Posted in: Disc Reviews by Gino Sassani on September 19th, 2013
"After a half century of space exploration we're now being faced with what's long been a staple of science fiction: an orbiting junkyard of space debris."
There's an old saying that what goes up must come down. For most of human history that has been a pretty steadfast axiom. Of course any kid who has ever had a kite or a football stuck in a tree knows there are exceptions to every rule. But in the 1950's we began to place objects in orbit about the Earth. In recent decades the practice has almost become a frenzy. We have all of those cell phones, television networks and GPS devices that require more and more satellite support. It appears that the rule itself has changed. The fact is there are hundreds of thousands of "whats" that have gone up and will not come down at all, at least in our lifetimes. Space Junk 3D examines the ramifications of all of this floating space debris.
Posted in: No Huddle Reviews by J C on September 18th, 2013
If you’ve ever asked someone, "What kind of music do you listen to?", chances are you’ve heard the phrase “I like everything…except country.” By that logic, a significant portion of television audiences automatically dismissed ABC’s Nashville as soon as they saw the first commercial for the show (or heard its title). Well those people missed out on an entertaining, flawed drama with an impressive pedigree. Connie Britton and Hayden Panettiere might be the headliners, but the star of the show is usually the great music.
True confessions time: I was one of those “I like everything…except country” people during my more close-minded teenage years. I’m still not what you’d call a country music aficionado, but I am a Friday Night Lights obsessive who would watch almost anything starring Britton. (If the actress signed on for a TV adaptation of Gigli, I’d check out the first five episodes…especially if it co-starred Kyle Chandler.)
Posted in: Disc Reviews by J C on September 17th, 2013
Is the idea of a “low-budget epic” an oxymoron? I realize an ingenious filmmaker like Neill Blomkamp was able to make the $30 million District 9 look like it cost about five times that much, but I’m talking about really working with scraps. Heck, for $30 million, the filmmakers behind Viking drama Hammer of the Gods could’ve probably made this film 10 times. The Blu-ray case makes it seem like a SyFy-level production, but director Farren Blackburn admirably had his sights set considerably higher.
Viking ruler Bagsecg (James Cosmo) has been mortally wounded during his war against the growing Saxon resistance. From his deathbed, the king orders his son Steinar (Charlie Bewley) to locate banished oldest brother Hakan (Elliot Cowan) so that Hakan can take his rightful place on the throne. (Steinar has another older brother named Harald, played by Finlay Robertson, who also appears to have his sights set on the crown.) Steinar embarks on this mission flanked by his loyal crew: right-hand man Hagen (Clive Standen), superstitious Jokul (Guy Flanagan), and crass savage Grim (Michael Jibson). The foursome, along with a few unexpected allies, soon find themselves venturing into the heart of darkness.
Posted in: Disc Reviews by Gino Sassani on September 17th, 2013
"Mystic Falls. I was born here. This is my home. For centuries, supernatural creatures have lived among us. There are vampires, werewolves, doppelgangers, witches and even hybrids. There are those who protect them. And those who want them dead. They're our friends. Our enemies. The ones we love. And the ones we've lost. And then there is me. I'm human... at least I was."
And, of course, that was the big news as season 3 of The Vampire Diaries ended and season 4 begins. To save her life Elena was turned into a vampire by Damon's blood. She died in a crash while the blood was still in her system, and as Damon reminds us, we all know either you feed or you die. Those are the choices. What will she decide?
Posted in: Disc Reviews by Gino Sassani on September 17th, 2013
Rick Castle (Fillion) is a very successful mystery pulp-fiction writer with over 26 books hitting the best seller list. He’s rich, and he’s spoiled. He lives with his mother (Sullivan) who is pretty much a has-been actress who thinks she’s just one part away from stardom. He has a young teen daughter (Quinn) who is more responsible than he is. After having so much fun and inspiration tracking down his fiction copycat killer, he decides to pull strings and become an unpaid consultant for the team. At first that wasn't so good for team leader Detective Kate Beckett (Katic). Of course, now the whole sexual tension thing has been discarded, and they are an official couple these days. The team is also filled by a pair of detectives. Detective Javier Esposito is played by Jon Huertas and is the macho member of the team. Detective Kevin Ryan is played by Seamus Dever and is the more reserved member of the team, now trying to start a family. The team is led by the rough Captain Victoria Gates, played by Penny Johnson. She likes to think she's in charge, but she's not.
Nathan Fillion is one of those actors that are hard to pin down. He reminds me a lot of Bruce Campbell. He has a sudden disarming quality to him, even if he is not always the most likable guy in the show. Most fans will remember him as the fearless and cocky captain of the Serenity in Joss Whedon’s short-lived but critically loved Firefly series. He has that kind of charming smile and way about him that gets him out of a lot of trouble and makes you want to love him even as you hate him.
Posted in: Disc Reviews by Jeremy Butler on September 17th, 2013
Ever wondered what Jumanji would have looked like if it were rated R? Well, look no further than The Black Waters of Echo’s Pond. This B-movie focuses on the perils of secrets coming to life through the assistance of a demonic board game which ultimately leads to all kinds of destruction and mayhem. While watching, a thought occurred to me: Why is it that many of these movies start off the same way? With a tale of a place where several people have died under suspicious circumstances, and the first thing the characters do is rush off to this accursed place. Well, it’s safe to say that the film doesn’t really score points for originality in that aspect.
Turkey 90 years ago: an archeological dig unearths a mythical game said to have been played by demons. The explorers’ curiosity gets the better of them, and they reassemble the game and play; none survive. Fast forward to present day, a group of vacationing friends that includes rich jerkoff Rick (James Duval, Independence Day), twins Erica and Renee (Electra and Elise Avellan, Grindhouse), Kathy (Danielle Harris, Hatchet II) and her boyfriend Trent (Walker Howard, The Express), soft-core actress Veronique (Mircea Monroe, Hart of Dixie), as well as a few other friends make their way to the island expecting a fun-filled weekend. (Isn’t that how it always starts?)
Posted in: Disc Reviews by William O'Donnell on September 16th, 2013
Half of this story deals with a group of teenage faeries, who are smitten with some cute boys from a neighbouring magical kingdom, trying to connect with said boys. The other half deals with this same group of faeries and boys fighting against a trio of evil witches trying to steal all of the world's “positive magic.” In both halves there is a lot of girlish giggling, butterfly fluttering and sparkly colours....the enemy of any diabetic epileptic.
The plot wavers between flighty (pun sort of intended) teen romance, where the faeries focus their magical powers on obtaining cute-boys and cute-animal companions, and a action-fantasy filled with large scale battles with nightmarish monsters, complete with mass destruction of buildings, swordplay and vicious exchanges of energy blasts.
Posted in: Disc Reviews by J C on September 16th, 2013
I have a prediction about reality shows: with a new one seemingly sprouting up like a weed every few minutes, the number of people on television will eventually be greater than the number of people watching at home. Granted, some of these shows are amusing, educational and even inspirational. But too many of them reward negative, repulsive behavior with fleeting fame. Speaking of rewarding negative, repulsive behavior with fleeting fame, The Morton Downey Jr. Show was on the air for less than two years, yet that was long enough to earn its host the title of “Father of Trash Television.”
Evocateur chronicles the meteoric rise and spectacular fall of Downey’s controversial, wildly successful talk show in the late 1980s. Documentary filmmakers Seth Kramer, Daniel A. Miller and Jeremy Newberger frame their subject’s life story as an outrageous psychological drama. As a result, the film also delves into Downey’s past, including his childhood as the son of neglectful showbiz legend Morton Downey and an alcoholic mother, as well as his surprising ties to the Kennedy family in the 1960s. In fact, the film dedicates so much time to the past, the final act of Evocateur — and the final act of Downey's life — feels rushed. (He died of lung cancer in 2001.)
Posted in: Disc Reviews by William O'Donnell on September 12th, 2013
Modernizing Sherlock Holmes has been a popular trend in film and television lately. We have seen two slick action film adaptations courtesy of Guy Ritchie (Sherlock Holmes and its sequel), a contemporary BBC adaptation (Sherlock) and now there is Elementary, which transplants Sherlock Holmes and his loyal companion Watson from Victorian Era England to modern USA (New York, more specifically).
Jonny Lee Miller's portrayal of Holmes makes me want to start drawing comparisons to the title character in the medical drama House. Both shows surround an eccentric, drug-addict savant who blazes beyond socially acceptable behavior to a series of “aha!” moments. Granted, said “aha!” moments are much less contrived and formulaic than they are in House. It takes a little while for the show to get it's legs, but it does. The creators are clearly hoping the eccentric charm of Holmes can shoulder the burden of maintaining audience interest. Said eccentricity can come off a bit aimless at first. Sherlock has the ability examine people almost perfectly, yet the writers do not seem to have the character fully figured out, and there are too many moments where Holmes' odd behavior seems a bit tacked on, such as when he hypnotizes himself to get through an addiction support group meeting.
Posted in: Disc Reviews by Gino Sassani on September 11th, 2013
Mystery Science Theatre 3000 is an acquired taste. For me, I’ve really got to be in that certain mood to watch it. The idea is pretty whacked. Depending on the season you’ve got, Joel or Mike is trapped in space on the “Satellite of Love”. Doomed to spend his life watching very bad films, our hero makes the best of a bad situation. He uses his resources to construct a couple of robot pals. Together they watch the films from the front row, constantly riffing on them. If you’re like me, you’ve invited a few friends over to watch a schlock festival. The movies weren’t as important as the banter you created while watching. That’s exactly what you see here. The silhouettes of our host and his robots dominate the lower portion of the screen, where they provide alternative dialog and sometimes witty commentary on the action. The two evil station owners/mad scientists send them a new bad film each week to observe their reactions to the bombs. The films are broken up by off-the-wall skits and fake commercials to alleviate the tedium. The series started as a public access show in Minnesota and was picked up by Comedy Central, where the access quality remained as part of the show's charm. This is a show you could have produced for the cost of a lunch at McDonald's and remain on the value meal menu. What would happen if they got Hollywood money and a chance to go big?
The idea started actually while the show was quite young and still just a local phenom. It was the early Joel years, and ideas for a feature film were always flying among the writers. One of the early ideas had robot Crowe reproducing Steve McQueen's motorcycle stunt from The Great Escape, except this time it was to get to a sunbathing Kim Cattrall. Apparently Cattrall was into the idea, but costs and other factors killed the idea in the...well...idea stage. Other ideas included a musical. None of these ideas got off the ground, and the show continued to plow its television horizons, cultivating a bit of a cult following.
