Posted in: Disc Reviews by Gino Sassani on January 23rd, 2016
I have to admit that I'm not much of a Keanu Reeves fan. However, I'm a huge fan of Keanu Reeves movies. Let's face it, Keanu can be quite wooden with as much screen presence as a test pattern. OK, I'm showing my age with that line. But one thing he knows how to do well is pick great films to star in. From The Matrix and the recent very hit John Wick to the underrated The Devil's Advocate, Reeves can sure pick 'em. The worse case scenario here would be Keanu in an uninteresting movie. Well...Knock Knock. Who's there? An uninteresting Keanu Reeves film.
Knock Knock finds Reeves playing Evan Weber. He's an architect with a pretty much idyllic life. His wife is a renowned artist, and he has two great kids. But Evan is feeling a bit neglected on Father's Day. His wife has just gotten a shipment of catalogues from her recent exhibit, and she's not exactly paying him a lot of attention right now. To make things worse, wife and kids are off to spend Father's Day weekend at the beach, while Evan has to remain home to finish a project.
Posted in: Disc Reviews by Brent Lorentson on January 21st, 2016
Have you ever stumbled across someone’s diary? At first glance it may look innocent enough, but for the person with dreams, fears and confessions, it is that friend and confidant that will listen to its author as they bare their soul and not be faced with judgement. In The Diary of a Teenage Girl, not only do we get a peek into the secret life of Minnie Goetze (Bel Powley), but we are taken on a journey of experiencing first love and sex through the eyes of a 15 year-old girl. It’s sweet, it’s tragic, but where this film’s strength comes at its audience the strongest is with its honesty, which for some may be a bit too sobering of a reminder of what life is like as a teenager.
“I had sex today…”
Posted in: Disc Reviews by Jeremy Butler on January 21st, 2016
Here comes another in the long line of movies featuring a WWE superstar. Boy, I tell you, the floodgates open after The Rock (although now he goes by Dwayne Johnson) proved it was possible to move from wrestling stardom to silver screen stardom. That said, none them have really made the leap successfully since him; however, that is not from a lack of trying. This time around, Randy "The Viper" Orton looks to try his luck in the sequel to a WWE sponsored film in The Condemned 2.
After a botched operation to capture the leader of a gambling ring that ended in tragedy, bounty hunter Will Tanner (Orton) walks away from the bail enforcement life. Having his entire world rocked, Will resigns himself to a quiet life; however, just because he is done with his past doesn't necessarily mean that his past is done with him. He suddenly finds himself fighting for his life in a deadly game brought forth by an old enemy. To make matters worse, not only is he forced to do battle, he is forced to do battle against his very own team, the same men who accompanied him for years, men who he was willing to put his life in their hands in the past. Now he must stay one step of ahead of the men who know him best, all the while trying to make his way to the man behind the curtain.
Posted in: Disc Reviews by Archive Authors on January 18th, 2016
Everest is an existential film. It could be one of the most beautiful travelogues you've ever seen, but it is far more than that. Its beauty and majesty are perfectly enhanced by 3D, but the true significance has to do with the mysteries of the soul. What drives men to do things that they have no business doing? What makes them climb a mountain whose summit is at the height that 747 jets fly? The old answer that is always used is, “Because it's there”. Obviously, the reasons run much deeper. There is a void in many people that they can only fill by doing the impossible. They look for accomplishments and knowledge that will hopefully give life meaning. Everest is the true story based on the book by Jon Krakauer, Into Thin Air. Krakauer also wrote Into The Wild, which became the 2007 film of the same name about a lone young man who hiked endlessly through the wilderness until he died of starvation. In both cases, these journeys for elusive truths became deadly and tragic.
The film has a expansive cast worthy of such an epic tale, including Jake Gyllenhaal (Southpaw, Nightcrawler), Sam Worthington ( Avatar, Terminator Salvation, Clash of the Titans), Josh Brolin ( Men in Black 3, Sin City 2), Jason Clarke (Terminator Genisys, Dawn of the Planet of the Apes), John Hawkes ( he Sessions, Winter's Bone), Michael Kelly, Martin Henderson, Emily Watson, Keira Knightley, Robin Wright, and Tom Goodman-Hill (Mr. Selfridge, Humans). The director, Baltasar Kormakur, has changed his style considerably to suit the material. His last film with Denzel Washington and Mark Wahlburg, 2 Guns, was a Michael Bay-type, over-the-top action extravaganza. 2 Guns was ridiculous. Everest is a pristine visual masterpiece. He shows the events that occurred on the great mountain in 1996 with a documentary-like rigor as well as totally capturing the grandeur of the location. But the ultimate question remains. Why?
Posted in: Disc Reviews by J C on January 18th, 2016
“In our experience, almost everything ends in death.”
Given its morbid-sounding title, I suppose you can also say that in the case of Rosencrantz & Guildenstern Are Dead, things *start* in death as well. The inevitability of death — a notion that is simultaneously profound and crushingly simple — is one of several big picture ideas explored by the small potatoes title characters. Rosencrantz & Guildenstern Are Dead, now making its Blu-ray debut, is equal parts brilliant and befuddling. But as thought-provoking and exhilarating (and funny!) as the exchanges are, I'm not entirely sure this material was meant to be presented as a movie.
Posted in: Disc Reviews by Archive Authors on January 10th, 2016
Popular opinion and so-called critical opinion often seem to careen off cliffs like lemmings in increasingly unpredictable ways guided by whims and subtle shifts in the proverbial winds. I find myself shocked by things praised and things condemned. Sometimes I feel like a little boy who sees a naked emperor while everyone else is shrieking how much they love the new elegant ensemble. In this case, I'm seeing a lovely presentation while there are many who are whining. Part of the problem is that Season 2 of True Detective is considerably distinct from Season 1. The nature of the series is that each season is a complete reboot with a new cast and location. American Horror Story also changes locations and characters but tends to recycle actors. True Detective made a determined attempt to change everything. The one thing it retained is the brooding, noir roots.
Vince Vaughn was fantastic, and that's not something I've said in a long time. He was a trim and towering figure (also something that couldn't be said for a long time). Vaughn's complex, sharp, troubled, and intimidating Frank Semyon was the edgy focus of the series. He was not the detective. There were not two this time, but three.
Posted in: Disc Reviews by Gino Sassani on January 8th, 2016
"The techniques change, the victims change but it's still a question, "How do these things happen? How are they institutionalized?"
“I was just following orders.” It was the plea heard by too many of the Nazi war criminals during their trials following World War II. It wasn't enough to spare them the consequences of their actions, of course. Six million people were exterminated, experimented on, or tortured. The excuse just didn't hold water. But was it at all valid? Could an otherwise "good" person be turned into something evil just because someone in authority told them to do it? Just how far would an average human being go toward hurting another person whom they have no provocation to hurt just because they are told to do so? These are the questions that Professor Stanley Milgram set out to answer in his controversial study in the 1960's. The debate in the world of psychology and sociology continues to this day. Every psychology class likely includes footage from the study. The methodology and results are required study in most sociology classes. This is the subject of the Magnolia Blu-ray release Experimenter.
Posted in: Disc Reviews by Gino Sassani on January 7th, 2016
"A good family business is not the same as a good family."
You can say that again. The television landscape is changing, at least on cable. Ray Donovan is the latest in the string of new shows that are attracting talent once thought out of reach for television. A show starring Liev Schreiber and Jon Voight: this Showtime series looked to be something very special... and it has gotten better... perhaps a lot better.
Posted in: Disc Reviews by J C on January 7th, 2016
“Ballet is the ultimate optical illusion. We make effort appear effortless.”
If ballet dancers make the seemingly impossible look graceful and elegant, then Flesh and Bone similarly soars when it doesn’t try quite so hard to conjure drama. The best version of this provocative Starz miniseries explores the psychological toll that ambition, competition, and the (impossible?) quest for creative perfection can take. Unfortunately, the series also introduces way too many subplots and distractions during its 8-episode run.
Posted in: Disc Reviews by Gino Sassani on January 6th, 2016
Between 2002 and 2008 Jason Statham made a name for himself playing Frank Miller in three Transporter films. Miller was a former special ops expert who became a high-end black market transportation expert. He used his skills to transport anyone or anything from point A to point B for a hefty fee. He had a few rules that governed his business: the deal never changes once it's made, no names, and he doesn't want to know what he is transporting. The business made for some nice action films that gave Statham a chance to show off that particular skill set. The films brought in a modest box office, averaging around $35 million each. It was barely enough to keep three films going in the franchise. It all ended in 2008, and Statham moved on to bigger and sometimes better things. That should have been the end of the story. It isn't.
Editor-turned-director Camille Delamarre decided to take a run at a reboot, of sorts. Game of Thrones actor Ed Skrein takes over the Frank Miller role, and the film picks up the character already established. It's a grey area on what to call Transporter: Refueled. It's not entirely a reboot. The character is established, as are the rules and general formula. But it is a rather new take on the material. Unfortunately, there's not a lot of heart in this attempt, and the wheels might have gone completely flat on this franchise.
