Posted in: Disc Reviews by J C on September 12th, 2012
Less than 100 years ago, the Mexican government declared war on the Catholic Church. This movie tells the story of the ensuing conflict known as Cristiada (also called the Cristero War), which took place between 1926 and 1929. In showing us all the different ways war can affect a country and all the different ways rebels can contribute to a cause, the movie sort of forgot to tell us why the Mexican government declared war on the church in the first place.
For Greater Glory is told from the perspective of the brave souls who stood up to the oppressive Mexican government led by President Plutarco Elias Calles (Ruben Blades). This includes members of the non-violent National League for the Defense of Religious Liberty like real-life figure Anacleto Gonzalez Flores (Eduardo Verastegui) and a woman named Adriana (Catalina Sandino Moreno). The men and women who take up arms to join the cause — including a flashy, badass rebel named Victoriano “El Catorce” Ramirez (Oscar Isaac), who earned his nickname by single-handedly killing 14 men — are known as Cristeros.
Posted in: Disc Reviews by William O'Donnell on September 12th, 2012
There is a long line of adaptations of The Strange Case of Dr. Jekyll and Mr. Hyde, and here we have a modern re-telling of the classic horror tale. Like the original, Dr. Jekyll is experimenting on a wild potion, but while experimenting on himself a malevolent alter-ego named Mr. Hyde emerges from within him to go on killing sprees.
The original tale is told from the point of view of the attorney enlisted to help solve this problem. In this film, the attorney is both an aid to Jekyll and a love interest. While this added romantic element does make for some added moments of increased tension when Hyde attacks the woman Jekyll is falling for, it mostly just makes the movie feel more cliché and makes the flow of the story much more boring and predictable with the plot falling into the usual "final-girl" or "boy must save girl" trappings when relying on their relationship to be the anchor of the conflict, when there are so many more interesting elements at play.
Posted in: Disc Reviews by William O'Donnell on September 10th, 2012
Geared towards pre-schoolers, and their fascination with dinosaurs, this show teaches us about dinosaurs, one at a time, in 10-minute episodes. A group of young dinosaurs, eager to learn, travel on a magical train through time to meet the dinosaur highlighted in their episode.
This particular DVD collection focuses on the biggest of the dinosaurs, the sauropods (long neck behemoths). The lack of variety might hinder whatever education this show is wishing to tender to it's young viewers. Making a dinosaur one neon colour versus another doesn't do enough to distinguish each beast. There are unique mini-adventures attached to each lesson but there is hardly enough narrative or even gags for children to be grabbed by this. If your child happens to be a huge fan of this type of dinosaur...then by all means, feed them this assembly line of incredibly similar beasts.
Posted in: Disc Reviews by Michael Durr on September 10th, 2012
Remember when I mentioned the difficulty of reviewing a season in the middle of the show’s run? This week, I shall attempt to review two different HBO shows at the end of their respective run. Yes, I will be piecing together a show that is in its last season with very little (or no knowledge) of the seasons before. This should be a fun ride and our last entry is the third season of the HBO Comedy: Hung.
Our very own M.W. Phillips was able to review the second season of this show, so feel free to check that out.
Posted in: Disc Reviews by J C on September 10th, 2012
If you have a low tolerance for quirky indie comedies, just listening to the premise of Goats might be enough to make you gag. The film follows Ellis, a responsible 15-year-old Tucson boy who decides to attend a prestigious East Coast prep school. Left behind are his flaky, New Age-y mother and Goat Man, a pool man/weed grower who is also Ellis’s primary father figure. In case you’re already rolling your eyes, let me assure you there’s slightly more going on here than quirk for quirk’s sake.
The central joke is that the most stable adult Ellis (a mature, non-showy Graham Phillips) has ever known is Goat Man (David Duchovny), a kind soul who appears, at first glance, to have worse hygiene than the goats he spends most of his time with. Then again, Goat Man pretty much wins by default because Ellis’s mother Wendy (Vera Farmiga) is more interested in her own spiritual rituals and new boyfriend (Justin Kirk) than she is in trivial things like paying her bills. (Ellis handles all the finances.) Wendy, however, is lucid enough to become enraged when Ellis decides to attend Gates Academy, the same prep school where his father (Ty Burrell) studied.
Posted in: Disc Reviews by Michael Durr on September 9th, 2012
One of my strongest assets is my ability to compute numbers. It has helped me to excel at my paying position in the workforce as well as stay ahead when it comes to my finances. However, to date I have never really been placed in a position where my mastery of numbers would determine life or death. However, our movie today, Safe does involve a girl named Mei whose very life indeed could end on the basis of whether or not she can properly remember her numbers.
As our story opens, we find ourselves in a subway with a Chinese girl named Mei (played by Catherine Chan) who is very scared and alone. But if we transport ourselves just an hour earlier, we find that same girl in front of the Russian mob. Emile Docheski (played by Sandor Tecsy) demands that Mei give him the numbers. Numbers? Well, to understand that we need to travel to a year ago.
Posted in: No Huddle Reviews by J C on September 7th, 2012
James Caan and Paul Sorvino are prominently featured on the DVD cover of this true life gangster tale. (The cover also features a bloated Edward Furlong of Terminator 2 fame, but the trio only has a combined 20-25 minutes of screen time.) It’s almost as if the filmmakers figured that, by having supporting actors from The Godfather and Goodfellas, some of the greatness from two of the best crime films of all time would somehow rub off on their modest venture. As you can probably tell from the tone of this opening paragraph, it didn’t exactly work.
For the Love of Money introduces us to Izek (Cody Longo), a Tel Aviv teenager in 1973, and his colorful family. Izek and his cousin Yoni (Jonathan Lipnicki…yes, THAT Jonathan Lipnicki) dream of becoming successful enough to buy their own Ford Mustangs. Yoni’s brother Levi (Oded Fehr) is a bank robbing criminal, while Izek works in his older brother Jacob’s (Michael Benyaer) bar, which features an illegal casino frequented by local scumbags including wild card wannabe tough guy Tommy Goldberg (Furlong).
Posted in: Disc Reviews by Bob Ross on September 7th, 2012
What’s the latest home video gimmick? 3D, of course. And what’s the leading genre for cheap thrills on a low budget? The goofball horror movie, right? So it makes sense – sort of – for an enterprising filmmaker to throw together a low-comedy fright flick with cheesy gross-outs and bouncing breasts. See, in 3D, those babies can bounce big-time. And if that’s not enough boost for the boys in the audience, you also get severed heads, detached limbs, barf jokes and the dopiest plot this side of Lake Placid the Final Chapter. OK, you caught me. I never saw that one, it just sounds ridiculous.
But I did sit through Piranha 3DD, which was not difficult because (a) I still enjoy the novelty of 3D home video, (b) it’s only 82 minutes long, and (c) the film earns its R rating (for “sequences of strong bloody horror violence and gore, graphic nudity, sexual content, language and some drug use”) while refusing to take itself seriously for even a moment.
Posted in: Disc Reviews by Gino Sassani on September 7th, 2012
To the point, Criminal Minds is very compelling television. Ever since The Silence Of The Lambs and perhaps long before, we have been fascinated by serial killers and the profilers who try to get inside their heads. To see evidence of the continuing trend, one needs only look toward the success of films like Zodiac and shows like Dexter. Of course, serial killers are not the only prey this FBI team pursues, but they are certainly the marquee item on the agenda. To be sure, there are equally disturbing subjects such as arsonists, bombers, kidnappers, and rapists to give the show a touch of variety, but let’s face it, it’s the killers that keep us tuned so attentively to Criminal Minds.
Let’s not take anything away from the show’s true force here. This is an excellent cast being fed brilliant scripts playing to an awesome crew. Everything just clicks on this series, and it only got better in the second year. I am truly impressed with how much these characters are fleshed out and how much we learn about them without the need of office romance. No precious show time is squandered on excessive personal life stories. We’re given just enough to bring the characters alive beyond their team dynamic, which is quite strong. Each character is constructed through the subtle nuances the actors infuse their performance with. From the moment you watch your first episode, you will find this team believable enough to care about them and their work. Surprisingly, the show often gets muddled in a ton of exposition, but somehow it’s carried off by the cast so that you never find yourself going numb with clinical information overload. Granted, the material itself is attention-worthy, but these guys pull it off no matter how interesting the information might be. Add to the stellar portrayals a writing team second to none in the industry. The support teams do everything they need to make sure these talents are never wasted.
Posted in: Disc Reviews by J C on September 6th, 2012
Everyone on TV has nicer clothes and a bigger house than you do. And I’m not just talking about TV doctors or lawyers. Even small-screen characters with relatively modest incomes manage to live in palatial apartments. (Friends is probably the most famous example.) We complain about how unrealistic it is for a barista and a line cook to be able to afford such a nice place, but part of the appeal of turning on the tube is temporarily turning off our real-world problems.
CBS’s 2 Broke Girls — along with Fox’s Raising Hope and ABC’s The Middle — seeks to follow in the blue collar sitcom tradition of shows like Roseanne and Sanford and Son. (Though 2 Broke Girls is nowhere near as good as either of those shows.) Despite the fact that their apartment is big enough to literally fit a horse, 2 Broke Girls is one of the few shows on TV where the main characters actually worry about money. (Not counting shows where the main characters are gangsters or meth dealers.)
