Disc Type

A femme fatale who predicted her own demise -- now that is the stuff good noir films are made of. And what better person to play the role of said femme fatale than Amber Heard, fresh off her performance in the popular DC Comics film Aquaman? Granted this movie was filmed before the DC film, but delayed due to lawsuits, which only goes to add further intrigue to the movie. Originally screened at the 2015 Toronto Film Festival, London Fields features a cast of well-knowns including Jim Sturgess, Theo James, Billy Bob Thornton, and perhaps most notably Heard’s ex-husband, Johnny Depp. One can only imagine the effect this film would have had if it had not been for a few setbacks. As it stands, London Fields is laced with intrigue, and Amber is compelling, but the film amounts to very little substance.

Green Book represents an historical milestone for me as a critic. In my decades of reviewing and more decades following films, I have never selected a personal Oscar Best Picture two years in a row. I tend to be somewhat out of touch with the voting members of the Academy or even my fellow SEFCA (Southeastern Film Critics Association) members. But it finally happened. Last year my selection was The Shape Of Water, and it took the top prize. This year I went against the grain of the SEFCA members who chose Roma as the best film, and Green Book meandered to # 7 on their list. Fortunately, the Academy saw it my way for the second consecutive year, and Green Book took home the statue. Spike Lee threw a temper tantrum, and I'll talk about that in my conclusion.

"The wizarding and non-wizarding worlds have been at peace for over a century. Grindelwald wants to see that peace destroyed." 

Back in the early days of the internet before videos went "viral", there was a Thanksgiving cartoon about a chef who needed to serve too many people with a small turkey. So to compensate, he kept stuffing that sucker until it eventually exploded. Watching the latest entry in the J.K. Rowling Wizarding World, I was very much reminded of that early video. There's an attempt to make the running time a bit leaner than we've typically seen with these films.

“The people that take in foster kids are really special. They are the kind of people that volunteer when it’s not even a holiday. We don’t even volunteer on a holiday.” 

This film really helped me to gain an understanding into the world of adoption. Beforehand my knowledge was basic. I had no idea of the real challenges that come with opening your doors and hearts to a child in the foster care system. This film also has the added benefit of being one of my favorite films of 2018, as it was a film that my wife insisted on seeing, and I was just indulging her, but I ended up loving it more than she did. Which is saying something, as she really loved the film. Loosely based on writer/director Sean Anders’ own experience, Instant Family gives a voice to the ups and downs of the foster care system as well as the adoption process.

"I love a comedy. Is there cake?"

The Favourite is a somewhat awkward film. Director Yorgos Lanthimos took on a rather brave but dangerous task when he decided to create a farce. Most audience members don't understand the term. They use it rather synonymously with comedy or spoof, but it is truly something very different. A comedy is meant to deliver as many laughs as possible. You get pratfalls, one-liners, slapstick, and other over-the-top methods to bring about those laughs. Spoofs take a specific subject or genre and expose some of the more innate aspects of the material, all in good fun. Leslie Nielsen was a master of the spoof with his Airplane and Naked Gun films.

"Millions of people around the world believe we have been visited in the past by extraterrestrial beings. What if it were true? Did ancient aliens really help to shape our history? And if so, what if there were clues left behind, something hiding in plain sight? What if we could find that evidence?"

Ever since Eric von Daniken released his speculative book and its subsequent 1970 film Chariots of the Gods, there has been an entire field of study created around something commonly called Ancient Astronaut Theory, the idea is that extraterrestrials have visited many of our ancient civilizations. The theory continues that these visitors had a hand in shaping our development, whether it be through technology or even manipulation of our very DNA.

In life, we all fall down; it’s a fundamental fact of life. This is a story about how we get back up. 100 Yards is about Rich Porter, an NFL prospect who loses his way after suffering tragedy. With a potentially great opportunity in front of him, he cuts himself off from the world. The hits just keep on coming as he is diagnosed with cancer. Instead of battling his disease, he is resigned to his fate until his meets a young boy with the same condition as well as a compassionate nurse that try their best to bring Rich back to the light and get him to hope again. 100 Yards is a story about regaining faith that no situation is completely lost, and it is about how we approach it.

It may only be March, but I’m willing to bet The Standoff At Sparrow Creek will make the list of my top films of 2019.  I’m going to go out on a limb and say that this is the next breakout film people will be talking about, because it’s just that damn good.  Think about what Reservoir Dogs mashed up with Glengarry Glen Ross would be like if they were mashed together and the characters were all members of a militia; then you’ll somewhat have an idea of what The Standoff at Sparrow Creek has in store for you. We’ve all heard rumblings about militia groups, the kind that have their hidden bunkers that have stockpiles of weapons and ammunition that are ready to go into battle at a moment’s notice.

"In the ring, you got rules. Outside, you got nothing. Life hits you with all these cheap shots. People like me, we live in the past. You got people that need you now. You got everything to lose; this guy has got nothing to lose."

For the last couple of decades the sport of boxing has lost much of its popularity, at least here in the United States. The big matches used to be events where neighbors and friends would gather and enjoy the spectacle together. It likely started when long-time fighting fan and announcer Howard Cosell distanced himself from the sport, and the collapse appeared finally complete around the time Mike Tyson added ear to his menu. It's devolved so far that I haven't known who the champ is for more than 10 years.

It’s been a while since there has been a good invisible man film.  It’s one of the original Universal horror monsters that just doesn’t seem to get the fanfare that I feel it deserves.  Some of the greats in Hollywood have tackled incarnations of the character. John Carpenter with Memoirs of an Invisible Man (1992); then there was Hollow Man (2000), but neither of these films are what you would consider classics, though they are films I had fun with.  So when The Unseen crossed my path, I was looking forward to this. After all, it has been a while since this type of character has been tackled; then factor in that it is being helmed by Geoff Redknap, who previously worked as a special effects artist on Cabin in the Woods, Watchmen, and numerous other projects.  This just seemed like it would be a good match.  The result is a bit of a mixed bag.