Posted in: Disc Reviews by William O'Donnell on June 7th, 2013
For nine seasons and several TV-movies afterwards, Raymond Burr was Los Angeles based defense attorney Perry Mason. This character's verbal gymnasitcs and uncanny hounding for evidence makes his famous winning streaks seem not just plausible but rather entertaining to behold. His adventures have been well-reviewed by myself and my reviewing compadre Gino on this very site (https://upcomingdiscs.com/?s=perry+mason).
Posted in: Disc Reviews by J C on June 3rd, 2013
Bringing big-screen action and spectacle to the small screen is almost always a losing proposition. (A moment of silence for Terra Nova.) It’s just too hard to maintain on a week-to-week basis over the course of multiple seasons. Falling Skies — which, like Terra Nova, counts Steven Spielberg as one of its executive producers — may not be terribly original, but it’s one of the more successful attempts at consistently bringing large-scale thrills to television.
Posted in: Disc Reviews by Gino Sassani on May 22nd, 2013
"I found this website... "How to Cure a Serial Killer in Ten Easy Steps" and this is the 1st step."
Dexter left us with quite a shock at the end of the 6th season. Shows have left us with cliffhangers before, but this was one of the most exciting season finales I've seen in a long time. Sister Deb walks in just as Dexter does his plastic playtime act, and there's no way to wiggle out of this one. As fans of the show, we knew that things just weren't going to be the same...and we were right.
Posted in: Disc Reviews by J C on May 20th, 2013
The problem with casting Ben Kingsley in this film’s title role is that the Oscar-winning actor is anything but common. He’s been a commanding screen presence for four solid decades, starting with his award-winning work in 1982’s Gandhi and continuing through his surprising performance in Iron Man 3. When Kingsley first appears in A Common Man, he immediately stands out in the crowded streets of Colombo, Sri Lanka thanks to a sharp goatee and his signature shorn dome. Turns out Kingsley’s inherent star power is the least of this movie’s problems.
Posted in: Disc Reviews by Gino Sassani on May 16th, 2013
"Who is Jack Reacher? Born Jack, not John. No middle name. He's a ghost. Served in the military police. A brilliant investigator, troublemaker, too. And two years ago he disappears. You don't find this guy unless he wants to be found."
We've found him. The character of Jack Reacher comes from a series of thriller novels written by Lee Child. From the very start you know that this is going to be a different kind of Jack Reacher than fans have come to know and love from the books. He described as being 6' 5’’ and about 250 pounds. Tom Cruise doesn't really fit any of those description elements.
Posted in: No Huddle Reviews by J C on May 16th, 2013
“We are your Family. We come before anything, even your own family.”
Everything about Once Upon a Time in Brooklyn — the setting, the storyline, the cast, the title — brings to mind vastly superior crime dramas. To be fair, it’s incredibly difficult to say something in this genre that hasn’t already been said brilliantly by the likes of Francis Ford Coppola, Martin Scorsese or David Chase. So instead of trying to carve out its own turf, this low-budget effort seems to almost revel in how derivative it is. At the very least, the people who made this movie seem to love gangster flicks as much as we do.
Posted in: Disc Reviews by J C on May 15th, 2013
Even among the crowded field idyllic meadow of big-screen romances, the “Nicholas Sparks movie” has become its own lucrative sub-genre. The only other contemporary authors I can remember achieving that sort of name brand recognition are Stephen King and John Grisham. (When people went to watch a Harry Potter film, they didn’t usually say, “Let’s go see the new J.K. Rowling movie.) It’s easy to spot a Nicholas Sparks movie: the lily white leads usually live in or around one of the Carolinas, where they inevitably get drenched by a romantic, cleansing rain before coming across a pivotal letter.
Posted in: Disc Reviews by Brent Lorentson on May 15th, 2013
In 1363, the Black Plague had done its damage, leaving most infected areas uninhabitable. Escape — known in Norway as Flukt — is the story of a family that sets out into the countryside to get away from the plague and hopefully find a new place to rebuild their lives. But just as I’m thinking this is going to be a movie about sticking together and fighting to survive the elements, it shifts gears to something far darker but not all that original.
Posted in: Disc Reviews by Brent Lorentson on May 14th, 2013
"This is not what you think it is."
Sometimes a movie comes along that simply has so much to say that two hours simply isn’t enough to flesh it out to its full potential. Broken City is a film that is filled with many great characters and story threads that needed more than just the 109-minute running time to tie everything all together.
Posted in: Disc Reviews by J C on May 13th, 2013
We all know what it feels like to nod off in the middle of a film. It starts with micro-naps that last a few seconds. They’re so short, we don’t even realize we’ve fallen asleep. But when we wake up, we feel totally lost because we’ve missed a line of dialogue or scene transition. I mention this for two reasons: 1.) the confused protagonist of Tomorrow You’re Gone floats through his life in a dream-like state and 2.) watching this incomprehensible mess of a movie constantly made me feel like I’d fallen asleep and missed something. That’s a problem because I was wide awake.
