Posted in: Disc Reviews by Brent Lorentson on June 17th, 2014
First I just have to say that the cover art design for this film is one of the best looking covers I’ve seen in a long time. The fact that they actually took the effort to get an artist to design their cover is simply the first step in sucking the viewer into this 80’s sci-fi/ horror realm. Looking at this cover simply reminded me of the days working in a mom-and-pop video store when most of the horror titles were not just a collage of pictures thrown together in Photoshop, but instead an artist would be assigned and create these beautiful and amazing covers.
When it comes to Almost Human, writer/ director Joe Begos seems to know exactly what it means to make an 80’s throwback film, and he welcomes the viewer to come along for the ride. It seems to be a trend with the new up and coming guys in horror to look to the 80’s horror genre, Ti West (House of the Devil) and Adam Green (Hatchet) are just a few of these throwback directors who seem to have a love and appreciation of the time period in horror and embrace it. Almost Human is a film that belongs on VHS, back in the era when practical effects still ruled the genre.
Posted in: Disc Reviews by J C on June 17th, 2014
“You are the most talented, most interesting, and most extraordinary person in the universe. And you are capable of amazing things.”
There’s a worthwhile message in The LEGO Movie about the importance of deviating from life’s instruction book and indulging your imagination. But for me, the biggest thrill came from the way it became the first film without Toy Story in its title to tap into the anarchic (and anachronistic) spirit of playing with toys.
Posted in: Disc Reviews by J C on June 16th, 2014
I hope everyone had a fantastic Father's Day! I've actually been lucky enough to have two strong paternal figures in my life (my dad and stepdad), which is much more than I can say for the young protagonist in Joe. The latest Southern Gothic drama from director David Gordon Green — adapted from the Larry Brown novel of the same name — features one of the very worst dads you'll ever see. To balance things out, the title character is one of the unlikeliest father figures in recent memory.
The movie's opening scene drops us right into the toxic relationship between 15-year-old Gary (Tye Sheridan) and his no-good alcoholic father Wade (Gary Poulter). Gary has been forced to become the provider for his family, which also includes his mom and sister. He goes looking for a job with a crew of workers tasked with deadening trees. (Poisoning weak trees so they die and can be cut down.) The crew is run by Joe (Nicolas Cage), a personable, authoritative ex-convict. Gary convinces Joe to give him a job, and the teenager proves to be a relentlessly hard worker. The same can't be said for Wade, and Joe gets a first-hand look at the abusive relationship between father and son. As Joe's bond with Gary continues to grow, the ex-convict — who struggles with his violent nature on a moment-by-moment basis — finds it increasingly difficult to resist getting involved in the young man's family drama.
Posted in: Disc Reviews by Gino Sassani on June 13th, 2014
"It's a different world out there."
You can say that again. The television landscape is changing, at least on cable. Ray Donovan is the latest in the string of new shows that are attracting talent once thought out of reach for television. A show starring Liev Schreiber and Jon Voight, this Showtime series looked to be something very special... and it almost is.
Posted in: Disc Reviews by Gino Sassani on June 12th, 2014
"You got a chapter in one of those books on jumping to conclusions?"
It's easy to jump to conclusions with a name like True Detective. The moniker conjures up images of the true crime pulp magazines of the 40's and 50's. You might get a sense that this is one of those "based on a true story" type of shows. There was even a second when I expected we might have our first "found footage" television shows. Whatever ideas you have going in, expect your perceptions to change. Whatever else it is or is not, True Detective is one of the most unique and atmospheric shows I've had the pleasure to watch. And that's just the opening credits.
Posted in: Disc Reviews by Brent Lorentson on June 12th, 2014
There have been more than a few films that have revolved around radio DJ’s. Good Morning Vietnam, Talk Radio, and Private Parts: these are just a few films that explore the world of the character behind the microphone, who speaks through our radios through the day-to-day grind. Now, following in the success of the Oscar nominated film Philomena, Steve Coogan steps into the radio DJ world as Alan Partridge. Most of us are used to listening to our local DJ’s who come on between songs and blast us with their obnoxious personalities, silly games and pop culture news of the day on our morning drive to work. But as the radio market seems to be phased out as listeners have options like Serius XM and personal listening devices loaded with music, the need for DJ’s is simply becoming a thing of the past. And that is where Alan Partridge starts off.
The local radio station is being bought out, and the radio talent is being phased out for newer and more polished voices to bring in the younger listeners. With his job on the line, Alan Partridge (Coogan) makes a feeble attempt to save his job by throwing another DJ, Pat Farrell (Colm Meaney) under the bus.
Posted in: Disc Reviews by J C on June 12th, 2014
“People believe money is a tool. Money is the master; the better you serve it, the better it treats you.”
That mantra — spouted by a ruthless hedge fund manager in Capital — may not be as succinct or as elegant in its simplicity as “Greed is good,” but the message remains the same. Most people see money as a means to an end, but to the financial masters of the universe in this French financial thriller, money is the end.
Posted in: Disc Reviews by Jeremy Butler on June 11th, 2014
“You’re not just an analyst anymore. You’re operational now.”
Witness the birth of -- actually make that rebirth of --one of the most popular action heroes in literature. Tom Clancy’s Jack Ryan has been a character of many jobs and many faces over the years. Baldwin, Ford, and Affleck have all stepped into the role of the man who has been a soldier, an analyst, an operative, and a president. Now Chris Pine looks to fill the shoes left behind by some of Hollywood’s heaviest hitters and try his hand at a retelling of the legendary character which also stars Kevin Costner and Keira Knightley, along with Kenneth Branagh who doubles as the film’s director. There are two clear differences between Pine’s circumstance and the others who have played Ryan: the story has been modernized to fit today’s setting, and Pine’s story is the only one not to be based on a popular Clancy novel.
Posted in: No Huddle Reviews by J C on June 11th, 2014
“Maybe you’re missing the real question: do you want to believe?”
Talk about a loaded question. If you apply it to the plot of Resurrection, it obviously refers to the formerly-deceased residents of Arcadia, Missouri who suddenly and inexplicably return home many years after their respective deaths. But I think the question also applies to the attitude modern TV viewers have toward any new network series. Before they decide to invest their time, those viewers "want to believe"…that an intriguing drama like Resurrection won’t get canceled after five episodes.
