Posted in: Disc Reviews by Archive Authors on November 11th, 2015
I don't think there has ever really been a great film about a great writer. We naturally compare their lives to works of great fiction. Great fiction tends to distill the tedium and awkwardness out of real life. Real life can be exhausting in the day-to-day disappointments that can sometimes be wrapped in small victories. David Foster Wallace was a great writer. This is almost universally acknowledged. David Foster Wallace no longer is because he hung himself in 2008 at age 46. Many people who were in his life are now very protective of him and his privacy. They are angry at the idea of a movie being made about his life. Authors like J.D. Salinger and Thomas Pynchon have spent their lifetimes being reclusive, but the fact that they had published and provoked our thought means we are entitled to explore their lives. The problem always will be rising to the occasion and doing justice to the thoughts they provoked.
The End of the Tour is about five days a reporter for Rolling Stone spent with Wallace. The journalist was David Lipsky, who had written a novel of his own and was clearly in the grips of some hero worship. The hero he met was self-conscious to a nearly painful degree. He also seems to be struggling to be an average guy. I don't think the movie is a good indication of what Wallace was really like. But then, let's just look at this as a movie first. As I said, I don't think the author should be protected and hidden from us because he had faults and deficiencies. I think we should keep an open mind as to what the truth really is. I have listened to interviews done with Wallace, and he always comes off as reflective, thoughtful, truthful, intelligent, profound, and open-minded. I think the intention of this movie was to reveal a more unvarnished view of the writer.
Posted in: Disc Reviews by J C on October 29th, 2015
Un, deux, trois! Cohen Media Group has given us an engrossing triple dose of French director Benoit Jacquot. The films —The Disenchanted, A Single Girl, and Keep It Quiet — span a decade and coincide with the moment when the post-New Wave filmmaker started gaining international acclaim. Each of the titles makes its HD debut with this release, and they all offer an intriguing look at Parisian life. The movies also feature some enchanting performances from their leading ladies.
“I used to believe in all manner of enchantments.”
Posted in: Disc Reviews by J C on October 27th, 2015
Between Judgment Day, zombie apocalypses, and various other doomsday scenarios, we've gotten a pretty good look at what the end of the world is supposed to look like. One of the most striking things about Z for Zachariah — an otherwise straightforward and deliberate drama that takes its story from a 1974 novel of the same name by Robert C. O'Brien — is that, for the most part, the end of the world looks an awful lot like paradise.
In fact, the biggest visual clues that this is even a post-apocalyptic story occur within the first 10 minutes or so. That's when we're introduced to a slight, shapeless figure in a makeshift decontamination suit pushing a cart through a barren, abandoned town. We eventually find out her name is Ann Burden (Margot Robbie), and she is presumably the only survivor of an unspecified disaster that has wiped out most of civilization. Ann survives on her family's farmland, which is uniquely (and miraculously) located in a place that shields her from radiation. She also has plenty of fresh water at her disposal. One day, Ann is shocked to find another survivor in a radiation suit.
Posted in: Disc Reviews by J C on October 20th, 2015
“This is the beginning of something, not the end.”
There weren’t any Lost-style mysteries to be resolved here. And unlike The Sopranos or Breaking Bad, this particular series never really hinged on whether the lead character lived or died. (Although a moment in Ep. 5/“Lost Horizon” seems to nod toward fan speculation that Don Draper would take a tumble similar to the silhouette from the show’s iconic opening credits.) Instead, the final season of Mad Men — more than any other all-time great show I can remember — is directly about the end of things.
Posted in: Disc Reviews by J C on October 16th, 2015
“People have short attention spans. And there’s always another murder.”
Barely a year after Gone Girl became a mid-range blockbuster, we're already getting our second big-screen adaptation of a Gillian Flynn novel. To be fair, both Gone Girl and Dark Places went into production around the same time in the fall of 2013. But that just means someone anticipated that a single shot of Flynn's twisted brand of Midwest murder/mystery mayhem wouldn't be enough to satisfy movie audiences.
Posted in: Disc Reviews by J C on October 15th, 2015
It wasn’t until I settled in to watch Spike TV’s three-part/six-hour miniseries based on the (relatively short) life of King Tut that I realized we hadn’t really seen his story depicted on screen before. I mean, it’s probably a bad sign that the most famous on-screen portrayal of the ancient Egyptian monarch comes courtesy of…Steve Martin. Given the liberties this miniseries takes with casting and storytelling, I reckon some historians would’ve preferred Martin as the famous pharaoh here. However, I still found this to be a suitably entertaining and attractive (if somewhat overstuffed) melodrama.
"No one fears you. You are the boy king who lives behind other men."
Posted in: No Huddle Reviews by J C on October 12th, 2015
“It is upon us now...an old and faceless foe.”
In the second season of Reign, that foreboding statement refers to the plague and ensuing famine that lay siege to the court of King Francis II, Mary Queen of Scots, and their subjects. But in real-life terms, the most dangerous “old and faceless foe” for a promising series entering its second season is the “sophomore slump.” That's why I'm pleased to report the CW's sumptuous period drama was able to maintain the shamelessly soapy momentum from its guilty pleasure first season.
Posted in: Disc Reviews by J C on October 7th, 2015
The last decade hasn’t been too kind to Al Pacino. The man is only one of our greatest living actors, but he’s mostly been stuck appearing in forgettable tripe (88 Minutes) or out-and-out atrocities (Jack and Jill) for the last 10 years. So it’s easy to overlook the fact that Pacino is quietly doing really good work again. I say “quietly” because the actor has recently eschewed the “hoo-ah!” tics that turned him into a caricature. This affecting, engaged, and more subdued version of Pacino can be seen in Danny Collins, and he is also front-and-center in Manglehorn, a whimsical, uneven drama that is grounded by its star’s strong work.
Pacino plays A.J. Manglehorn, a shabby, solitary locksmith whose biggest personal connection is with his beloved cat Fanny. As we watch Manglehorn shuffle through each day — which includes hopping in his rickety van to help clients who have locked themselves out of various places — his life starts to come into focus.
Posted in: No Huddle Reviews by J C on October 1st, 2015
“Jane’s life was now the stuff of telenovelas.”
As someone who grew up in a Spanish-speaking household, I have a love-hate relationship with telenovelas. Most of the time, I can appreciate — and heartily laugh at — their inspired, over-the-top campiness. But sometimes I honestly feel a little embarrassed that this broad, ridiculous junk easily represents the most visible outlet for stories featuring Hispanic actors/characters. I’m also insulted by the implication that Hispanic audiences don’t want more nuanced TV options. The great thing about The CW’s Jane the Virgin is that it works both as an outrageous nighttime soap and a sharp, good-hearted satire.
Posted in: No Huddle Reviews by J C on September 25th, 2015
Season 2 of The Red Road, SundanceTV’s tense drama about warring communities, opens with a foreboding shot of blood being spilled on the ground. It’s a conspicuously symbolic image when you consider that the show follows the lives of the (seemingly all-white) residents of fictional Walpole, N.J. and their strained relationship with the Lenape tribe that resides in the neighboring Ramapo Mountains. (You don’t even have to squint to see several centuries’ worth of wounded feelings in this scenario.) It’s also no major spoiler to say that opening shot isn’t the last instance of bloodshed in this batch of episodes.
In case you never hopped on The Red Road, here’s a quick catchup. Lenape ex-con Phillip Kopus (Jason Momoa) and Walpole police officer Harold Jensen (Martin Henderson) find their fates (and their families) inextricably linked. An accident involving Harold’s wife/Phillip’s high school sweetheart Jean (Julianne Nicholson) and a young Lenape boy left Harold indebted to Phillip. And the fact that the Jensens’ oldest daughter Rachel (Allie Gonino) and Phillip’s younger half-brother Junior (Kiowa Gordon) were in love only added to the tension. The end of season 1 once again left Phillip and Harold in each other’s debt after helping one another survive a violent shootout with a nasty group of gangsters.