Comedy

Oh...you were expecting Prince Charming?”

Shrek really did pick the absolute perfect time to emerge from his swamp. The 2001 computer animated sensation from Dreamworks arrived just as rival studio Disney was winding down its decade-long hot streak of hand-drawn new classics like The Little Mermaid, Beauty and the Beast and The Lion King. In other words, it was the ideal moment for someone to come along and take shots at cartoon musicals and fairy tales that end with “Happily Ever After.” (Shrek's biggest target, however, was probably the Mouse House itself.) But how does the movie play 15 years later? Fortunately, Fox and Dreamworks have released a new Anniversary Edition to help us figure out the answer.

American football has been making the news of late, and not just in the sports pages. For the last couple of years there has been an increasing concern for players’ safety. From our president declaring he wouldn't let his fictional son play the game to the hard-hitting Will Smith film Concussion, football has taken some heat over its violent nature. Players are retiring early, and the subject of life after football becomes more of a social question than ever before. That's where HBO's Ballers comes in. It's a half-hour look at the NFL from the player perspective, both current and retired. It's intended as a light bit of dramedy, and it certainly is that. Even so, the series doesn't hide from some of the brutal realities of the sport, from the trappings of fame and fortune to the realities of its eventual end.

Meet Spencer Strasmore, played by Dwayne "The Rock" Johnson. Spencer was a star defensive player for the Miami Dolphins. In his retirement years he has joined a financial advisor firm, teaming up with buddy Joe, played by Rob Corddry. Together they are charged with getting their NFL buddies to sign up with the firm. What Spencer ends up being is a fixer to his former friends and clients, mostly trying to help them get out of their own way. All the while he's haunted by a hard hit he delivered that ended the career of a Bills player years earlier. He's still having flashbacks. He's also concerned that he might have suffered head trauma in his years playing football. Finally through the pleas of girlfriend and sports journalist Tracy (Kebbel), he gets himself checked out. It's all in a day's work for Spencer.

I don’t know what kind of trouble he can get into in a day.”

At first glance, those words — spoken by a father in the midst of a particularly eventful weekend with his estranged son — sound like a filmmaker giving himself permission to put his characters in the most outrageous situations possible. But The Confirmation actually shines by keeping things simple. The movie is a low-key, thoroughly affecting story of a father and son forging an unexpected connection.

“Who you gonna call?”

By now everyone knows the answer. Dan Aykroyd, Bill Murray, Harold Ramis, and Ernie Hudson are the Ghostbusters. As their ad proclaims, they’re ready to believe you. Ghostbusters was originally conceived by Aykroyd as a vehicle for John Belushi and himself. When Belushi died, reportedly from a drug overdose, the project sat on the shelf a few years. Harold Ramis would eventually team up with Aykroyd and finish the script. It’s been said that “Dying is easy. Comedy is hard.” Leave it to these …two knuckleheads to combine the two and create a phenomenon. Like pretty much anyone else, I’ve seen Ghostbusters many times in the last 20 years. And just like all of you, I’m still not tired of it. I am, however, done with the repetitive theme song.

"Who you gonna call?"

This time?

Hi…it’s been a long time.”

If Project Runway has taught us anything, it’s that “in fashion, one day you’re in and the next day you’re out.” To a lesser extent, that adage can also be applied to comedy stars, since audiences’ tastes seem to shift almost as often as style trends. (There was a point in time when Pauly Shore was a movie star…that really happened!) As a result, any sequel to 2001’s Zoolander — Ben Stiller’s really, really, really, ridiculously good looking absurd fashion satire —had the odds stacked against it.

Robert De Niro and Zac Efron have a combined seven Academy Award nominations and a pair of Oscar wins to their names. So it was only a matter of time until these titans of cinema joined forces on the big screen. All joking aside, none of us were expecting Dirty Grandpa to pump up De Niro’s Oscar tally. What *is* a bit surprising — other than how truly bad this charmless, dimwitted, mean-spirited “comedy” turned out to be — is that Efron kind of outclasses his legendary counterpart.

DeNiro stars as Dick (tee-hee) Kelly, who recently lost his wife of 40 years. After attending his grandmother’s funeral, strait-laced Jason Kelly (Efron) agrees to drive his grandpa from Georgia to Boca Raton, Florida at the older man’s request. Dick and Jason used to be thick as thieves, according to the poorly Photoshopped pictures in the opening credits. The pair drifted apart after Jason abandoned his passion for photography to go to work as a corporate lawyer for his dad/Dick’s son (Dermot Mulroney, getting absolutely nothing to do). The road trip is supposed to be one last opportunity for Jason and his grandpa to bond before Jason marries his uptight, controlling fiancée Meredith (Julianne Hough, admirably leaning into her character's awfulness).

Oh crap...I'm going back to Cleveland.”

I had never seen a single episode of Hot in Cleveland before I sat down to review season 5. So why did it feel like I’d been watching this show my entire life? Turns out, it’s entirely by design. On the surface, it doesn’t seem like I’m the target audience for Hot in Cleveland: I’m under 50 years old, and I’m a man. But if you look beyond the plastic surgery jokes and geriatric humor, you’ll find a show that aggressively channels (and ultimately appeals to fans of) many of the classic, multi-camera sitcoms of the past. In other words, Hot in Cleveland — which wrapped up last year after six seasons and 128 episodes — feels like you’re watching re-runs of a show you’ve already seen…and still enjoy plenty.

We're making history with the first woman president.”

That statement may or may not become a reality in a matter of months, but HBO has real-life politics beat either way. Season 3 of Veep, the caustic, constantly-cussing comedy series, concluded with U.S. Vice President Selina Meyer ascending to the highest office in the land. But lest you think the show jumped the shark by having VP Meyer outgrow the show's title, there's more than enough sharp-tongued mayhem to go around once Selina and her staff — referred to as “an infection of mediocrity” in season 4 — have their finger on the button.

Billionaires are people too.”

HBO’s Silicon Valley, which takes merciless aim at the tech capital of the U.S., was impressive right out of the gate. The series struck comedy gold in its debut season by making fun of both self-important, aggressively eccentric billionaires and the bumbling “guys in a garage” who are trying to get to their level. Season 2 is both nerdier and more confident in its skewering of corporate soullessness and the scrappy underdogs who often can't get out of their own way. (I'm not sure there's another show on TV that would use a SWOT analysis to decide whether a douche-y stuntman lives or dies.) The result is a very funny sitcom that has gotten even better.