Posted in: Disc Reviews by Gino Sassani on February 2nd, 2017
American football has been making the news of late, and not just in the sports pages. For the last couple of years there has been an increasing concern for players’ safety. From our former president declaring he wouldn't let his fictional son play the game to the hard-hitting Will Smith film Concussion, football has taken some heat over its violent nature. Players are retiring early, and the subject of life after football becomes more of a social question than ever before. That's where HBO's Ballers comes in. It's a half-hour look at the NFL from the player perspective, both current and retired. It's intended as a light bit of dramedy, and it certainly is that. Even so, the series doesn't hide from some of the brutal realities of the sport, from the trappings of fame and fortune to the realities of its eventual end.
Meet Spencer Strasmore, played by Dwayne "The Rock" Johnson. Spencer was a star defensive player for the Miami Dolphins. In his retirement years he has joined a financial advisor firm, teaming up with buddy Joe, played by Rob Corddry. Together they are charged with getting their NFL buddies to sign up with the firm. What Spencer ends up being is a fixer to his former friends and clients, mostly trying to help them get out of their own way. This season he is plagued by a hip injury that should be replaced. Of course, he's having trouble dealing with a hip replacement at 41. The guys also have a new pain in the rear in Andy Garcia's Andre Allen, who owns the largest agency in Miami. When Spencer and Joe decide to poach one of his clients, it turns into a war that the guys can't win.
Posted in: No Huddle Reviews by J C on January 23rd, 2017
Stop me if you’ve heard this one before: single gals looking for love — among other things — in the big city. On television, the trope dates back to the days of Laverne & Shirley and continues with more contemporary entries like Sex and the City and Girls. It’s an effective, timeless story hook that has gotten a funny, druggy, tremendously weird spin thanks to the queens kweens of Comedy Central’s Broad City.
The stars of the show here are Abbi and Ilana (co-creators Abbi Jacobson and Ilana Glazer), a pair of uncommonly attached besties living and playing in NYC. (Except for Ep. 6/“Philadelphia”, which finds the pair visiting Abbi’s suburban childhood home in Wayne, Pennsylvania.) Season 3 kicks off with a bit of literal toilet humor, as we get an amusing split-screen montage of Abbi and Ilana in their respective bathrooms.
Posted in: Disc Reviews by J C on January 11th, 2017
“I don’t want to be in this relationship anymore, and I don’t know how to get out.”
A TV show’s fifth season is around the time it starts to feel like you have to see things through to the bitter end. I mean, it seems downright irresponsible to ditch a series after five years of investing in its characters’ lives, no matter how flawed and frustrating they are. And there’s no doubt the self-absorbed millennials on HBO’s Girls are among the most flawed and frustrating people on TV; so I was delighted to find that the series produced one of its strongest seasons as it nears its conclusion.
Posted in: Disc Reviews by J C on December 1st, 2016
The most remarkable thing about Looking might have been how thoroughly unremarkable it was. The HBO dramedy — which followed the love lives of three gay friends in San Francisco — sidestepped any sort of headline-grabbing sensationalism. However, Looking was often low-key to the point that it bypassed being funny or particularly entertaining. The latter point was a bigger issue early on since the show's naturalistic tone made Looking more engrossing as the series progressed and deepened its roster of characters. You can see for yourself how the show got better as it went along now that HBO has released the entire Looking saga — two seasons and a movie — in one handy Blu-ray set.
“I don't know if either of us are very good at being who we think we are.”
Posted in: Disc Reviews by Jeremy Butler on October 5th, 2016
“Be the hero of your own story.”
Not the funniest addition to Kevin Hart’s reign as the king of comedy, but still a welcome sight. This time around, Hart teams with Dwayne “The Rock” Johnson for Central Intelligence. I’ve been anticipating this movie since behind-the-scenes footage leaked earlier this year, and the official trailer did nothing but fuel the flames of my excitement. After watching it, I can say that despite a few predictable plot twists, I still found the overall product to be extremely funny and worthwhile.
Posted in: Disc Reviews by J C on October 3rd, 2016
“Warning! The truly unusual motion picture you are about to see contains many scenes of graphic violence. It is not intended for the faint of heart, nor the young and impressionable.”
Anyone who makes it all the way through 1987's Blood Diner — a gleeful, inspired exercise in bad taste — can't say they weren't warned. That being said, the tongue-in-cheek disclaimer that precedes the film still may not be enough to prepare you for the utter silliness and depravity that follows.
Posted in: Disc Reviews by Gino Sassani on September 15th, 2016
"Going on down to South Park and meet some friends of mine."
After 20 years or more, they really do feel like friends. I've known Cartman, Stan, Kyle, and Kenny longer than most real people in my life. Only the Simpsons have been around longer these days. Over those years South Park has always been a series of stories that rarely connect with each other in any significant way. There have been multi-part episodes, and certain experiences have come back up over the years. Still, we're talking about a universe where killing Kenny had become a running joke and happened pretty much in every episode. Those days are gone, and it's been a while since Kenny met his demise, and now South Park has joined the ranks of the continuing story season. I do believe that's one of the signs of the Apocalypse. I'm just sayin'.
Posted in: Disc Reviews by Brent Lorentson on August 31st, 2016
Writer/Director Shane Black (Lethal Weapon, Iron Man 3) has a way of writing flawed characters who manage to leave more lasting impressions than the films they populate. But where he shines is when he can thrust these flawed individuals into the confines of a detective story. Most people grew their fondness for Black and his quick-witted dialog when he first penned Lethal Weapon, but for me it goes back to The Monster Squad and The Last Boy Scout, where I found myself becoming a fan even in my early years of film watching. So is the fanboy in me excited to see what Black brings to the table this time around? You betcha. In a summer popcorn season filled with comic book movies, sequels, and other films targeting the teenage demographic, it’s nice to have an action film that harkens back to the good old days (the 80’s and early 90’s) for a fun comedy/action romp that has a foul-mouthed edge.
It’s 1977 Los Angeles, where the headlines at the time were filled with the dangers of all the smog in the air. This is the backdrop to the story that kicks off with the mysterious death of a famous porn star, Misty Mountains (Murielle Telio). Despite all the headlines, her mother refuses to believe she’s dead, so she’s hired Holland March (Ryan Gosling) to find out what really happened to her precious little girl. Working on a case of his own, Jackson Healy (Russel Crowe) is a muscle for hire who is put on a job to help a young girl, Amelia (Margaret Qualley) get rid of some men who are after her. It doesn’t take long before both March and Healy find themselves working together, as their cases seem to be connected.
Posted in: Disc Reviews by Brent Lorentson on August 8th, 2016
When I first saw the trailer for Keanu I wasn’t sure if what I was watching was a real trailer or simply a sketch from the Key and Peele Show. Thankfully this turned out to their first starring foray in taking their talents to the big screen. With one look at the trailer, I felt they were attempting to capture the over-the-top stylish action we got in most 90’s action films, Face/Off is the first that comes to mind, but really there are countless examples. But the real star of the film is little Keanu himself, the ball of feline cuteness that will either have you embracing the film from the start or have you rolling your eyes (yeah, I’m talking about those cat haters out there). Grab your Glock, and don’t forget the catnip, as we scratch a little deeper into Keanu.
Two ruthless assassins come into town, hired to take down members of a gang. In the midst of the gunfight, a little kitten manages to make an escape. The kitten finds his way to the doorstep of Rell’s apartment. Rell (Jordan Peele) has hit some rough times after a breakup, and Keanu (adorable kitten) seems to be what has brought Rell out of his rut. But things turn for the worse when Rell’s home is broken into and he discovers that Keanu has been catnapped. Rell’s cousin Clarence (Keegan-Michael Key) tags along to help Rell find his lost cat. Unfortunately it takes them deep into the street gang underground where they are mistaken for the two assassins. To rescue Keanu and to ensure they both don’t get killed, Rell and Clarence go ahead and pretend to play the role of the assassins.
Posted in: Disc Reviews by Brent Lorentson on July 12th, 2016
For the Gasparilla International Film Festival, to nab the latest film from writer/director Richard Linklater is kind of a big deal. GIFF was the second festival to show Everybody Wants Some after its debut at the acclaimed South by Southwest festival. With the film being lauded as a spiritual sequel to Linklater’s cult hit Dazed and Confused, I had to admit I was a bit skeptical about this film and its ability to even match up to its predecessor, after all it was the indie darling that helped launched the careers of Matthew McConaughey, Ben Affleck, Milla Jovovich, and many others. This ensemble of talented up-and-comers managed to capture this cinematic lightning in a bottle about high school, that for me is a film I manage to watch at least once a year when I come across someone who hasn’t yet seen the film. So how does the film hold up in the face of such expectations? For me this isn’t just a fun film, but I’m taking a stand and calling this the best party film to date (and yes, I’m daring to say it’s better than Animal House).
It’s time to take a trip back to 1980, a time before social media was ever a thing, and when cars came with tape decks filled with cassettes and people who had record collections were not hit with being called hipsters. The star of this film for me is the music that is beautifully strung through the film, whether we’re listening to Van Halen, Sugar Hill Gang, or The Knack, what we have is a great assortment of music to set the tone of the film, and we get a musical bag of ear candy to indulge.
