas about the political situation. That landscape was impossible for them to avoid, because the President of the United States had just announced that he was issuing a "voluntary" Loyalty Oath, and the deadline for people to sign was fast approaching. And so our family naturally begins to discuss what they plan to do about it. Writer and director Ike Barinholtz stars as Chris. He has refused to sign the oath of loyalty to the President and has a pretty hostile opinion of anyone who has signed or is planning to sign it. Unfortunately for Chris, his parents and siblings who have all gathered at his home for the Thanksgiving dinner are more inclined to sign the oath, and some family members already have. The promise is that the oath is completely on a volunteer basis, but we soon learns what happens when you don't sign and someone rats you out.

The political situation plays out on radio and television broadcasts that we see during the gathering. The film doesn't really leave the setting of the house and actually has quite a nice stage-play vibe to the whole affair. The film consists almost entirely of the family dynamic, which will cut close to home not so much politically, but it's the kind of dynamic most of us have experienced at larger family gatherings and meals. The personal baggage that these relationships carry is just as important in these interactions as the political story itself. Barinholtz does a great job of capturing that almost distinctly Americana experience.