Drama

Being a woman's hard work.”

Femininity — the quality and essence of being a woman — is at the forefront of The New Girlfriend, a gender-bending and genre-bending offering from French director Francois Ozon. The film is a curious mix of farce, rom-com hijinks, frank sexuality, and serious drama about loss. The formula isn't always cohesive, but it makes for an intriguing twist on the old “boy meets girl” story.

I have to admit that I'm not much of a Keanu Reeves fan. However, I'm a huge fan of Keanu Reeves movies. Let's face it, Keanu can be quite wooden with as much screen presence as a test pattern. OK, I'm showing my age with that line. But one thing he knows how to do well is pick great films to star in. From The Matrix and the recent very hit John Wick to the underrated The Devil's Advocate, Reeves can sure pick 'em. The worse case scenario here would be Keanu in an uninteresting movie. Well...Knock Knock. Who's there? An uninteresting Keanu Reeves film.

Have you ever stumbled across someone’s diary?  At first glance it may look innocent enough, but for the person with dreams, fears and confessions, it is that friend and confidant that will listen to its author as they bare their soul and not be faced with judgement. In The Diary of a Teenage Girl, not only do we get a peek into the secret life of Minnie Goetze (Bel Powley), but we are taken on a journey of experiencing first love and sex through the eyes of a 15 year-old girl.  It’s sweet, it’s tragic, but where this film’s strength comes at its audience the strongest is with its honesty, which for some may be a bit too sobering of a reminder of what life is like as a teenager

Here comes another in the long line of movies featuring a WWE superstar. Boy, I tell you, the floodgates open after The Rock (although now he goes by Dwayne Johnson) proved it was possible to move from wrestling stardom to silver screen stardom. That said, none them have really made the leap successfully since him; however, that is not from a lack of trying. This time around, Randy "The Viper" Orton looks to try his luck in the sequel to a WWE sponsored film in The Condemned 2.

Everest is an existential film. It could be one of the most beautiful travelogues you've ever seen, but it is far more than that. Its beauty and majesty are perfectly enhanced by 3D, but the true significance has to do with the mysteries of the soul. What drives men to do things that they have no business doing? What makes them climb a mountain whose summit is at the height that 747 jets fly? The old answer that is always used is, “Because it's there”. Obviously, the reasons run much deeper. There is a void in many people that they can only fill by doing the impossible. They look for accomplishments and knowledge that will hopefully give life meaning

In our experience, almost everything ends in death.”

Given its morbid-sounding title, I suppose you can also say that in the case of Rosencrantz & Guildenstern Are Dead, things *start* in death as well. The inevitability of death — a notion that is simultaneously profound and crushingly simple — is one of several big picture ideas explored by the small potatoes title characters. Rosencrantz & Guildenstern Are Dead, now making its Blu-ray debut, is equal parts brilliant and befuddling. But as thought-provoking and exhilarating (and funny!) as the exchanges are, I'm not entirely sure this material was meant to be presented as a movie.

Popular opinion and so-called critical opinion often seem to careen off cliffs like lemmings in increasingly unpredictable ways guided by whims and subtle shifts in the proverbial winds. I find myself shocked by things praised and things condemned. Sometimes I feel like a little boy who sees a naked emperor while everyone else is shrieking how much they love the new elegant ensemble. In this case, I'm seeing a lovely presentation while there are many who are whining. Part of the problem is that Season 2 of True Detective is considerably distinct from Season 1.

"The techniques change, the victims change but it's still a question, "How do these things happen? How are they institutionalized?" 

“I was just following orders.” It was the plea heard by too many of the Nazi war criminals during their trials following World War II. It wasn't enough to spare them the consequences of their actions, of course. Six million people were exterminated, experimented on, or tortured. The excuse just didn't hold water. But was it at all valid? Could an otherwise "good" person be turned into something evil just because someone in authority told them to do it? Just how far would an average human being go toward hurting another person whom they have no provocation to hurt just because they are told to do so?

"A good family business is not the same as a good family." 

You can say that again. The television landscape is changing, at least on cable. Ray Donovan is the latest in the string of new shows that are attracting talent once thought out of reach for television. A show starring Liev Schreiber and Jon Voight: this Showtime series looked to be something very special... and it has gotten better... perhaps a lot better.

“Ballet is the ultimate optical illusion. We make effort appear effortless.”

If ballet dancers make the seemingly impossible look graceful and elegant, then Flesh and Bone similarly soars when it doesn’t try quite so hard to conjure drama. The best version of this provocative Starz miniseries explores the psychological toll that ambition, competition, and the (impossible?) quest for creative perfection can take. Unfortunately, the series also introduces way too many subplots and distractions during its 8-episode run.