Posted in: Disc Reviews by Gino Sassani on July 15th, 2013
It's hard to imagine that Sylvester Stallone and Walter Hill never crossed paths for an action movie in the early days of their careers. Both have established themselves as staples in the action movie genre, and they dominated the 1970's and 1980's. It seems like a dream come true that the actor and director have finally joined forces. Unfortunately, some dreams are actually nightmares, and if Bullet To The Head is any indication, the two stars would have been better off had they remained unaligned.
The story is based on the French graphic novel Du Plomb Dans La Tete by Alexis Nolent. I have never seen the book, so it would not be possible for me to compare the two. Here the story involves hit man James Bobo (Stallone). He's on a hit with his partner Louis (Seda). Things go smoothly until James decides not to kill a hooker witness. Is he going soft? Not really. It turns out the two have been set up by their boss Marcus Baptiste (Slater) who has sent another killer, Keegan (Momoa) to get rid of the team. James gets away, and now he wants to find out who set him up and killed his partner.
Posted in: Disc Reviews by J C on July 15th, 2013
Cruel blood sport or culturally-significant art form? That’s been the centuries-long debate surrounding the practice of bullfighting. Personally, almost everything I know about bullfighting comes from Ernest Hemingway stories and Looney Tunes. So Blood and Sand — a grand, cynical bullfighting drama/Technicolor spectacle from 1941 making its Blu-ray debut — was an eye-opening experience in more ways than one.
Blood and Sand is the story of Juan Gallardo (Tyrone Power), who we first meet as a bullfighting-obsessed child (played by Rex Downing) in Seville. Juan’s father was a legend in the sport — and the kid will eagerly break a bottle over the head of any pompous critic (like the one played by Laird Cregar) who disagrees — and the brash boy is obsessed with following in his footsteps. (He routinely sneaks onto a ranch at night to work on his skills.) Eventually, he runs away from home with a group of friends and travels to Madrid in the hope of becoming Spain’s greatest bullfighter.
Posted in: Disc Reviews by Jeremy Butler on July 10th, 2013
“There are only two reasons why a boat would go rogue. One is to defect, and the other is to start a war, and I don’t think we’re defecting. ”
Abraham Lincoln once said, “The best way to get rid of an enemy is to make him a friend.” That’s one way; however, Phantom proposes a different tactic: the best way to get rid of an enemy is to get someone else to do it. Which do you agree with more? Ed Harris and David Duchovny square off as two pieces on the opposite sides of the chess board locked in a submarine together with control of a nuclear warhead being the checkmate.
Posted in: No Huddle Reviews by J C on July 3rd, 2013
“Only a few people in the world have the ability to remember everything. I'm one of them. If I miss something the first time, it's okay; I can go back and look again. My life…is unforgettable.”
You’ve got to admire the courage of the person who decided to call this show Unforgettable. He or she had to know they’d be leaving themselves open to easy pot-shots from viewers and snarky critics like me if the drama series failed to make a lasting impression. And, for a while, it looked like this Unforgettable: The First Season DVD set might wind up being Unforgettable: The Only Season. After sitting through the first season of CBS’s umpteenth procedural drama, I can see why the network initially canceled the show. But I can also see why they decided to bring it back.
Posted in: Disc Reviews by Gino Sassani on June 26th, 2013
"My ears hear what others cannot hear; small faraway things people cannot normally see are visible to me. These senses are the fruits of a lifetime of longing, longing to be rescued, to be completed. Just as the skirt needs the wind to billow, I'm not formed by things that are of myself alone. I wear my father's belt tied around my mother's blouse, and shoes which are from my uncle. This is me. Just as a flower does not choose its color, we are not responsible for what we have come to be. Only once you realize this do you become free, and to become adult is to become free."
If you are a fan of director Chan-wook Park, you are used to the kinds of bizarre images and somewhat enigmatic story elements that dominate the landscape of Stoker. While none of the images here reach quite into the territory of Oldboy, it's hard not to plug into the disturbed nature of the film's themes and story. I left the movie with more questions than answers and a little bit lost as to how exactly I was going to approach this review. I had not seen Oldboy at the time of the viewing or since. I did go out of my way to get some exposure to the film's famous imagery through clips and stills. Even still, I've never been more confused about a film than I am about Stoker.
Posted in: Disc Reviews by Jeremy Butler on June 18th, 2013
Enigma: something hard to explain or understand: well, that about sums up Charlie Zone. The story itself is mildly interesting but takes its time building traction. I was expecting to be introduced to a film about underground fighting and instead was introduced to a film about two people who were dealt a bad hand and are thrust into a life-or-death situation. At odds at first, the two must work together in order to survive. Does this plot theme sound familiar to anyone else?
Paul Avery (Glen Gould, Cashing In) was once an up-and-coming boxer from the Indian Reservation. He was thought to have a real chance at a pro career until he got caught up in a smuggling racket and served four years in prison. After losing his boxing license as well as four years of his life, Paul now struggles to make ends meet and has turned to participating in recorded internet street fighting for extra cash.
Posted in: Disc Reviews by Jonathan Foster on June 17th, 2013
Hank Williams, Sr. was arguably one the most influential country artists of all time. During his short life (he died at the young age of 29) he had more than 30 #1 singles. His music has been covered by not just country artists, but has also crossed over into the pop, gospel and blues genres. With The Last Ride, this music legend joins Johnny Cash and Loretta Lyn in having their lives put on film.
When a stranger with a brand new Cadillac comes into his garage, young Silas (Jesse James, As Good as It Gets) takes notice. After Silas overhears the stranger asking for a driver, he immediately offers his services. He is hired and finds out his job is to get “Mr. Wells” (Henry Thomas, E.T. the Extraterrestrial) to West Virginia in two days, and to get him there sober. If Wells arrives drunk or hungover, Silas won’t get paid. Fighting the weather and sometimes each other, the two embark on what ended up being the last trip Hank Williams ever took.
Posted in: Disc Reviews by J C on June 12th, 2013
“In the old days, we did the news well. You know how? We just decided to.”
Sounds simple enough, so what’s keeping everyone from doing the news well? Well, other than a country that feels more politically polarized than ever and a population that mostly seems interested in cherry picking the “facts” they’d rather hear, I can’t think of a single thing. In fact, HBO’s The Newsroom pointedly compares the idea of putting on a quality news broadcast that educates the electorate and earns great ratings to Don Quixote embarking on one of his foolish quests.
Posted in: Disc Reviews by Gino Sassani on June 11th, 2013
"Two can keep a secret as long as one of them is dead."
And there are a lot of secrets to be found on the ABC Family show Pretty Little Liars. It seems that Alison (Pieterse) was murdered in the small Pennsylvania town of Rosewood. She was the "queen bee" of a small clique of girls. She was fond of manipulating those around her, and it seems her head games have finally caught up with her. That leaves her four close friends behind to get on with their lives. That's going to be hard now. Allison's body has finally been discovered, the missing-person investigation is now a homicide investigation, and the four little busy bees are at the heart of the storm. Then there's the anonymous "A" who has begun to send them messages that indicates she/he knows many of their most closely guarded secrets. "A" torments them with her/his intimate knowledge not only of the past but what the girls are up to even now. It's obvious that "A" is close and keeping tabs on the girls. Alison may be dead, but it's "A" who is manipulating them now.
Posted in: Disc Reviews by William O'Donnell on June 7th, 2013
For nine seasons and several TV-movies afterwards, Raymond Burr was Los Angeles based defense attorney Perry Mason. This character's verbal gymnasitcs and uncanny hounding for evidence makes his famous winning streaks seem not just plausible but rather entertaining to behold. His adventures have been well-reviewed by myself and my reviewing compadre Gino on this very site (https://upcomingdiscs.com/?s=perry+mason).
The formula (for lack of a better term) of each episode maintains in this first half of the final season. The primary suspect is profiled, caught and examined in the first half of each story. When things do to trial, the true guilty party is found out, often on the witness stand, as Perry’s uncanny winning streak gets the best of those who try to hide the truth from him. Said winning streak might spoil one’s enjoyment of the show since the outcomes can be predicted during the opening titles screen, but the crimes (most often murders) are elaborate enough to maintain interest for the most part. At the same time, I feel it should be noted that the pacing of the show can often be slow. Think of it being a closer relation to Matlock than the sexier modern Legal dramas like The Practice. Not to say that it is better to have attorneys with chiseled jaws or short skirts versus methodical investigation and character development, but you had better prepare yourself for a lot of men in suits standing in one spot speaking their thoughts aloud.
