Posted in: Disc Reviews by William O'Donnell on July 19th, 2014
Here comes Volume four of this clip commentary comedy show (CCC could catch on as a sub-genre title couldn't it?). This time we get two seasons worth of episodes; the “Collas” and “Exposed Arms” entitled seasons, as it were. Very little is different as far as format or new segments are concerned since the last time I wrote about this show.
YouTube had all but killed off the idea of mailing silly home videos to the likes of America’s Funniest Home Videos. These days, people prefer to stream dozens of videos on their computers and save themselves from the watered down jokes of Bob Saget or current host Tom Bergeron. Tosh.O takes a similar format of displaying such silly videos, but focuses on things that have gone “viral” online. Like AFHV, Tosh.O adds their own commentary and sketches to the presentation but in a much more crass, cable-savvy manner.
Posted in: Disc Reviews by J C on July 17th, 2014
“Who cares about a bunch of birds?”
Well, judging by the fact that the original Rio grossed $484 million worldwide, it seems more than a few people were invested. The avian adventure from Blue Sky Studios may not have soared as high as Disney/Pixar or DreamWorks Animation’s best efforts — or even Blue Sky’s own Ice Age juggernaut — but it proved to be a dazzling, lucrative diversion in the spring of 2011. This charming sequel, which arrived almost three years to the day later and grossed a near-identical $487 million worldwide, retains the disposable, toe-tapping charm of its predecessor.
Posted in: No Huddle Reviews by J C on July 16th, 2014
“The West — once a land of awesome but tranquil beauty — had become a battleground for a hundred diverse reasons.”
The “second” season of How the West Was Won — and I'll explain in a bit why the word “second” deserves to be in quotation marks — does a strong job dramatizing the myriad dangers of the Old West. This batch of episodes showcases vengeful gunfighters, greedy gold prospectors, a taxing cattle drive, and the tenuous relationship between frontiersmen and Native Americans. Of course, at the center of it all is one particularly intrepid clan.
Posted in: Disc Reviews by Gino Sassani on July 15th, 2014
There is nothing wrong with your monitor. Jonathan Glazer controls all that you see and hear. That tiny speck of light you see is just the beginning. The beginning of an experience you will not soon forget. The light appears distant...cold... foreboding. It's coming closer to us, or we are coming closer to it. The distant star grows while you are assaulted with some of the most bizarre sounds you have ever heard. It's somewhat uncomfortable. You squirm in your seat. The light grows; its alien forms finally settles into an unexpected familiar form. Still, it's all rather unsettling. Jonathan Glazer controls more than all you see and hear. For the next two hours he controls your sanity... your very humanity.
Your introduction to Under The Skin explains little. There are some general ideas you'll begin to assemble. You'll figure out rather quickly that Scarlett Johansson is an alien. The characters you'll encounter have no names. Many of them will not speak. After the first sensory experience, the film fools you into believing you're back on solid ground. Scarlett Johansson drives about the streets of Scotland talking to strange men. She asks directions and inquires about any family or friends they might have. It doesn't take us long to understand that she's hunting, attempting to separate a single prey from the pack. Before she snares her first victim, we know exactly what she's doing, even if we never understand completely why.
Posted in: Disc Reviews by Brent Lorentson on July 14th, 2014
"Isn’t it wrong to sing and dance when someone has just died?"
When I first hear a film is going to attempt to be a horror musical, all I can do is simply shake my head at the thought of how bad this may be. But that’s not to say that I couldn’t be very wrong. Repo! The Genetic Opera was a rock opera that I had a blast with, and I’m not ashamed to admit I even purchased the soundtrack after the release. Where my concern usually rests with the idea of horror musicals is that I’m worried it will turn out to be no better and possibly worse than The Rocky Horror Picture Show. I’ve never liked the film, and it’s just something I’ll never be able to understand, how it’s gotten such a ravenous cult following, though I can appreciate that Rocky does have an audience, and week after week fans turn out in costume to sing along and in some locations even perform along with the film. Stage Fright is a film that aims to attract that same audience that embraces Rocky, but goes a step further by delivering a solid slasher film as well.
Posted in: Disc Reviews by Archive Authors on July 14th, 2014
Nymphomaniac I and II are 117 and 124 minutes, respectively. There is a longer cut that may be released next year closer to 5 and ½ hours. The story is simple. It chronicles a conversation between two people. Joe (Charlotte Gainsbourg) is found bloody and beaten in an alley by an older man, Seligman (Stellan Skarsgard). He takes her to his sparse flat to care for her and help her. What takes place is a long conversation full of intellectual digressions about Joe. It slowly reveals what led to her downfall. Seligman is a sheltered bookworm who has a detached curiosity about her story.
The cast is impressive including Shia LeBeouf, Uma Thurman, Christian Slater, Jamie Bell, Willem Dafoe, Connie Nielsen, Udo Kier among others. The director is Lars von Trier, the famed Danish auteur and provocateur. Von Trier has always tried to find hidden and shameful areas of human behaviors in his films. Many of his films are rigorous exercises in the depths of human pain. They attempt to push expectations. They explore behaviors that seem too absurd to be real, but that is because most of us refuse to acknowledge certain parts of ourselves.
Posted in: Disc Reviews by Archive Authors on July 14th, 2014
Nymphomaniac I and II are 117 and 124 minutes, respectively. There is a longer cut that may be released next year closer to 5 and ½ hours. The story is simple. It chronicles a conversation between two people. Joe (Charlotte Gainsbourg) is found bloody and beaten in an alley by an older man, Seligman (Stellan Skarsgard). He takes her to his sparse flat to care for her and help her. What takes place is a long conversation full of intellectual digressions about Joe. It slowly reveals what led to her downfall. Seligman is a sheltered bookworm who has a detached curiosity about her story.
The cast is impressive including Shia LeBeouf, Uma Thurman, Christian Slater, Jamie Bell, Willem Dafoe, Connie Nielsen, Udo Kier among others. The director is Lars von Trier, the famed Danish auteur and provocateur. Von Trier has always tried to find hidden and shameful areas of human behaviors in his films. Many of his films are rigorous exercises in the depths of human pain. They attempt to push expectations. They explore behaviors that seem too absurd to be real, but that is because most of us refuse to acknowledge certain parts of ourselves.
Posted in: Disc Reviews by Gino Sassani on July 9th, 2014
Few musicians have enjoyed the career that Elton John has enjoyed. From the release of Your Song in 1969, he hasn't seen many years without hit records. He's had number one songs in every decade since that day, and the hits continue to roll in. When the music industry changed, Elton managed to change enough to keep up with the times, yet hold on to the poignant songwriting that has made his songs stand out. I've been a fan since the Goodbye Yellow Brick Road days of 1973. When I was a kid and listening to candy pop, that's what Elton was delivering. As I got older, it appeared Elton's music aged with me. It was the time of classic melodies and thoughtful ballads. As I grow older, I find Elton is still keeping up.
Elton always found ways to reinvent himself. He was introduced to a whole new generation of children with his award-winning songs on The Lion King. He's brought his music to the stage on Broadway and dabbled in the film industry. With a catalog that brings in over $6 million a year without lifting a finger, Elton remains one of the hardest working entertainers in the industry. Now in his 60's, Elton's taken the stage in Vegas. Unlike many of the performers before him who semi-retired in Sin City, Elton continues to deliver the same energy and passion he has for decades brought on the road. I've been to somewhere between 30 and 40 performances, and I've never been disappointed in the performance. His last show at USF had an uncharacteristically bad sound mix, but I know the songs well enough to keep up.
Posted in: Disc Reviews by J C on July 8th, 2014
Anyone who ever sat through an elementary school science class knows that about 70 percent of the Earth's surface is covered in water. We've all heard the spiel, but I don't imagine most of us spend much time contemplating how truly staggering that figure really is. Watermark seeks to convey the many different ways humans and the planet's water supply affect one another. The documentary is maddeningly scattered, but it also manages to capture and convey a small part of the world's awe-inspiring bigness.
Watermark is co-directed by documentary filmmaker Jennifer Baichwal and visual artist/photographer Ed Burtynsky. Baichwal previously directed 2006's Manufactured Landscapes, which starred Burtynsky and his large-format photographs. For Watermark, the filmmaker and her former subject have teamed up for a globe-spanning, bird's eye view at H2O.
Posted in: No Huddle Reviews by J C on July 3rd, 2014
“He's old! How he gonna relate to me?!”
For a good portion of his latest stand-up special, Sinbad playfully berates a 15-year-old audience member named Cory. It's mostly standard-issue, old man, “back in my day” ribbing. But the most incisive observation comes when Sinbad points out that Cory would probably much rather be in the audience for a Kevin Hart show. The feeling that Sinbad is no longer the hot comic of the moment — and hasn't been for a while — informs much of this inoffensive, baby boomer-friendly set.
